The argument in one line.
High-quality reel editing is a repeatable system, not a talent: build a reusable template once, cut ruthlessly to the flow, then layer keyframed motion so a plain talking-head clip reads as premium.
Read if. Skip if.
READ IF YOU ARE…
- A complete beginner who has never opened Premiere Pro or After Effects and wants one linear path from blank project to exported reel.
- A freelance editor who wants to systematize their workflow with reusable templates and animation presets so the fifth reel is far faster than the first.
- A coach, creator, or business owner who wants to edit their own high-authority reels instead of paying an editor.
- An intermediate editor who can skip to Module 3 for the specific motion techniques: eyes-on-a-line zooms, null-object moves, 3D cameras, and path animation.
SKIP IF…
- You want a fast 10-minute overview; this is 8+ hours of real-time, over-the-shoulder editing.
- You edit horizontal long-form or cinematic film and need color grading or multicam depth rather than vertical social reels.
- You already animate fluently in After Effects and just want advanced expressions or scripting.
The full version, fast.
Pablo Quesada teaches reel editing as a three-module system built once and reused forever. Module 1 sets up an efficient workflow: three-folder organization, a defined editing signature, and a reusable Premiere Pro template holding your sound effects and overlays. Module 2 covers fundamentals: record 4K but edit 1080p for Instagram, sync audio, rough-cut to about 40 seconds with the Q shortcut, color correct subtly on an adjustment layer, sketch each segment before animating, and rotoscope the speaker so elements sit behind them. Module 3 is the craft: hook zooms that keep the eyes on one line, null objects for grouped moves, 3D cameras with an orbit null, icons animated along a path, then overlays, sound effects, music, and styled captions back in Premiere. The recurring lesson is that presets and templates make quality fast.
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00:00 – 06:03
01 · Intro and promise
Shows the finished reel, lays out the three modules, and challenges you to practice 1-2 hours a day for 30 days and document it on X.
06:03 – 14:03
02 · Mod 1: Files organization
Download assets and organize into three top folders (you, assets, clients) with a per-reel folder holding images and renders.
14:03 – 20:39
03 · Mod 1: Editing style / signature
Define fonts, colors, and overlays via market research; keep it clean and high-quality; shown with a real Airbnb client example.
20:39 – 33:51
04 · Mod 1: Premiere Pro template
One project for many videos; build a template bin with a 1080x1920 sequence and sub-bins for SFX, overlays, and music.
33:51 – 56:53
05 · Mod 2: Preparing footage
Edit 1080p even though you record 4K; sync mic audio; rough-cut to ~40s with the Q shortcut; color correct on an adjustment layer; export a prepared master.
56:53 – 1:04:57
06 · Mod 2: Ideation
Before animating, sketch what each segment gets; work in batched productivity blocks (prep all, ideate all, animate all).
1:04:57 – 1:30:13
07 · Mod 2: After Effects template
Mirror the Premiere setup in AE; learn anchor points, shapes, gradients, keyframes, easing (F9), the speed graph, and saving animation presets.
1:30:13 – 1:44:19
08 · Mod 2: Rotoscoping
Duplicate the speaker clip and use the Roto Brush to separate the subject so elements can sit behind them; mute the duplicate's audio.
1:44:19 – 2:47:57
09 · Mod 2: Creating elements
Gather images and icons (Justin Welch, XP, 3D gem, social icons) via Google and Canva, remove backgrounds, keep a tight palette; build all the text and shapes.
2:47:57 – 2:59:47
10 · Important Note: the online ecosystem
Non-technical big-picture segment: editing is a means to build authority or serve authoritative creators; introduces the 'online ecosystem' framework and mentorship CTA.
2:59:47 – 3:44:45
11 · Mod 3: The hook
Empty the disk cache, then build the hook: eyes-on-a-line intro zoom-out, ease with F9 and the speed graph, save as a preset, mirror the zoom onto the rotoscoped clip.
3:44:45 – 4:51:08
12 · Mod 3: Null object
Parent a background to a null and keyframe the null for smooth grouped motion that would clash if keyframed directly on the layer.
4:51:08 – 5:31:34
13 · Mod 3: Adding effects
Keyframe in the segment elements with in-animations only (slide-up, typewriter, highlight) since overlays cover the seams between segments.
5:31:34 – 5:57:07
14 · Mod 3: 3D cameras
Create a camera, convert layers to 3D, add an orbit null, use the two-view workspace to fly the camera between elements (the $1,000 + XP scene).
5:57:07 – 6:19:29
15 · Mod 3: Subtitles / text
Frame and animate the on-screen text segments, matching the video's zoom framing.
6:19:29 – 6:35:53
16 · Mod 3: Editing along a path
Animate the XP icon along a drawn line by copying the shape's path and pasting it onto the icon's Position property.
6:35:53 – 7:26:30
17 · Mod 3: Editing the CTA
Build the final Loom-video / online-ecosystem segment and the call-to-action, keeping everything clean and on-brand.
7:26:30 – 8:01:07
18 · Mod 3: Overlays, SFX and music
Back in Premiere: import the AE render, add overlays on a new track to hide seams, then drag in sound effects, hits, and music from the template.
8:01:07 – 8:20:46
19 · Mod 3: Creating captions
Use Premiere's Transcribe, generate captions at ~12 chars single-line, style one (Owner's Black, fill + soft shadow, big, safe-frame) and copy the style to the rest, then export.
8:20:46 – 8:24:02
20 · Congrats and final CTA
Recap of the whole system, restates the 30-day practice challenge, and points beginners to the free community, advanced viewers to the mentorship, and creators to reach out.
Lines worth screenshotting.
- Record in 4K but edit and export at 1080p for Instagram; downscaling 4K to HD keeps the sharpness while meeting the platform's cap.
- Organization is speed: three top folders (you, assets, clients) and one folder per reel with images and renders subfolders removes all the hunting mid-edit.
- Use one Premiere project for many videos, not one project per video; a shared template bin makes every future reel drag-and-drop.
- The Q shortcut ripple-deletes and snaps the playhead in one move, so trimming breaths and filler down to 40 seconds is fast.
- Never make a harsh mid-word cut; keep the audio waveform flow intact or the reel feels choppy no matter how good the animation is.
- Color correct once on an adjustment layer above all clips instead of grading each clip; over-correction is the single most common beginner mistake.
- For any zoom, drag a guide line to the subject's eyes and keep the eyes on that line through the whole move so the zoom reads clean.
- Ease keyframes with F9, then reshape them in the graph editor's speed graph; that curve is the difference between amateur and buttery motion.
- Save every reusable move as a named animation preset (intro-zoom-out, slide-in-up) so you never rebuild the same keyframes twice.
- A null object lets you parent and keyframe several layers together for smooth grouped movement without needing a 3D camera.
- Rotoscope with the Roto Brush to cut the speaker from the background so elements can sit behind them; mute the duplicate clip's audio or After Effects lags hard.
- Animate an icon along a path by copying the shape's path and pasting it onto the icon's Position property.
- Create captions at about 10 to 15 characters per line, single line, then style one and copy that style to all the rest instead of formatting each.
- Editing is a means, not the end: you either build your own authority with it or save time for a creator who already has authority and will pay you.
- The hook deserves the most editing time because it is the first and most important part of the reel.
Quality reels are a reusable system, not raw talent.
WHAT TO LEARN
Build the template and presets once, cut ruthlessly to the audio flow, then layer eased motion, and a plain talking-head clip reads as premium every time.
02Mod 1: Files organization
- Organize into three folders (you, assets, clients) with a per-reel images and renders folder; the time saved hunting for files is the real speed gain.
04Mod 1: Premiere Pro template
- Use one Premiere project with a shared template bin for many videos, so your fifth reel is drag-and-drop instead of built from scratch.
05Mod 2: Preparing footage
- Record in 4K but edit and export 1080p for Instagram; the downscale keeps 4K sharpness while meeting the platform cap.
- Trim to about 40 seconds with the Q shortcut, cutting breaths and filler but never mid-word, so the audio keeps its flow.
- Color correct once on an adjustment layer and keep it subtle; over-correcting every clip is the most common way beginners make footage look worse.
07Mod 2: After Effects template
- Save every repeated move as a named animation preset so quality compounds instead of being rebuilt each time.
08Mod 2: Rotoscoping
- Rotoscope the speaker with the Roto Brush to place graphics behind them, and use null objects to move grouped layers smoothly without a 3D camera.
10Important Note: the online ecosystem
- Treat editing as leverage: it either builds your own authority or saves time for a creator who already has authority and will pay you for it.
11Mod 3: The hook
- For any zoom, keep the subject's eyes on a fixed guide line, then ease keyframes with F9 and reshape the speed graph for professional smoothness.
19Mod 3: Creating captions
- Style one caption (big, single line, Owner's Black, soft shadow, safe frame) and copy that style to the rest rather than formatting each one.
Terms worth knowing.
- Rotoscoping
- Cutting the moving subject out from the background frame by frame (via the Roto Brush) so you can place graphics or video behind the person, similar to CapCut's cutout feature.
- Null object
- An invisible, empty layer in After Effects. Parent other layers to it and keyframe the null, and all the children move together, useful for smooth grouped motion.
- Adjustment layer
- A layer that applies its effects to everything beneath it, letting you color correct an entire timeline once instead of grading each clip.
- Orbit null
- A null tied to an After Effects camera that makes it easy to rotate and fly the camera around 3D layers without manually keyframing camera position.
- Speed graph
- The graph-editor view that plots how fast a property changes over time; reshaping its curve is how you make eased keyframes look extra smooth.
