Modern Creator
Ermia Ramez · YouTube

small, fast, stupid

The three-word rule this 11-minute short film gives for switching from watching to creating, and why copying your heroes' thinking, not their style, comes first.

Posted
1 months ago
Duration
Format
Essay
sincere
Views
787.8K
42.4K likes
Big Idea

The argument in one line.

The switch from consuming to creating happens by copying your heroes' thinking instead of their style, then starting inside deliberate limits: keep the project small, finish it fast, and let it be stupid enough that perfection stops being an excuse.

Who This Is For

Read if. Skip if.

READ IF YOU ARE…
  • You've been consuming books, films, or other creators' work for years but haven't started your own project because you don't feel ready or original yet.
  • You have real self-doubt about starting and want to hear that even working creators feel it before every project.
  • You're stuck waiting for better gear, a better location, or more experience before you'll let yourself begin.
SKIP IF…
  • You already ship regularly and don't need permission to start work — this is about the first step, not advanced craft.
  • You're looking for a technical filmmaking or camera-settings tutorial; this is about mindset and process, not gear.
TL;DR

The full version, fast.

The video argues that beginners stay stuck because they wait to find their voice before starting, when voice only shows up through the act of making things. Its fix: copy your heroes' underlying thinking rather than their surface style, keep a notebook of ideas you steal from what you consume, and work inside the real limitations of location and gear instead of waiting for ideal conditions. To beat the fear of starting, keep the first project small (a 3-6 minute piece), fast (finished inside 30 days), and allowed to be stupid, since removing the pressure to be perfect removes the excuse not to start. Long term, consistency matters more than talent or motivation.

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Chapters

Where the time goes.

00:0000:45

01 · The How

Cold open: the fear of not knowing where to start, or who you are yet, before you've made anything.

00:4501:42

02 · Start By Copying

Nobody is born with a voice. You start by pretending to be your heroes and reverse-engineering the work that inspires you.

01:4202:30

03 · "What to Copy" Is the Key

Copying the surface of a hero's work makes a knockoff. The real skill is copying the thinking behind their choices, not the choices themselves.

02:3002:53

04 · Write Everything Down

Write down every idea you steal from what you consume so you're not relying on memory when you're short on ideas.

02:5303:52

05 · Limitation / Location

Most creators start with no real location, working with whatever room they have. This video itself was shot in two bedrooms.

03:5204:25

06 · Use What You Already Have

Waiting for better gear delays starting. Soderbergh shot a feature film on a camera similar to the one used for this video.

04:2504:40

07 · Starting

You already have what you need. What's missing is the courage to take the first step.

04:4006:10

08 · Self Doubt

Self-doubt doesn't go away with experience. Even established creators describe daily anxiety before starting something new, and the move is to do it scared anyway.

06:1006:50

09 · Small, Fast, Stupid

Three constraints make starting easier: keep it small enough to do alone, make it fast enough to finish in under 30 days, and let it be stupid enough that it doesn't need to be perfect.

06:5007:38

10 · Doing the Work

Stop preparing and rehearsing. Press record and find out what happens.

07:3808:30

11 · Editing

The footage becomes something in the edit: assembling raw clips into a finished piece.

08:3009:10

12 · Showing the Work

Publishing means putting the work out while it's still uploading, unfinished-feeling and exposed.

09:1009:30

13 · Failure

The work might not take off, and that's a real possibility to sit with, not one to avoid discussing.

09:3009:50

14 · The Most Important Part

The most important part of the process isn't the outcome of any single project.

09:5010:25

15 · Consistency

Consistency beats talent, luck, and motivation over the long run. No book can substitute for actually showing up repeatedly.

10:2511:27

16 · Did You Have Fun?

The real test of whether to keep going is whether you enjoyed the process, not whether the project succeeded.

Atomic Insights

Lines worth screenshotting.

  • Voice isn't found before you start creating, it's built through the act of making things.
  • Nobody is born with a style. Every creator starts by pretending to be their heroes.
  • The goal of copying isn't to look like your heroes, it's to see like they do: steal their thinking, not their surface style.
  • Mimicking only the surface of someone's work without understanding their intentions produces a knockoff, not original work.
  • A roughly 50-50 balance between consuming and creating works better than consuming indefinitely before you start.
  • Writing down the ideas you steal from what you consume works around a real limit: your own memory.
  • Creativity is mostly the skill of working productively inside your limitations, not removing them.
  • Deliberate limitation, like one location or one lens, isn't a compromise, it can be the thing that produces the work at all.
  • Waiting for the perfect gear or space is itself a way of avoiding starting with what you already have.
  • Even established creators describe daily self-doubt before starting new projects; the feeling doesn't disappear with experience, you just work through it anyway.
  • Three constraints make starting easier: keep the project small enough to finish alone, make it fast enough to complete in under 30 days, and let it be stupid enough that perfection isn't required.
  • Removing the requirement to be perfect removes the pressure that keeps most first projects from ever getting made.
  • Consistency outperforms talent, luck, and motivation over the long run.
  • The best predictor of whether you'll keep creating isn't the result of one project, it's whether you actually enjoyed making it.
Takeaway

Start small, fast, and imperfect.

