Claude Code vs. Codex: An 8-Site Head-to-Head Design Test
Same prompts, same brand kits, two coding agents — one landing page built by each, eight times over, scored on design and on the bill.
August 26thA designer builds a construction company's landing page in Figma, generates every photo and build-timeline video with AI, then hands the whole thing to Claude Code to assemble.
When a client has zero photography, AI image and video generation can produce the entire visual asset set for a real landing page, and a Figma Dev Mode prompt handed to Claude Code turns that design into working code far more reliably than exporting a screenshot.
Kyle Skelly designs a landing page for a fictional construction company entirely in Figma, using Geist for type and a dark theme, then generates every piece of photography (an excavator, a luxury house) with Higgsfield's image models since the client has no real photos. For the site's build-timeline section he uses Higgsfield's new Seedance 2.5 video model to animate a house being constructed, first as four separate 5-8 second clips (which breaks visual consistency between stages) and then as one continuous 20-second orbiting flyover generated against a single end-state reference image, which fixes it. He hands the finished Figma frame to Claude Code through Figma's Dev Mode copy-paste prompt rather than exporting a screenshot, picks the Fable 5 model, and gets a close-to-pixel-perfect build on the first pass that he then wires the Seedance video into as a scroll-bound, sticky-positioned animation.
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States the plan: Figma for design, Higgsfield for images and video, the new Seedance 2.5 model, and Claude Code for the build. Names Higgsfield as the video's sponsor.

Sets up a MacBook Pro 14 frame, a near-black theme with a slight green tint, a 12-column grid, logo and nav placement, and Geist as the site-wide font. Plans the hero around a big excavator with a luxury house in the background since the client has no existing photography.

In Higgsfield, tests the same cinematic-excavator prompt through Nano Banana Pro and GPT Image 2 side by side, picks the strongest result, and drags it into the Figma hero.

Positions the excavator image and a call-to-action box with background blur, sets oversized bold Goldman type with tight letter spacing, and uses Figma's boolean 'subtract' operation to cut the headline out of a shape so it reads over the photo without a heavy overlay. Adds a progressive blur at the frame's bottom edge for depth.

Skips ahead a couple hours to a finished design: hero, about section, a storytelling section earmarked for Seedance animation, stats, recent projects, and footer. Every image on the page is AI-generated.

Explains two handoff options: exporting the whole design as a JPEG (Claude guesses fonts and sizes, assets still need manual export) versus Figma's Dev Mode, which generates a copy-pasteable prompt describing the frame exactly. Pastes that prompt into Claude Code and picks the Fable 5 model over Opus 5 for a better result.

While Claude Code builds in the background, generates an 8-second Seedance 2.5 orbiting flyover of a house foundation being poured and walls going up, muted, 16:9, high bit rate.

Reviews Claude's first pass, close to the Figma file with a few border-stroke bugs, then instructs Claude to make the hero and build-timeline sections full viewport height and bind the downloaded Seedance clip to scroll-based playback so the section stays sticky while scrolling scrubs the video from 0% to 100%.

Scrolls the live build and confirms the section pins in place, a progress bar tracks scroll position along the bottom, and the video plays through as designed.

Generates three more Seedance clips as separate stages (framing/roofing, then further stages) referencing the prior clip's end state. Visual consistency degrades between stages, the floor plan shifts and the roof shape changes, undermining the 'luxury build' framing.

Abandons the separate-stage videos and instead generates one continuous 20-second, four-stage orbiting flyover referencing a single end-state project image, keeping the finished look consistent throughout instead of drifting between separate generations.

Attaches the single 20-second video to Claude Code (5 seconds per stage across the clip), makes final design tweaks, and reveals the finished site with its animations and tidied layout.

Pitches his paid course (40+ video lessons, 25+ premium templates including this build), thanks Higgsfield as sponsor, and closes with a standard subscribe ask.
Both halves of this build, the Figma-to-code handoff and the AI video generation, work better when the AI is given one complete, structured reference instead of being asked to guess or to stay consistent across separate calls.
“We'll simply say, build me out this landing page design.”
“So this should be an orbiting flyover over our foundations getting built.”
“Just the house time lapse as if being built by itself.”
See every word as it's spoken — crank it to 2× and still catch all of it. The same dual-channel trick behind Amazon's Kindle + Audible.
Kyle Skelly opens with the plan stated flat: design and build a construction-company website using Figma, Higgsfield, and the newly landed Seedance 2.5 video model, then hand the whole thing to Claude Code.
The four-stage pipeline the whole video demonstrates: a client with no assets gets a fully designed, fully animated site without a photographer or a video crew.
“my online course is now officially live and you get access to over 40 video lessons and you get access to over 25 premium templates including this one”
soft-landed after the reveal, tied directly to the template just built, then a separate sponsor thank-you (Higgsfield) and a standard subscribe ask
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Same prompts, same brand kits, two coding agents — one landing page built by each, eight times over, scored on design and on the bill.
August 26thA screen-recorded build of a full 3D motion graphic inside CapCut, using a Claude Code-generated asset and an image-to-video AI to carry it past the timeline's edge.
August 21stA free Claude Code skill interviews you about your brand and journey, generates or reuses your assets, then builds a scroll-synced site and checks its own work before handing it back.
August 22ndA free, open-source Remotion project turns Claude Code into a director that layers AI art, AI voice, and code-driven animation into a chess lesson, a kids' story, and a paper documentary from one codebase.
August 1stA screen-recorded walkthrough of turning one long prompt — or one saved skill file — into a fully rendered Vox-style paper-collage explainer, script through voiceover, using Claude Code and the Higgsfield MCP.
July 27thA five-step AI pipeline — generated painting, AI video, frame extraction, dithering, and free deployment — that turns a couple dollars of image and video credits into an animated, expensive-looking website hero.
July 29th