- Animation preset
- A saved set of keyframes and effects you can drag onto any layer to reapply the same move instantly.
- Editing signature
- A creator's or brand's defined look: chosen fonts, colors, backgrounds, and overlays that keep every video visually consistent.
- Segment
- In this workflow, each piece of footage created by a cut; each segment gets its own planned animation idea during the ideation step.
Things they pointed at.
01:03toolAdobe Creative Cloud (Premiere Pro, After Effects, Photoshop, Adobe Fonts)
00:18channelJustin Welch (LinkedIn creator cited on generic content vs essence)
01:48toolCanva (background removal, transparent PNGs)
33:00toolBlackmagic-style manual iPhone camera app (white balance, ISO, bitrate control)
2:48:40toolMiro (whiteboard for the online-ecosystem diagram)
2:57:00productPablo's 1-on-1 mentorship (limited spots)
Lines you could clip.
00:14
“Basic content is dying, but let me actually tell you why that is good news.”
00:27
“What's working right now is essence.”
02:54
“Even though it's a simple reel, and I preach to have an efficient workflow so we can edit fast, this tutorial is very long because we are laying the foundation.”
34:32
“The goal is to do high-quality edits in the fastest time possible.”
2:18:00
“It doesn't matter if you continue learning if you don't understand this big picture.”
8:24:00
“You are the niche. It's not that you talk about one thing, you are the niche.”
Word for word.
Read-along
Don't just watch it. Burn it in.
See every word as it's spoken — crank it to 2× and still catch all of it. The same dual-channel trick behind Amazon's Kindle + Audible.
metaphoranalogystory
00:00In this video, we will go from complete beginners to professional video editors using Adobe Premiere Pro and After Effects. But before we start, guys, let me show you how you will be able to edit by the end of this tutorial. Basic content is dying, but let me actually tell you why that is good news.
00:18Based on the LinkedIn expert Justin Welch, posting generic content like quick tips, how to's, or even chat gbt generated content doesn't work anymore. . Now, let me actually tell you what that means.
00:31When you overcome a challenge or you solve a problem in your life, you gain genuine expertise and insights. But it is only when people see that you overcome a challenge that they wanna solve when they truly connect with you.
00:44There is a system to share your insights and expertise in an original and honest way. I call it the online ecosystem and I just recorded a video explaining how it works. If you want the video, just comment the word system and I will send it over to you.
00:57Okay, guys. So before we start in everything, this is the workflow that we are gonna be following. I highly suggest getting Adobe Creative Cloud.
01:05I personally got it, for the first year, depending on the country. Right? But on my country, I was able to pay, like, $30 a month and get all the tools.
01:14Okay? And as I'm gonna show you, we're we can get Premiere Pro, After Effects, but even more than that, we can get Photoshop, and I was even able to get fonts from the Adobe Creative Cloud, and fonts are something crucial for the editing style as we are gonna learn through the tutorial.
01:31Okay? So I highly suggest getting the Adobe Creative Cloud, but, that's on you. I'm gonna leave the link on the description.
01:37If you wanna get that and support the channel, you will be highly supporting the channel. But, you know, if you already have it, that's really fine.
01:44Um, now let's move on here. So we're gonna be, uh, using Premiere Pro, okay, in order to prepare the footage, the audio, do color correction, and all that stuff, then we're gonna jump into After Effects to do the animations, and we're gonna be using things like Canva and Google Chrome to get the assets as as you guys are gonna see.
02:04And then we're gonna jump again on Premiere Pro to finish the details, things like sound effects, music captions, and stuff like that. Now here are the modules for the tutorial.
02:15Guys, I know this is a long video. By the time I'm recording this, um, I don't know. I'm editing the modules, and it's around seven hours, something like that.
02:24So I know it's really long, but just think about this. How long does it take for a school day or university day or high school day?
02:33Right? It's like anywhere from six to eight hours. Right?
02:36So I highly, um, just encourage you to watch the whole tutorial. It's gonna it can take you some days. That's really fine.
02:43But you're gonna we're gonna be learning a bunch of stuff here because I really went on detail on everything. Okay? Even though it's a simple reel and I preach to have an efficient workflow so we can edit fast, even though I preach editing fast, this tutorial is very long because we are laying the foundation.
03:01Okay? So if you can take six to eight hours for one day of a school, I don't see it crazy to take seven hours to watch a tutorial that where you're gonna learn a lot, guys.
03:13You're gonna learn a lot. So the first module is efficient workflow where we're gonna build an efficient system, um, with file organization, edit and style Premiere Pro dashboard, and a template for Premiere Pro.
03:25Um, this is very important to have an efficient workflow, and then we're gonna go over the fundamentals. So understanding video editing. Okay?
03:31Preparing the footage, ideating the After Effects dashboard, the template, animation fundamentals. Okay?
03:38In module three, advanced editing. So become a pro. Rotoscoping, shape layers, key frames, null object, bits, After Effects effects, three d cameras, a bunch of stuff.
03:49Okay? Adding sound effects, captions. Um, so note, the video will be divided by chapters, so you're gonna be able to see the chapters right now on YouTube.
03:57There are a lot of chapters, but and and based on your level, so if you're a beginner, you can watch the whole thing. If you're a little bit advanced, you can go to the chapters that work for you.
04:06Mainly, the chapters that will work for you is advanced editing. But, again, guys, you wanna go through the whole thing so you can actually learn the big picture of what I'm teaching here because I'm not only teaching video editing as you're gonna see as I explain. I'm teaching, like, a whole skill that you can use in many different ways in order to create the life that you want to make money, to help clients, to help creators, and to even help yourself and build your own brand.
04:31Okay? So, um, important note, guys, this channel will not be about video editing anymore. Okay?
04:38It will not be about video editing anymore, but I still wanted to share all the knowledge I have about video editing with you guys. Why? Because I believe anyone can learn this skill for free.
04:48That's why I'm doing this tutorial, and that's why it's this really long tutorial. Uh, and I'm not take it's not that some people do, like, ten hour tutorials, but they are just taking all their videos from their channel, putting them together, and then making a ten hour tutorial. But what I'm doing is I'm creating a tutorial from scratch.
05:07I'm new I'm not recycling any videos here. I'm creating a tutorial from scratch.
05:12So and if I'm gonna like, if you need as you're gonna see, if you need any additional Vanuatuan support, I can help you with that. Okay?
05:19But that's for later. You guys are gonna see just a quick note that I do. Now I just challenge you I just challenge you to watch the whole tutorial.
05:29Practice one to two hours for thirty days straight and document the whole process on x. Okay? I'm gonna explain why again.
05:35You're gonna find a segment, an important note that I do through the tutorial, um, of why I'm telling you I'm telling you to do this. Okay? So once you do that, focus on getting your first one to three clients in the next thirty days.
05:49If you're doing this in order to get clients, if you're not doing this in order to get clients, then just focus on getting better for your personal brand and creating amazing content. So with that being said, um, we can now move on, uh, to the actual tutorial.
06:08Okay, guys. So, uh, the first thing that we wanna do is to download all the things, the videos, and assets that we will need for the tutorial. Okay?
06:17So I left a link on the description to this Google Drive where you can download the video. Okay? This is gonna be the reel that we're gonna be editing.
06:25Just download it anyways. And the audio. Okay?
06:29So just put it on downloads on your computer and the microphone as well.
06:35Put it in downloads. Just click save here. By the way, I'm on MacBook right now.
06:39My previous tutorials were about, um, I was editing on Windows previously, but now I'm on MacBook. So just keep that in mind. Okay?
06:48Uh, now we have Gumroad. So I left some options for you guys because we are going to need video editing assets.
06:55We're gonna be using, um, video editing assets for the tutorial. I left so much options. Feel free to choose the one that you guys the the one that fits for you.
07:05Okay? You have the basic pack. Um, you have the full pack, the premium pack, and you also have the bundle, uh, with the CapCut mastery course course as a bonus.
07:14And these premium assets are 50% discount as by the time I'm recording this video. By the time I post it, it's gonna be on 50% discount for the next seven days.
07:25That's just to encourage you guys to get it and, know, I don't know, like, as a as a bonus for the first guys who are watching the the the tutorial, I guess. Okay?
07:33So 50%, but you also have the other options, the bundle. Just make sure that whenever you're gonna get, for example, if you're gonna get the basic, just make sure to type a number here.
07:44Okay? You can type zero or you can also donate something. So if you type zero, add it to the cart and then, um, this thing appears here.
07:53I don't know how to get rid of this. So, um, maybe doing this.
07:58Perfect. So you get to the checkout and, um, you just put your email address. Uh, if it asks for a tip, just type 0 again and then you're gonna be able to get it.
08:08Alright? The same for the other ones. I'm gonna just remove this.
08:13Go back and go back for like, if you wanna get the premium pack, you just add it to the card. It's right now, it's $15.
08:22Yeah. Later, it's gonna be $30. Put the email and just go ahead and pay for it.
08:28Okay. So once that's done, it will take you to a Google Drive link.
08:34Okay? It is going to take you to a Google Drive link. And what we essentially wanna do let me just minimize this.
08:41This is the OBS that I'm recording. Um, once that's done, you wanna go to the files. Okay?
08:48And you're gonna have on the downloads, all the stuff that you downloaded. By the way by the way, if you buy, like, the premium assets or you just go ahead and and buy the basic ones or the full pack, whatever, uh, don't download everything at once.
09:06Okay? Some people ask me before, hey, Pablo. I'm trying to download everything.