HOW TO START

The fastest way out of the watching-only trap is copying your heroes' thinking instead of their style, then shrinking the project until fear has nothing left to grab onto.

01The How
  • Voice comes from the act of making things, not from figuring out who you are before you start.
02Start By Copying
  • Start by pretending to be your heroes and reverse-engineering the work that inspires you across books, movies, and music.
03"What to Copy" Is the Key
  • Copy the thinking behind a hero's choices, not the choices themselves; surface-only imitation produces a knockoff.
04Write Everything Down
  • Write down every idea you steal from what you consume instead of trusting yourself to remember it later.
05Limitation / Location
  • Treat location limits as fuel, not blockers; deliberate constraint can be what produces the work at all.
06Use What You Already Have
  • Use the camera, lens, and room you already have instead of waiting for better versions of any of them.
07Starting
  • You already have what you need to start; the missing piece is the courage to take the first step.
08Self Doubt
  • Expect self-doubt to show up every time, even for people who've been doing this for years, and do the work scared anyway.
09Small, Fast, Stupid
  • Keep your first project small enough to finish alone, fast enough to complete in under 30 days, and allowed to be stupid so perfection can't stop you.
10Doing the Work
  • Stop rehearsing and preparing once the constraints are set. Press record and find out what happens.
13Failure
  • Treat the possibility of failure as real and survivable, not as a reason to avoid starting.
15Consistency
  • Consistency beats talent, luck, and motivation over the long run; no book can substitute for repetition.
16Did You Have Fun?
  • Judge each finished project by whether you enjoyed making it, since that's what predicts whether you'll keep going.
Glossary

Terms worth knowing.

The Creative Act
A book by musician and producer Rick Rubin about creativity as an everyday practice, credited in this video's description as one of its inspirations.
Steal Like an Artist
Austin Kleon's book arguing that all creative work builds on influences, and that consciously borrowing from your heroes is part of finding your own voice.
Resources

Things they pointed at.

NaN:NaNbookThe Creative Act by Rick Rubin
NaN:NaNbookSteal Like an Artist by Austin Kleon
NaN:NaNbookFeel Good Productivity by Ali Abdaal
NaN:NaNtoolMusicbed
Quotables

Lines you could clip.

00:08
It's in the act of making things that we figure out who we are.
clean standalone thesis line, no setup neededTikTok hook↗ Tweet quote
01:59
You don't want to look like your heroes. You want to see like your heroes.
tight, quotable reframe of the whole video's argumentIG reel cold open↗ Tweet quote
02:55
Creativity is mostly about learning how to work with your limitations.
punchy standalone claimnewsletter pull-quote↗ Tweet quote
06:09
Quit preparing. Quit rehearsing this damn thing. Press record. Let's go. Let's find out.
high-energy call-to-action momentTikTok hook↗ Tweet quote
10:06
Consistency will always pay off. It will beat talent, luck, motivation and everything else in the long run.
strong closing thesis, works standalonenewsletter pull-quote↗ Tweet quote
The Script

Word for word.

Read-along

Don't just watch it. Burn it in.

See every word as it's spoken — crank it to 2× and still catch all of it. The same dual-channel trick behind Amazon's Kindle + Audible.