09:11It's just a lot of files. Like, I cannot do it. Um, just go ahead and like, once you're on Google Drive, go ahead and download the stuff that works for you.
09:21Only the things that you're gonna use or start downloading everything just little by little.
09:27Don't try to download everything all at once because it can get messy. I understand it can get messy. So just keep that in mind.
09:35Alright? Once you download everything, we wanna organize this stuff.
09:40The way I do it is if we go here to Pablo, we have, like well, I have different folders. You wanna create three main folders.
09:49Okay? On your disk or on your computer, whatever. And you wanna create a folder for you.
09:56So if you are recording your reels by yourself or you are, I don't know, building your brand on Instagram with podcast clips or anything, you wanna have a folder for yourself, a folder for the assets, and a folder for clients. Okay? So for example, in my case, I have this folder where I create a folder for my reels, for my YouTube, and for my courses.
10:18Okay? Um, and on the editing assets, have the full pack, some paid assets, and some and the premium assets. Okay?
10:25Once I click on that, I also organize it by, uh, presets, by backgrounds, overlays, sound effects, and so on and so forth.
10:34Okay? You guys get the point for the full pack as well, and, um, that's basically how you wanna create and organize the files on your computer. Now let's go back to downloads and I'm gonna take these two and I'm gonna drag and drop these two to my videos, to my reels, and I'm gonna just drop them here.
10:55Okay? As you can see, I have two samples here of reels that I have edited before, and I have my editing style.
11:05Okay? I'm gonna talk about that only in a few minutes, but you wanna have your own editing style because it is here where you actually just put all the things that you're gonna be using for your brand or for your clients' brands.
11:22Okay? Things like overlay, sound effects, and stuff like that. Alright?
11:26So, um, and then you wanna create, uh, an individual folder for every reel you create, and you wanna name it as r one and then whatever the name of that reel.
11:39Okay? So for example, here, I'm gonna create a new folder. I'm gonna call it r three in this case or just a simple r and reel tutorial, something like that.
11:51Okay? Let's just do r three. And then I'm gonna call it basic content, um, just basic content.
12:01Okay? Because that is going to be the name of the reel that we're gonna be editing. Now I'm gonna take those two.
12:09I'm gonna drag and drop them right there. And as you can see, guys, not only are we creating, like, the folder for that, I'm gonna create a folder for the images that I'm gonna be using for that specific reel.
12:24Okay? And I'm going to create another folder for the renders that I'm gonna be doing about that reel. You guys are gonna see what I'm talking about.
12:34You just wanna keep everything organized. Okay? Organization is so important to have an efficient workflow, and this is what we're doing as of now.
12:42Just to show you an example of a reel that I already edited is this one. Okay? So I have some clips, um, that I'm using within the, um, the actual reel, and I have the images that I use for that specific reel.
12:57I have both the audio and the video and then some renders. Okay? That's just literally, uh, an example of one of the reels that I edited, the same for this one.
13:07K. So we got the folder perfect. We have the footage, the the audio, and some a couple other folders.
13:15And let's say that here on downloads, you can actually get rid of this if we wanted to, and you're gonna have all the assets that you downloaded. Well, not all the assets, but the ones that you see you're gonna be using.
13:27Okay? So remember, from one of these assets here, you're gonna have it on the downloads.
13:33So you wanna, again, just go ahead and create a folder that is that it's about video editing assets, and then just put it inside folders as you see here. Again, don't try to download everything all at once.
13:47Perfect. I'm taking a little bit too long, but I want to explain everything very, very clearly for you guys so you get the point on how to actually just organize everything. Alright.
13:57So that would be it for this little segment of the module. Now we can move on to the next one.
14:07Alright, guys. So editing style, pretty simple. Okay?
14:10You wanna keep some colors. You wanna keep some style on either your brand or your client's brand.
14:15Okay? You wanna keep it high quality, you wanna keep it clean, and the reason why we do this is because it it increases the authority for a brand at least when it comes to business here on Instagram, or you can also use, like, things like TikTok, Twitter, but, again, Instagram is very about looks, okay, how everything looks.
14:38So we wanna nail that, um, whether we're working for a client or doing videos by ourselves as well. Okay?
14:45So just keep it clean, define some colors. Um, this is what a, you know, editing style looks like. So if I go to my reels, I didn't have this one, like, the from the very beginning.
14:56It's something that will evolve over time. So when I got started, I kinda had like an editing style as you can see with the thumbnails, with the with the clips, with everything, but it has been evolving ever since to now I style what I got the lights and I could play a little bit more around with, you know, more stuff.
15:18So just to just wanted to show you a little bit what basically an editing signature means. Now when we are creating an editing style, it is essential to understand the audience that will see the videos that you're gonna be creating.
15:33Okay? So the best way to understand the audience is by doing a market research. Alright?
15:38So check what other creators are doing within the industry that you're gonna be editing for or editing in. Check articles, videos, take all the info and create an style that you like.
15:51If it is a style for yourself and not really a client, just do something that you really like. Okay? Now, here's an important note.
15:58This style is not final. It will evolve over time just like I, you know, show you. We don't want to get repetitive with our edits or lazy.
16:06We want to create something new and unique for every video. The editing style is just a foundation that serves as a starting point for us to get creative. Once you go through the market research, you wanna select things like fonts, colors, backgrounds, creating presets, putting everything together by creating a template.
16:23Don't worry. We're gonna talk about this in a few minutes, but, um, yeah.
16:27I also left a document here. I think I'm gonna leave all of this in the with in the links in the description. So if you click here, the edit style, I left a document that you guys can go ahead and make a copy of.
16:40And then don't request don't don't request edit access to to this template and don't request edit access to the video editing assets because for the previous tutorials, people, uh, um, I don't know. They just ask for access to the video editing templates.
16:57I just cannot give access to you guys. You can either download the assets as normal, and with these files, just go ahead and create a copy of it. Okay?
17:05This is a copy that you can even use for a client, for example. Um, you go you I don't know. Jump on a call with a client.
17:11You do a market research to make sure you're doing a good work for that client. Okay? Remember, this tutorial is gonna be about how to do the best work in the highest quality possible so you actually stand out as a video editor.
17:24Um, now you can put some brand information, things like brand, logos, fonts, colors, all that stuff, and then just go ahead and download things from the Internet that you think you're gonna be using, things like unique icons, images for that specific editing style, um, creating background colors on either Canva or After Effects.
17:41I'm gonna show you how to do that organizing files on your computer and then creating the video and template. So this was a little bit of theory. I also wanna show you before we jumped on the onto the After Effects and, you know, all those those things, I want to show you, um, just a folder I did for my client because this client, he talks about Airbnb.
18:05So within his videos here on his reels, I was I edited some of his reels, and I don't know. We can take a look at some of his reels, uh, on renders and the final renders.
18:18If I actually open this, I'm gonna just lower the volume because I don't know how loud it is. Here's why I love when guests throw parties in my Airbnb.
18:26Everybody thinks it's this major thing. Okay. So I'm using, like, a specific phone for him.
18:31I'm using another specific phone here. Oh my gosh. There's a party.
18:35People don't even wanna get a party. I can file a claim with Airbnb. Example here, I have a background very clean, very normal.
18:41And I'm starting to use colors for the the like, Airbnb.
18:48Okay? I even downloaded the Airbnb font so I could use it on these clients' videos.
18:55And as you can see, I'm keeping the, like, colors related to the, obviously, like, um, at Airbnb. I don't know why I keep forgetting this this word, but, yeah, Airbnb.
19:08If we go back to, for example, um, I don't know, Real seven and I go to I didn't do renders for this one, but Buying properties in real estate can be a difficult game when it's There is like a line with the same colors as Airbnb.
19:23I don't know why this looks weird. Idea of rental. And then I'm doing like the edits.
19:28Don't worry. We're gonna be edit about this.
19:30I was really looking for a way to compress time and actually help me build wealth, and that's where I stumbled upon the idea of rental art. I'm trying to keep the colors. I'm trying to keep the images.
19:39I'm trying to keep the keep it high quality. Keep it simple. Keep it you know, that it looks nice.
19:47It doesn't it's not over edited. It looks clean. Okay?
19:51That's the idea goal the ideal goal that we wanna do. And look at this. On all of the front Look at this background.
19:57It's it's the colors. I'm using the colors of Airbnb. Sure.
20:01On 0% And as you can as you can take a look at the text boxes, uh, and the icons boxes, they all match.
20:08Okay? This is what I mean by keeping everything clean. But, again, we're gonna be learning about this also, like how to do b rolls as well and call to actions and all that stuff.
20:19So the fonts and pretty much everything. So we are keeping an editing style here.
20:24Again, I know I'm taking too long here with these first modules, but I just want you guys to see the entire picture of what it is to build an edited signature and and everything. So now we can move on to the next segment of the module.
20:43Okay, guys. So now we're gonna be talking about how to create a Premiere Pro template, and we're gonna see a little bit the dashboard.
20:50And, uh, we're not gonna go really deep into the dashboard. Just gonna show you how to simply create a template and show you guys how I do it to, again, have the best and efficient workflow possible.
21:02So we're gonna open Premiere Pro. Okay? And, um, as you can see, guys, as you can see, I have different projects here.
21:12If this is the first time using Premiere Pro for you, you're not gonna have, uh, projects here, obviously. But the reason why I want to show you before creating the the template and creating a new project, um, I want to explain why I'm naming these projects like this.
21:31Because I have seen that some people, they go ahead and create a new project for every video that they are going to edit. That's totally fine.
21:39Okay? That is totally fine. But it is way better to create one project for several videos.
21:47Okay? I created a project for my client, um, and I edited his reels like several reels inside one project.
21:57The same for my YouTube videos, the same for my reels because I'm going to show you why that is the best way to do it. Okay? Before I actually go ahead on my reels and, like, show you the stuff, I wanna go here to new project, and for the name, you're gonna either choose your name or your client's name if you're editing for a client, and then you wanna specify what that is what that project is gonna be for, either reels, YouTube videos, ads, VSLs, whatever.
22:29Okay? So in this case, I'm just gonna call it tutorial reels, but in your case, it's gonna be, again, uh, as I as I mentioned.
22:37Now the location. Honestly, most of the time, I just keep it where it is, but if you wanna change that, you can do it. So for example, if you are editing for a client or creating a a project for a client, then you can choose the location.
22:50Um, here, I can go to Pablo clients, and then I can choose the location for the specific thing.
22:58So if I'm editing if I'm creating a project for reels for my client, uh, Adam, then I'm gonna choose that, and I'm gonna save it here on that folder. Okay? The same for you.
23:08Okay? You can actually just go ahead to your videos, your reels, and you can save it here. It could be even be in the edit style folder folder or just your reels folder.
23:19Okay? So for the sake of this tutorial, I'm just gonna keep it, uh, on the default location, and I'm not going to choose a template because I'm gonna show you how to actually create it the way I create it at least that I have found that is most efficient.
23:33So I'm gonna create this, the project. And, um, as you can see, it's gonna, like, ask you if you wanna add some footage.
23:40Honestly, you just wanna skip that. Just skip it. And this is the, you know, this is the the dashboard, basically.
23:48Okay? If you have never used Premiere Pro, don't get overwhelmed. It's pretty simple.
23:53But, um, as you can see, this is the the, you know, just the the the normal dashboard. Now if this doesn't look like yours, you just wanna go on window on workspaces, and then you wanna choose the vertical one.
24:07Why? Because we're gonna be editing reels in this case. Alright?
24:11And so, you know, that's why we're choosing this because we're gonna have the video here. We can see it clearly.
24:17And then we're gonna be editing here on the timeline. Alright? And then we are gonna have, like, other panels here.
24:26Okay? All of these things, as you can see, I can move them around. All of these things are panels.
24:32You can close them. Okay? And if you close any panel, you can just go here back to window.
24:39And by checking any of these you're going to make it appear again. Okay? Now you can also drag and drop panels into whatever location you want.
24:50Okay? Just for you to know. I'm gonna keep the keep that one there.
24:54And now what I'm gonna do is I'm gonna take this panel, is the project files and, you know, all that stuff, and I'm gonna put it here on the side. Alright? Because I wanna have all the files here.
25:06And if you guys want, you can also do the same. And now, um, we are gonna start creating the the template.
25:15Okay? That's what we wanna create right here on this video. So on the previous segment of the tutorial, I talked about the editing style overview.
25:23Okay? How to do the market research, how to download the stuff that you're going to need from these assets, remember, and assets on the Internet, you're gonna be downloading that. Alright?
25:34So once you do that and organize it, everything, you organize all the things that you're gonna use on your computer, then, um, we wanna go here and create a new bin, and then we wanna call it template.
25:47Alright? So we're gonna call that template. Perfect.
25:51So we have the template bin. That is the most, uh, important one for the template, and now we're gonna double click there.
25:58And I'm gonna leave a video on the description just to just so you guys can also download this video. Um, this is a ten eighty p video because for Instagram I'm gonna explain this, um, in the next modules, like, more in-depth.
26:14But, basically, for Instagram, we even though we have four k footage, we mainly wanna have, uh, or edit in ten eighty p.
26:23Okay? Because if you try to upload a four k footage on Instagram, then it's gonna lose the quality, so we wanna keep it at ten eighty. Now I'm just gonna select here a random video that I have that is ten eighty.
26:36Don't worry. I'm gonna leave it in the Google Drive. I just forgot to do it at the beginning when I started recording this.
26:43But, anyways, I'm just gonna go to renders, uh, and just choose this one. And as you can see, it's ten eighty. And then I'm gonna right click, and I'm gonna create a sequence.
26:52Okay? Because right now, the timeline, I cannot edit anything here on the timeline.
26:57Alright? So I can either create a a sequence by right clicking here and create a sequence or I can just go ahead and drag and drop it into the timeline. Okay?
27:07Perfect. So you can click x here and there you go. Alright?
27:11We now have the video and we have the sequence. This is the sequence. Alright.
27:17Now I just needed to drag and drop this video so the the actual sequence is a ten eighty sequence. If I actually go here, right click and I go to sequence settings, if at any point you wanna see what are the settings of your sequence, then you can see that this one is 24 frames per second ten eighty nineteen twenty.
27:38Um, I'm just gonna click okay, And there you go. We have the sequence.
27:43Now the next thing that we wanna do well, we can actually go ahead now and delete this video. We don't need it anymore. We can delete here, and we can change the name of this So just click enter, okay, or press enter, and we're gonna call it, um, again, the the name of your, um, the name of you or your client and then just template.
28:08Alright? So you can see here that now this, um, timeline is called tutorial template.
28:15That's how we wanna keep it just to keep everything organized. And then here inside the bin of the template, here is where we want to start creating new bins for sound effect, sound effects, overlays.
28:30Okay. Things like music as well.
28:35So some music. And, yeah, those are the things that we are gonna be mainly using on this template.
28:43Alright? And now because things like backgrounds and as you as you're gonna see, things like backgrounds and text, those things we're gonna be creating on After Effects.
28:53So for now, uh, Premiere Pro, we're just gonna keep it simple and those are the folders. Now, for example, uh, you're gonna go here into sound effects and you're gonna right click and you're going to import the assets that you previously downloaded whenever you were working on the video editing style and video editing signature for either yourself or your client.
29:16So for example, on my case, um, on my videos, on my reels, I have the editing style folder.
29:24So I can go there, I can go to sound effects, and I can import all these sound effects.
29:29And as you can see, I added a text just for the sake of organization. So I have wishes, cash, I have belts, the camera sound effects, risers, all these things just to keep it organized.
29:41So if I want, I can just go ahead well, I'm not gonna drag and drop it just yet. Okay? I'm gonna go back to template bin, and I'm gonna also add the overlays of my editing signature.
29:54Okay? So if you hear any background noises, my family, let's just keep going. They sometimes don't understand that I'm recording videos.
30:02But, anyways, um, if I go to editing style, I go to overlays, and I'm gonna drag and drop these two.
30:09I'm gonna import it, and I can just go ahead and drag and drop whatever I wanna use.
30:16Okay? So I'm gonna drag and drop these ones. Um, I'm gonna keep the existing settings of the timeline.
30:22And as you can see, uh, I added the text for this one. I'm gonna just hold option and scroll through the timeline to make it bigger, maybe a little bit smaller, and then I can get rid of this initial text because, again, it's just for the sake of organization.
30:37Um, and then I can just go ahead and start separating the, you know, the different overlays that I have created in this editing signature.
30:48Okay? Perfect. If you didn't get the premium assets, that's totally fine.
30:52You're gonna do the same with whatever assets you got. You're going to, again, organize it into folders, and the main idea here is to start drag and dropping those things into this tutorial template or just the template timeline.
31:07Okay? This is gonna take some time. It's gonna take some time, but it's gonna save you a lot of time in the future as you're gonna see.
31:14Because whenever I'm editing my reels and I'm finishing the reels, I just need to add overlays and sound effects and some music, then I just literally go ahead and drag and drop things and that's it. I don't need to go ahead and find folders or find on the Internet and take all this time.
31:29You can do that, but it takes a lot of time. And remember that the goal is to do high quality edits in the fastest time possible. So this is how we do it.
31:38Perfect. You wanna go ahead and do that for overlays and here on sound effects.
31:42For example, I'm gonna drag and drop the sound effects, and then we have the sound effects here. Okay?
31:48Obviously, the sound effects, we just need the sound. We just need this text here so you can right click and unlink those two.
31:56And now you can either just delete it or just keep it there, as a reference for organization. And now you can just go ahead and cut these. Okay?
32:05So you cut those. Uh, again, there are a lot of different templates right there, and you can just go ahead and, you know, use them individually.
32:15Again, I put them all in one file, but this doesn't mean that all these are just, you know, the same. Obviously, they aren't. You need to go ahead and separate them.
32:26Alright? So, um, just to recap, you wanna decide the editing signature.
32:31You wanna download all all the stuff that you're gonna need. Okay? At the beginning, I suggest just a few files, not too many files, and then you organize them on the bins here on, uh, Premiere Pro.
32:42Okay? So, basically, you're gonna have the template, and after you do everything and after you organize, um, pretty much everything, then you're gonna be ready to, um, your template is gonna be ready.
32:55So just to show you an example, I'm gonna save this here, and I'm gonna I'm gonna go to file. I'm gonna close the project, and I'm going to open my reels.
33:05Okay? And I'm going to show you really quick my template.
33:10So this is my template, and I, for example, I have the overlays here.
33:17So these are some of the overlays that I use. Okay? I also have the the sound effects, so camera sound effects, wishes, and, uh, I just try to keep everything organized because, again, whenever I'm editing, I just go ahead and if I need a hit or if I need a UI whoosh, I just go calm quickly here.
33:38I listen to all the whooshes. Okay.