metaphor
It's like, I want to start. I really do. I just don't know how.
I can't even choose a subject. Maybe I should wait until I know who I am. I still don't know what my voice is.
Well, it's in the act of making things that we figure out who we are. So the sooner you start, the sooner you will find your voice. It's just hard to know where to start.
Okay. Do you know what you like? I do.
Well, based on my experience, one of the best places to start is by pretending to be our heroes.
Exactly. Nobody's born with the style of voice. At first, we learn by pretending to be our heroes.
by reverse engineering the works that inspires us.
Steal the good ideas from everything that resonates with you. Books, movies, music.
Because you're only going to be as good as the stuff you surround yourself with.
But there also has to be a balance between your consumption and creation. A 50 -50 ratio works the best, so it's better to start practicing, especially while you're still learning. At the end, who to copy is easy, but what to copy is the real key.
For example, if you like the look of David Fincher's films, but you only mimic the surface of his work without understanding his intentions, your work will always be just a knockoff. You don't want to look like your heroes. You want to see like your heroes.
So instead of stealing the style, you steal the thinking behind the style. The reason you copy your heroes is not to become them. It's to somehow get a glimpse into their minds.
To try to see the world the way they do. As Conan O 'Brien said, it's our failure to become our hero that ultimately defines us and makes us unique.
After collecting all these ideas, don't just leave them in your head. Put them down in a notebook. It makes them much more memorable and whenever you're short on ideas, you can always come back to it.
It helps you work around the limitations of your brain. Because creativity is mostly about learning how to work with your limitations.
And limitations can come in many forms. For most creators, location is the main obstacle. But almost every successful person I know started with what they had.
Most of them started in their bedrooms.
And to really probe in this point, they're shooting this entire video in two bedrooms too. You can elevate the look of any space with just windows and a few practical lights. When it comes to creative work, limitations can mean freedom.
That's why so many great filmmakers decided to shoot their entire feature film in just one single location.
And the same principle applies to equipment. Having all the tools and instruments won't make you start. Sometimes the best way to overcome creative block is to give yourself limitations.
Many filmmakers have done exactly that by shooting entire films with just one lens. Soderbergh made his last film with just one lens and a mirrorless camera. A very similar camera to the one that we're using to shoot this video.
So instead of waiting for the perfect conditions, start with the time, space and tools you already have. Okay, what now? Now, you get to play.
You have everything you need. You just need the courage to take the first step. I'm gonna kill it.
What if I suck at this?
What if people make fun of me?
I feel like maybe I'm not ready to start yet. You're not the only one who feels that way though. Even people at the very top still have those feelings.
You don't ever have a day where you sit down there and it's like constipation and you write a sentence and you hate the sentence and you check your email and you wonder if you had any talent after all and... Maybe you should have been a plumber. Don't you have days like that?
Do I ever doubt myself? Often? Yeah.
All the time. When we're starting a new project, I always have anxiety. Really?
Always. Because I don't know what's going to happen. I mean, if you're scared, if it all seems like too daunting, if the machinery of it all seems too big and scary and overwhelming, it's great.
You wake up in the morning and you do it anyway. If it seems impossible, it's even better. You do it anyway.
That's doable. Sometimes we get to get passed out and just say, boom, you know what? Quit preparing.
Quit rehearsing this damn thing. Press record. Let's go.
Let's find out.
There are still two things that make getting started easier. Number one, keep it small. Okay, how small?
Small enough that you could do it yourself. A short story, like a three to six minute video. Number two, make it fast.
Something you could finish in less than 30 days. And number three, it can be stupid. When you know it's not supposed to be perfect, there's no pressure.
That's it? Yeah, pretty much. It's up to you now.
You know, there is still one chapter left in your journey. Probably the most important one.
We never know which one of our projects will take off. But you can be 100 % sure that consistency will always pay off. It will beat talent, luck, motivation and everything else in the long run.
Every creator gets better through repetition and every success is built on consistency. But no book can truly teach you how to be consistent.
The only way is probably to look back at all the time you invested in your last project and ask yourself, did I have any fun? Did I actually enjoy those days? Because I think enjoying the process is the only reason we've been able to spend 100 days on this video alone, regardless of the outcome.
So, if you look back and feel the same, just keep going. Because I'm sure as hell, you will make it.
The Hook

The bait, then the rug-pull.

Before any chapter title or book credit shows up, the video opens on someone talking herself out of starting: not sure what to make, not sure she knows who she is yet. The eleven minutes that follow are this channel's answer to that exact stall.

Frameworks

Named ideas worth stealing.

01:59concept

Copy the thinking, not the style

Instead of imitating a hero's surface choices, study the intentions and thinking behind them. Surface-only imitation produces a knockoff; understanding the thinking behind it produces original work.

Steal forany 'inspired by' creative brief, so the result reads as original instead of derivative
06:10list

Small, Fast, Stupid

  1. Small — short enough to do it yourself, like a 3-6 minute video
  2. Fast — something you can finish in under 30 days
  3. Stupid — it's not supposed to be perfect, so there's no pressure

Three constraints that make starting a first project easier by removing the excuses that come from scope, timeline, and perfectionism.

Steal forany new content format someone wants to test before overbuilding it
CTA Breakdown

How they asked for the click.

MENTIONED ON CAMERA
FROM THE DESCRIPTION
PRIMARY CTAWhere the creator wants you to go next.
OTHER LINKSAlso linked in the description.
Storyboard

Visual structure at a glance.

cold open
hookcold open00:00
small fast stupid
valuesmall fast stupid06:10
uploading
climaxuploading08:30
did you have fun
closedid you have fun10:25
Frame Gallery

Visual moments.

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