33:43I don't know if you guys are hearing that, but I can go ahead and recognize which one I wanna use and then boom, go ahead and apply it to my video.
33:54Okay, guys. So welcome to this module. And in this one, we're gonna be learning about how to prepare the footage, some basic video editing fundamentals, some ideation, and stuff like that.
34:05Okay? So we're gonna go ahead and open the project that we, uh, created previously on the previous module. Just a quick note, um, if you're gonna do edits for YouTube videos, then it's good to go ahead and create a new project for a YouTube video with a template for a YouTube video, okay, separate from the ones for reels.
34:27Okay? Just a quick note. I'm gonna go ahead and open my project, okay, where I have the template for the reels.
34:35You know, you wanna go ahead and do the same. We have the sequence with the assets, and we have the folders here. Okay?
34:40The folder of the template. And I also have some folders for other reels because that that is what we wanna do.
34:47We wanna create a new bin for every reel that we're gonna be editing. So in this case, I'm gonna create a new bin. I'm gonna just call it r three basic content.
34:56Okay? You can give it the name that you want. In this case, I'm just trying to keep everything organized here.
35:02I'm gonna open that bin, and I'm gonna right click and import the footage that we're gonna be editing.
35:09Okay? In my case, I have it on Pablo Pablo videos and then Pablo reels basic content.
35:16Okay? So I'm gonna import these two, import it, and then I'm going to create a new sequence from this clip.
35:25Okay? I'm not going to drag and drop it here because this is the sequence or the timeline for the template.
35:33Okay? I'm gonna create a new sequence for the new reel that I'm gonna be editing. So you see the name here, basic content is dying.
35:41It will take like, the sequence will take the name of the video. Okay? But we wanna go ahead and change that, and I'm gonna explain why in just a few seconds.
35:51So I'm gonna put it four k because this video is in four k, um, quality. Okay?
35:59So I'm gonna call it our three basic content, and this is the four k timeline.
36:06Okay? This is a four k sequence because the footage is in four k. And now that it that allows me to explain how I am recording my setup and the lights and everything because people, um, ask me, hey, Pablo.
36:19How are you recording? Are you recording with an iPhone? Um, what microphone do you use?
36:23The lights and everything. So I made a reel about it on my Instagram. You can go ahead and check it out, but I also created a gear list, um, explaining what I'm using.
36:33So the app that I use is, uh, for my iPhone is not the native, uh, iPhone camera app. It's just a Biscam app because it allows me to control more stuff here.
36:45Okay? It allows me to control white balance, ISO, frame rates, uh, quality, the the bits of the video, okay, which is important.
36:54These are the settings that I'm currently to get this quality of video here. Okay? Now keep in mind, this app is for iPhone as you can see, so you can get it.
37:05It's really cheap, and I actually recommend it a lot because you can control pretty much everything. Okay? For those of you who know filmmaking, you know what I'm talking about.
37:14And then when it comes to the lights, I left some links of the lights that I'm using, um, you know, the the key light and the main light, the background lights, and the microphone, and the Scarlett. Okay? Perfect.
37:24So that is when it comes to my setup. Alright? Again, go ahead and check the reel if you wanna see how I'm positioned everything, the lights, everything.
37:34Okay? So with that being said, now we can get into the the video itself.
37:39Now we're gonna start preparing this, but first, it is in four k. Okay?
37:45And why am I recording in four k? Well, the reason why I'm recording in four k is because it's the best quality. Now if you're gonna record a YouTube video or a client is recording a YouTube video in four k, you want to start editing and doing the cuts and the trims on this four k sequence.
38:03Okay? Because that is the sequence or the video that you're going to export to use on after effects and do the animations. That's totally fine.
38:11But since we are gonna post this reel on Instagram, as by the time I'm recording this, Instagram only supports, uh, ten eighty p footage or HD footage.
38:22Okay? So since that's the case for Instagram, we wanna convert this four k footage into ten eighty p. Now, Pablo, why aren't you recording in HD or ten eighty p right away?
38:33Well, because the video is gonna be HD quality and I want it to be four k quality. Whenever we have four k and we convert it to HD, it's gonna keep the four k quality in itself.
38:47Okay? I hope that was understandable, but, um, you guys get the point.
38:51I didn't know this at the very beginning, and I was editing in four k timeline, and then I was, um, creating a ten eighty p, uh, sequence or or yeah. Just timeline on After Effects, and it was just a mess. That's why I'm explaining all of these things, so you keep those in mind.
39:08Now, um, before we actually go ahead and make this video, you know, like, ten eighty p, basically, what we want for Instagram, um, we are going to synchronize the audio of the video.
39:24Okay? So in order to do that, I'm going to make this, um, just a lot bigger here, maybe not too much, just a little bit, maybe not too much, and go to the very beginning of that video.
39:36Okay? So perfect. Something like this.
39:38By the way, I'm holding option and just scrolling on my mouse to do that. And I don't know why, but sometimes it happens that I I drag and drop or I create a new sequence with a video and it the the audio is just not synchronized.
39:54I don't know. Sometimes this happens to me on aft on Premiere Pro. If you know why this is, just leave it on the comments.
40:01But, honestly, I don't know. Look. Take a look at this.
40:03Like, my mouth is not synchronized with the, um, with the sound of the audio.
40:10Take a look at this. Right position right now. Basic content is dying, but let me actually tell you why that You see?
40:18It's just not working. So, uh, it's not synchronized, so we're gonna go ahead and fix that. So I'm gonna take the video a little bit here.
40:24I'm gonna unlink that. And what I'm gonna do is I'm gonna deactivate this because I just wanna move I just wanna move it a little bit, maybe make this bigger here and actually take a look at that.
40:36Basic content is Okay. Maybe a little bit more.
40:41Basic content is dying, but let me actually Okay. Maybe just a tiny bit more.
40:47Basic content is dying, but let And just a small bit more. Again, I don't know why this happens sometimes with some videos.
40:56If it doesn't happen with a video, that's totally fine. You need to you want to skip this step. But if it happens, then you wanna you wanna be careful.
41:03Okay? Because we wanna have the right audio here. Basic content is dying, but let me actually tell you why that is good news.
41:10Maybe just a tiny bit more. Okay. Perfect.
41:14It is, uh, perfect that way, so I'm gonna just gonna take, uh, I'm gonna activate this again and take this video, put it here. Okay? And now I'm going to link those two.
41:25Alright? Link it. Okay?
41:27They are fine right now. So what I'm gonna do now is I'm gonna drag and drop the audio from the microphone. I'm gonna select all the clips and watch what's gonna happen here.
41:36I'm gonna right click and synchronize everything. I synchronize it on audio track channel one, and it took the video and it it just took the video and move it a little bit to the right, okay, for some reason.
41:51So I'm just going to unlink those again, take the video, align it again, and, um, as we can see, now everything is up and running.
42:01So if we click here Basic content Let me lower the volume of that. Sorry, guys.
42:08Is dying. But let Basic content is dying.
42:12But let me actually tell you Okay. Perfect. So the audio has been synchronized and pretty much, um, fixed.
42:18I'm gonna delete it. Okay. I'm gonna delete the audio from the iPhone.
42:21I'm gonna grab this. I'm gonna align it here. I'm gonna put it up.
42:25Make sure it's 0000 so you're not moving it left or right because if not, you will lose the synchronization. And then I'm gonna link these two again.
42:35Alright. Perfect. And then I'm gonna just take them to the very beginning of the timeline.
42:40Make sure you're taking them to the very beginning of the timeline and then play it. Okay. So I think I'm on the right position right now.
42:49Basic content is dying, but let me actually tell you why that is good news. Okay. Pretty good.
42:54So the audio has been synchronized, and everything is working perfectly. Now we are not gonna do the cuts here.
43:00By the way, I wanna go here and just cut this here as well.
43:06So I'm gonna cut it, uh, somewhere here. Alright.
43:11And then just delete this. Alright. Perfect.
43:14So, um, okay. Perfect. So it's been, um, synchronized.
43:19The audio has been fixed. Alright. Now I'm not gonna color correct and do all the cuts here because I wanna export that.
43:26Again, remember, we are editing in four k. We wanna convert this four k footage to ten eighty p. Once it's converted, we then can go ahead and do all the trims and cuts and color corrections and then finally export it.
43:39Okay? So we're gonna go here to export options. I'm gonna just deactivate this.
43:45On your case, it's gonna look like this. Okay? For the first time.
43:49It's just gonna look like this. So I'm gonna change the name and the location for that. Alright?
43:55So, again, remember on Pablo, Pablo videos, on your computer, it's gonna be different Pablo Reels basic content, and I wanna put it on renders. That's why I created the, you know, that folder, and I wanna call it ten eighty p because this is gonna be the ten eighty p version.
44:12So I'm gonna save it and on that location ten eighty p version. Now I'm gonna unclick this box. I'm gonna uncheck it and I'm gonna do here ten eighty by nineteen twenty.
44:27Okay? And then I'm gonna click more and render at maximum depth, use maximum render quality. Okay?
44:34Entire source, this is as it is. Don't pay attention to other settings.
44:38Not necessary. Just the name, the location, the, uh, ten eighty p version, uh, these things here, and the entire source.
44:48Export it, and then we're gonna wait a little bit here so it can export, you know, correctly and successfully. Okay, guys.
44:55So the video has been successfully exported. So if I go here and if I go to Pablo Pablo videos and reels, I can go to basic content Perfect.
45:06The video is here. Now we wanna check that everything is right, so let's see. Okay.
45:12So I think I'm on the right position right now. Okay. Perfect.
45:15So the audio is fine. It's working. We have the video.
45:19Okay. We have the ten eighty p version. Okay?
45:22That's the version that we wanna have. And now look what I'm gonna do. I'm gonna import the video.
45:28Okay? So the ten eighty p version of that video.
45:31I'm gonna import it. And then what I wanna do is I wanna create a new sequence, not a four k sequence, but a ten eighty p sequence using that video. Okay?
45:42Just like we did previously. So new sequence from clip. Okay?
45:48We create a new sequence sequence from the clip, and, um, we can see it here. Alright?
45:53So now we can go ahead and close the four k one, and here is where we're gonna start doing the cuts and trims and color correction. Okay?
46:03So I'm gonna scroll that a lot, and then what I'm gonna do now is I'm just gonna go ahead and start trimming the video and everything. So basic content is dying. Right.
46:14Um, now every reel, you wanna keep it at around thirty seconds to forty seconds, uh, unless your client is telling you, like, do more or less, you know, depending on their video. Um, but, yeah, forty seconds is like a good good amount of time for a reel because longer than that is just too long for for, you know, short form platforms like Instagram and TikTok.
46:36Um, now I'm gonna try to do here's where you wanna try to do your best to organize the video in the way that makes the most sense. Okay?
46:46By eliminating the breaths, the mistakes, and unnecessary phrases.
46:52Alright? So I want you to go ahead and spark your creativity and start cutting the video, um, in a way that makes sense.
47:01Okay? Now just to show you how to do cuts, you can use this tool here. Okay?
47:06Make the cut. Alright? Just like that.
47:09You can deselect this. You can delete and then delete this so you, you know, you get the video back to the very beginning. But if we don't wanna do all those things, there are faster ways to do it.
47:22Okay? Now if you wanna check the shortcuts, you wanna go to Premiere Pro and go to keyboard shortcuts.
47:29Okay? And here is where you can basically just see what are, like, the shortcuts and pretty much everything.
47:37I'm gonna close this with okay. And a shortcut that I have is that with c, I can just cut it right away with the with the just clicking z, boom, pressing the z keyboard.
47:49There we go. Perfect. Um, the the the z key.
47:53Okay? Sometimes I confuse keys and keyboards. So, anyways, I just clicked it and I add an edit right there.
48:00Okay? But I'm gonna undo that because there is a even a faster way where I can just go ahead and and click or press the key q and it's gonna, like, make the cut, delete this part, and take the video to the very beginning.
48:17Okay? So q, boom.
48:19We just did that all at once. So if I press here Basic content is dying, but let me actually tell you why that is good news. Okay.
48:27Perfect. And I'm gonna add another cut here. Okay?
48:30Just gonna make this, um, bigger, zoom in here the timeline so I can see it a little bit better. Perfect.
48:38News. Okay. I make a breath right there and then queue again so it will take the video right here.
48:46Boom. Based on the LinkedIn is good news.
48:49Based on the LinkedIn expert Justin Welch. Okay. Another breath right there.
48:54And you wanna keep the flow of the video. You don't wanna make it, like, you know, cut, uh, anywhere between the voice.
49:02Um, that's why you can see the waves right here. So let's add a queue right there.
49:08Posting generic content like quick tips, how to Okay. Let me do that again because I think it's a little bit harsh.
49:14LinkedIn expert Justin Wells posting generic content like quick tips, how tos, or even Okay. That was a little bit fast.
49:22I didn't like it, so we can undo that. Wells, posting generic So I'm not gonna add that thing.
49:31Wells, posting generic content like quick tips, how tos, or even chat DBT generated content doesn't work anymore. Okay. I'm gonna leave it there.
49:40Perfect. And then I'm gonna add another edit here. And, basically, this is what you wanna do, guys.
49:46Anymore. What's working right now? Just keep in the flow.
49:49Don't make a harsh cut. Okay? Don't make it a harsh cut.
49:52I see that is it, like, a common mistake I've seen, um, on some people who watch my tutorials and some people on the Discord. So, you know, just keep it just keep it chill. So That means Make another one here.
50:08When you overcome it And, yeah, I'm just gonna continue to do this.
50:13I don't wanna make tutorial so long or this segment of the tutorial so long. So I'm gonna just gonna do that, um, for the rest of the video. Try to keep it at a forty, at least fifty seconds maximum, and then I'm gonna show you guys the end result.
50:27Okay. Perfect, guys. So I have finished.
50:29And as you can see here, the time of the video is forty three seconds. Okay? I was able to take it down to forty three seconds with the stuff that matters on the video.
50:39Okay? So I'm gonna play just for you guys to see all the trims that I made and how the video flows. Sometimes it doesn't flow as I want it, but don't worry.
50:48It's because we're gonna use some overlays and some animations to, you know, uh, just make a little bit of makeup to the video. Alright?
50:56Basic content is dying, but let me actually tell you why that is good news. Based on the LinkedIn expert Justin Welch, posting generic content like quick tips, how tos, or even chat GPT generated content doesn't work anymore.
51:09What's working right now is essence. Now let me actually tell you what that means. When you overcome a challenge or you solve a problem in your life, you gain genuine expertise and insights.
51:20But it is only when people see that you overcome a challenge that they wanna solve when they truly connect with you. There is a system to share your insights and expertise in an original and honest way. I call it the online ecosystem, and I just recorded a video explaining how it works.
51:36If you want the video, just comment the word system, and I will send it over to you. Okay. Perfect.
51:42So that is the video. Again, forty three seconds. I think it's pretty good.
51:45I think it's a solid video that we can edit within this tutorial. I know this tutorial is gonna be a lot longer than the tutorial I recorded about CapCut, but, um, obviously, it's gonna be that way because After Effects and Premiere Pro is just more stuff that we can do, more things that we can do, and, um, you know, all those things.
52:05So I hope you guys are liking the tutorial so far. And, uh, right now, what we're gonna do is now we're gonna export that these little trims and and, you know, cuts that we did.
52:17But before we do that, we still need to do the color correction. So hear me out or just take a look at how we're gonna do the color correction. We are gonna go here, we're gonna right click and create a new item.
52:30Alright? It's gonna be an adjustment layer. So an adjustment layer is something that we can use to apply any effects to the adjustment layer and then the adjustment layer is gonna affect everything that is below it.
52:43Okay? So it's good to use it for color correction purposes because instead of us going in color correcting for every single clip, okay, even though we could do that and copy and paste the same settings to other clips, it's just way easier to do it with an adjustment layer.
53:01So just for you to to see guys how I'm gonna do this, I'm going to drag this here. Okay? The adjustment layer.
53:09And now we're gonna go here to the adjustment layer, and we're gonna go to the lumetri color. If you don't see that, go on window.
53:19Go to lumetri color and activate it. Okay? Once it's activated, then we have access to the basic color correction, and these are the things that we're gonna start playing around with.
53:32So just play around with this. Don't overdo it.
53:35Okay? I see some people this is another common mistake with people over color correct the the clips, and it just doesn't look good.
53:44Okay? So just do it in a subtle way. Don't overdo it.
53:48Okay? Now on exposure, I'm gonna do a little bit of exposure here, maybe less exposure than the contrast.
53:56You can move this around to see what these are and just move them a little bit around. Highlights, I'm gonna do them, increase that a little bit.
54:06Shadows, decrease that just a little bit again. Whites.
54:11Okay. Let me see whites. We can just keep whites as it is or maybe decrease it a little bit.
54:18Okay. And then we can also add just a little bit of bind itself. We can add a little bit of that as well.
54:26Just a tiny bit, maybe one. And then the reason why I made the adjustment later a little bit, you know, um, not the size of the the whole timeline is because I wanna, you know, compare both clips like this that is not with the adjustment layer, and then let me mute this so we don't hear my voice, um, and then the color correction.
54:52As you guys can see at the right, that is the call color correction we just did. So I like that.
54:58I'm gonna leave it like that. Just gonna increase the adjustment layer. And as you can see, we now have the whole video with the color correction, with the audio, with the trims and cuts.
55:11So now we're gonna export that. So in the timeline here, okay, basic content, you can even select the the the thing here.
55:18Okay? But it's important to be here. We're gonna export it.
55:22Okay? And now just put it a name, whatever name that you want to put it, honestly. I want to call this the trimmed version.
55:32Okay? Or you can call it prepared version because this video has been prepared.
55:39This reel has been prepared, and now we're gonna save it as well on the renders folder of the same folder that we have been using.
55:47Save it, and then ten eighty render maximum depth, maximum render quality, entire source, and then we'll go ahead and export it.
55:56Okay? Again, it's gonna take some time here, but after that is done, we now have the prepared video that we're gonna be using for animations and all those things.
56:08Okay? So with that being said, guys, we just wait a little bit here. Once it's done, we go to the finder.
56:16It's been successfully, uh, created, and now we can take a look at that.
56:23Oh, I made a mistake here. Hope you guys don't do the same mistake. I'm gonna delete this.
56:29So I'm gonna minimize this, and I didn't unmute this. So just be careful with that.
56:36Um, just unmute it and do the whole process again. So I need to rename this, and, uh, it's good that I do some mistakes so you guys can see and be careful about it as well.
56:48So, um, everything is is fine. Uh, I just click export and wait again.
56:57Okay, guys. So in this segment of this module, we will be learning about how to ideate and edit because I believe this is a really important part when it comes to being efficient as a video editor, not only that, but also as a as a content creator.
57:14Okay? If you're doing this for yourself, for your own project, and you're editing your own videos.
57:21Um, as a content creator, this is crucial because, again, the message is the most important thing on a video, and we wanna make it easy for our audience to understand the message that we want to communicate.
57:36So having a good ideation before we even start editing, it's very important. So that's why I wanted to teach this little section here.
57:45It's gonna be a short segment, um, so let's actually get started. Now that we have the footage ready to edit.
57:51Okay? We just on the previous module or segment, we just, um, prepared the footage. Okay?
57:57Now we wanna brainstorm the things that we wanna create within the video. Now there are several things that we can ideate during the video.
58:06So sometimes you can just leave it alone with captions. That's totally fine.
58:10Sometimes you will want to ideate an animation. Sometimes just text, another animation with b rolls, uh, just b rolls alone or images, um, the speaker with text, or the speaker with captions or icons and images.
58:27Okay? These are just some of the examples that you can do, but, obviously, there are more things than these. Okay?
58:34These are just some examples. So what I mean by, you know, defining something like this on every segment is actually this.
58:45So for example, here on the timeline of Premiere Pro, when we did the cuts and the trims and pretty much everything, every trim and every cut created a new segment.
58:59Okay? So for example, this is the the hook. So let me just scroll a little bit here, zoom in.
59:05This is the hook. This is the next segment after the hook, then let me just zoom out again.
59:13This is another segment right here, another one, another one, another one, and another one, and so on and so forth. Okay? So that's what I mean by segments.
59:24Okay? Every one of those are is a segment, and then for those segments, we want to ideate something.
59:32Okay? Maybe in one segment you want only text and the other one a background animation, you guys get the point. Right?
59:38Now, the second most important thing is setting productivity blocks.
59:44So to speed up our workflow and be as efficient as possible it's important to set blocks of work for specific purposes.
59:53Now what I mean by this is that for example if you are preparing preparing like Several videos.
1:00:02So for example, if you record, like, five to 10 videos and you are preparing the videos, you wanna do them all at once.
1:00:12Okay? Because you are already in that mindset of just doing trims, color correction, cuts, organizing everything in folders.
1:00:22So, you know, why would you only prepare one video and then ideate it and then edit it? You know, it just kinda like, uh, you can do it that way, but it just takes more time, uh, when instead you can go ahead and prepare all the videos at once, ideate all the videos at once, and then once everything is just set up and prepared, you can just go ahead and start editing every individual video and it's gonna be 10 times faster for you.
1:00:54Okay? So that's what I mean by setting productivity blocks and actually dividing your work by different blocks, um, for different purposes, okay, when it comes to editing video.
1:01:07Now this is whether you are editing for yourself or for a client. Let's say that a client sends, um, 15 reels that you need to edit, so you want to prepare, you know, all the reels first, then you wanna organize them on folders and everything, then you wanna ideate those and so on and so forth.
1:01:25Okay? I think you guys get the point. So, again, you prepare everything, then you can review the videos.
1:01:31And something important, something that I do, I draw on my tablet or notebook a rough idea of how the edit will look like. It's just a rough idea. Okay?
1:01:41Then once you have a clear idea of what you wanna do, um, within the video, you can finally start editing. Okay?
1:01:48So before you edit, define all the assets, the text, the backgrounds, the icons. I'm gonna show you how to do this in just in the next modules, but you wanna define pretty much everything and go on Google, go on different websites and download.
1:02:04I use Canva, you guys are gonna see. And then once the draft is ready with all the backgrounds and all the pieces that you're gonna be using, we will just need to animate and add add effects and that's it.
1:02:16Okay? And when we start editing video, it is crucial to maintain the content style when we add things to the video.
1:02:25So just a quick note, don't overthink it. We are just creating the very first draft of the video.
1:02:30Okay? So let me actually go here. And, um, what I mean by ideating is you wanna go through every segment.
1:02:38You wanna play it just a couple times, and on your mind, start thinking about what are the ideas that you that you can do for that specific segment.
1:02:48So I did here on my tablet. As you can see, this is an example. On the hook, I will put some some text.
1:02:55On the next segment, I call it generate content. It's gonna be a on a screen animation and full screen animation. On a screen is when you have the speaker, okay, and the animation is on a screen.
1:03:07Full screen is when you have, like, a background or something. So it's gonna be an on screen animation with Justin Welch, just an image, and then a three d effect with a null object. Don't worry.
1:03:18You guys are gonna see what I mean by that. And having a background, a couple, you know, text box and stuff like that. Then the word essence on this one.
1:03:27Then on this segment is gonna be a full screen two scenes three d cameras you guys are gonna see with different angles. Then another segment on screen text animation. Then full screen with a three d camera, and I'm making some notes as well.
1:03:40Okay? So I'm making some notes kinda like just just drawing what I will need on that specific segment and making some notes.
1:03:48XP icon moves along the path, camera zooms out, um, the outline the only I'm gonna have, like, a long video behind myself, behind the speaker, the only ecosystem, and then just a call to action. So based on that, all those segments here, one two three, are just these little segments here, one, two, three, and so on and so forth.
1:04:11That's what I mean by ideating. And, guys, this has been so helpful for me because I'm able to think about this takes me, like, fifteen minutes, and I'm able to think about how I really wanna show the message that I'm trying to communicate with my audience in the best way possible.
1:04:28And once that is clear, I can just go ahead and on the software and start doing the magic. Okay?
1:04:34So with that being said, now we can actually just save this. Quick, uh, Premiere Pro. We're gonna close Premiere Pro for now, and we're gonna start moving into After Effects.
1:04:46So, um, that's for this little short segment of the module. Now we're gonna learn about, you know, how to create an After Effects template on the next segment.
1:05:01Okay, guys. So welcome to this little segment. Here is where we are gonna be creating the template on After Effects.
1:05:08Now we're getting into the good stuff. Okay? But bear with me.
1:05:11Okay? Bear with me. I know we haven't started editing yet, but that's because all these things are really important, and they have helped me a lot, um, in order to create, like, high quality video edits and not only high quality edits, but high quality videos as well.
1:05:27Okay? Now as you can see, this will be really similar to what we did on Premiere Pro. It's just gonna be slightly different in the sense that we are not going to use the video editing assets here.
1:05:42Instead, we're gonna start creating our own assets per se.
1:05:47Okay? Because in every video, you're gonna have different animations. Okay?
1:05:51Here is where you start getting creative. So that's why we don't really use assets here. We we use them on Premiere Pro.
1:06:00Here, we are creating our own stuff. Okay? Yes.
1:06:04We're gonna be downloading some stuff from the Internet, things like images. Uh, we're gonna download some icons as well, things like that. But for the most part, we're gonna be creating the backgrounds, the text, the the boxes, the the, you know, the shapes and all those things.
1:06:20Now, um, we also wanna do we wanna we're gonna create a project. Okay?
1:06:26And you wanna create the project for, again, either your reels, YouTube videos, ads, whatever it is that you're gonna edit.
1:06:33Okay? Just make sure you create the project for the specific thing. Now I have created one before, but before I show you this one, let's go ahead and create a new project.
1:06:42Now here is a new project as you can see, and this is the dashboard of After Effects. Now I'm not gonna explain everything here because it's gonna be overwhelming, and I just rather go ahead and start creating stuff.
1:06:55And as I create stuff, you guys can start to see how we use things and why we use them.
1:07:03Okay? So just really quick, here is where we are gonna be able to see the actual video that we are editing.
1:07:11Here, we're gonna be able to create the folders, the templates, and have all the files that we're gonna be using. And this is the timeline. Okay?
1:07:20And right here, we have things like effects and presets alongside other stuff as you can see.
1:07:26So things like for text and stuff like that. Okay?
1:07:30So what do what we wanna do first is we wanna create a new folder here, and we wanna call it, um, template. Alright?
1:07:39Perfect. So we have a template. Now since we are gonna have this template for reels, we wanna do it in ten eighty p.
1:07:47Okay? Just like on the template on Premiere Pro. So, um, once that's done, once you created the the folder, you want to right click and you want to import a file.
1:08:01Now the file that we're going to import is the video that we just prepared because that one is in ten eighty p. Perfect. Now we are going to create a new composition.
1:08:11Here on After Effects is called composition. On Premiere Pro, it's called sequence. Okay?
1:08:18So I'm just gonna drag and drop the video here. And now we have as you can see, this is the video and this is the composition and this composition is ten eighty by nineteen twenty.
1:08:29Those are the dimensions that we want for the template. Okay? Those are the dimensions that we want.
1:08:36Now if I I can actually go ahead and delete this video and delete it here because we don't need it anymore.
1:08:44We just needed the dimensions, and now we have them. Perfect.
1:08:48Now one thing that I'm going to create just to show you guys is a new element. So I just right click here, new solid. Okay?
1:08:57And this is how we create background. So, actually, it's gonna be a black background.
1:09:04Okay? You just name it, and it's ten eighty by nineteen twenty.
1:09:09We choose the color. We can choose whatever color we want here. Uh, I'm gonna show you how to change it in just a second, but let me click okay here and okay here.
1:09:19Perfect. So we have a background now. Okay?
1:09:22We we just created our first background here for the template. Now we are not going to start adding again, like, the assets that we have.
1:09:33We are not gonna add them here. I mean, you can, but it's not necessary. Okay?
1:09:38Because for this template, we're gonna start to add things to the template as we edit the reels, as we edit more and more videos.
1:09:50This template now is gonna be empty. Basically, it's gonna be empty, but as we start editing, as you start to develop your own editing style and content style through the reels that you edit and the the the the way you get better and the the more you get better, the more things you're gonna start adding here to your template.
1:10:12Because for me, the first reel is like you need to do it from scratch. Right?
1:10:17You need to do the text, you need to do the backgrounds and pretty much everything. But the second, the third, the fourth reel, at least when I was editing for my client and even for myself, I just went ahead and used the things that I previously created.
1:10:32Obviously, not everything, but most of the things, most of the animated text and pretty much, you know, a lot of things I started to use them on the next reels.
1:10:43We and that just made everything faster. Okay?
1:10:47The first reel is gonna take way long than your fifth or your sixth reel. Okay? If that makes sense.
1:10:54I hope that makes sense. So for now, the template is gonna be really simple. It's just gonna be normal, um, to be honest with you.
1:11:01Um, now just to show you some examples, some things that you can do, um, is add the text, something that I do when I'm creating like a template here. I add the text for the hook.
1:11:14Okay? So I can call it hook text. And as you can see, it's it's very small.
1:11:20Right? Now I'm gonna make that bigger. But if I make it bigger, look at this.
1:11:26Like, it's a little bit messy. Right? Like, I can I can play around with that, um, but the way I'm just gonna undo that?
1:11:34The way we scale this the right way is we can go here on the transform. So you click this little arrow here, transform. Okay?
1:11:45And then you can scale that. Okay? This is how we scaled it.
1:11:50Alright? And then another way of doing it is just grabbing one corner. Okay?
1:11:56You hold shift and then you scale it. It's way faster to do it this way.
1:12:02But now, see what's going on here. Okay? We are scaling this video.
1:12:07Okay. By the way, if you scroll by mistake, um, here, the way you well, you can actually scroll, make it this make this, like, zoom in, zoom out, but the way you return is going here on fit.
1:12:19Um, also, like, if it is if it gets laggy at some point, you can decrease the quality of this thing. Don't worry. Decreasing the quality here won't affect the final, uh, render.
1:12:32Okay? Just a quick note. But we're gonna just leave it like that.
1:12:35Perfect. Now as you can see, if I move this little point here, this is called anchor point.
1:12:43Let me scroll. This little cir circle right here, it's called anchor point. So if I move it, then, for example, if I move it here to the corner, then the text, if I scale it down or up, like, you know, make it smaller, make it bigger, let me actually do it with this and holding shift, is going to scale based on the anchor point.
1:13:08Okay? So if we like, ideally, we want this anchor point to be here on the middle, but instead of actually selecting this thing here and moving here to the middle, um, that's just not reliable.
1:13:22So what we wanna do is we wanna select the layer here. Okay? Hold command and double click.
1:13:30There we go. Perfect. And it will go to the middle.
1:13:34Alright? We are going to select here again, and that gives us the ability to move this around.
1:13:40Okay. Now if you wanna center that, you can also go here to align and center that as you want.
1:13:48Perfect. Now, um, we can also change the, uh, the text.
1:13:53So I'm using owners, and I can use, like, this one, for example. Okay.
1:13:59Or maybe the black one. Okay. Perfect.
1:14:02I like that one. So I'm just preparing here the text for the hook on the template.
1:14:09Okay? So whenever I'm going to edit a reel, I can just go ahead and copy and paste this to the other composition that we're gonna have here as you're gonna see. Now something I forgot to do is that the composition is called r three basic content.
1:14:25We don't want it we don't want to call it that way. We want to press enter and call it just, you know, template.
1:14:34Okay? So it's gonna be that we know that that's gonna be the template, okay, with the text and all the elements that we're gonna start adding as we start to improve.
1:14:45Alright? So, um, you can also play with the position here of the thing. You can start playing with the position here.
1:14:54Let me just undo that. And then with the rotation as well and with the opacity as you guys can see.
1:15:02Okay? Now this little stopwatch here is how we actually do keyframes, but in order to explain that, let me actually just really simple go here.
1:15:15Okay? So if I press that and hold it with my click on my mouse or, yeah, with a click on your mouse, you're gonna see that you can create several shapes.
1:15:26Now shapes are things that we're gonna be using a lot because that's how we want to create, like, text boxes or just little shapes within any animation, and, um, they are really helpful, um, actually.
1:15:40People use them a lot. And right now, I want to create a circle, for example. So I I don't select any anything here.
1:15:51Okay? Just make sure nothing is selected here and go ahead and create the shape.
1:15:55Now I'm creating a circle here, but again, it's messy just like the hook. So I'm gonna hold shift, so I'm going to do it like this.
1:16:06Okay? It's gonna be a a perfect circle. Alright.
1:16:09So I just create that and then I can go back here and look at the like, the anchor point of that circle is not in the middle.
1:16:19Okay? It's like here. And, we don't want it to be there.
1:16:23Like, most of the time, we want it be in the middle. Alright. Awesome.
1:16:27Now look at the color of that circle. It's a little bit weird. For you, it's gonna be like a different color.
1:16:33For you, gonna be like, for example, just a solid color. It's gonna be like white. Alright?
1:16:39And maybe if you select it, maybe it won't have a stroke or maybe it will. Alright? So that's how we change the colors of the shapes.
1:16:49Actually, here, you can go ahead and click here, change the color. I'm gonna just leave it white. And then the stroke, you can, uh, increase the stroke here as you can see by a lot or you can decrease the stroke here.
1:17:02Actually, I like how this looks. You know? You can even, um, I don't know if this is possible, but, like, you can I don't know if you can create keyframes for this, but, anyways, you can change the stroke right there?
1:17:14You can change the color of the stroke. And something that I like to do and I do a lot is I if you don't like, don't click the color, actually, click on the word that says fill or a stroke.
1:17:28So if I click there, you're gonna be able to do it either solid or gradient, linear, or radial radial.
1:17:36Okay? So I'm gonna just do a linear gradient. Click okay.
1:17:42And if I play around with these little points right here, I can actually just make it gradient.
1:17:49Right? And the way I change those colors is with this thing right here. So let me just move that around a little bit.
1:17:57And the first color stop, okay, is this little, um, circle right here.
1:18:03So I'm gonna change it to white, and I'm gonna click okay. Well, not yet.
1:18:09I'm gonna go to the second color stop, which is this this one right here, and I'm gonna make it, I don't know, like, a little bit not black, but, you know, just a little bit dark. And I can also change this.
1:18:23Alright? So, basically, the location of the thing.
1:18:27So I'm gonna make it maybe, um, I I don't know, right there. Click okay.
1:18:32And then I can play around with the, uh, with these things. I can play around with this one as well. Alright.
1:18:40And there you go. We have a gradient ball.
1:18:46Alright. And you can do the same for stroke if you wanted to. For now, I'm just gonna leave it in solid.
1:18:51But, again, these are just some basic things that I'm doing just to show you guys a little bit the dashboard, how it works, how we play around with it, and, you know, just stuff like that.
1:19:01So, um, here, we can also change the name of the shape layers. That is really important because we wanna stay organized, so I'm gonna call that circle.
1:19:11And, again, here we have transform options and, um, you know, some stuff like that.
1:19:18So I could also explain some, you know, how keyframe keyframes work, how we do them, and all the stuff. So just to show you, for example, if we wanna do a keyframe I'm gonna leave that text right there.
1:19:34If I want to create a keyframe, for example, if I want this ball to appear like this. Alright? Like, just from from down to top.
1:19:43Okay? I'm gonna undo that. I'm going to create a keyframe here.
1:19:48Okay? And the way we see it is here on this side. Alright?
1:19:53So that's where I want the ball to end so I can grab the keyframe and move it around a little bit. Alright. Awesome.
1:20:01Now this is the start of the actual timeline or composition and this is the end of the composition.
1:20:10Okay? As you can see. Now, um, this lasts somewhere around forty something seconds, so I'm gonna put it here.
1:20:19And the way we scroll like, the way we make this bigger or smaller is here. We can make it bigger or smaller.
1:20:27I'm gonna make it somewhere there. I'm gonna play it. Okay.
1:20:32By the way, the length of this thing was according to the video that we used to create the composition in the first place. So if you wanna change at some point the length of the template, okay, so you can actually add more things and more layers, you can just go ahead here on template, right click, composition settings, and you can actually set the time to even more.
1:20:57So I could I don't know. Like, we you could put, like, one minute if you wanted to. So zero zero, zero zero, and one here.
1:21:10Click okay. And perfect. So now it's gonna be one minute as you can see.
1:21:16Alright? Now these shapes and all those things, they were, like, the same size as the duration of the previous composition.
1:21:27Right? So the way we can make them shorter or longer is by just, you know, going here and make them shorter or longer.
1:21:36You can make them the size of the composition. You can also select two by, you know, command holding command. You can select several, um, things.
1:21:46I'm not going to select this one, just those two, make them bigger here. Okay? Now another thing, but this is something that I will talk about maybe later is that this little bar here.
1:21:58Okay? This this little thing that I'm moving right now, that's the, like, the workspace on the timeline if we can call it that way.
1:22:08I I don't really know how to call it. Um, but for example, if I make it let me just do this here.
1:22:16Alright? If I make it this way, alright, then the animation when I render the animation, it's just going to render that space.
1:22:27And if I'm clicking there, it's just going to show me like that little space. Okay?
1:22:34It's not gonna show me the entire animation. So whenever you wanna just want to render one specific part of the animation, you can do it that way.
1:22:42Okay? Just adjust this and you, um, whenever you're going to render as you're gonna see when we render, uh, you're gonna render only that space.
1:22:52But, again, we don't really wanna do that right now. I'm just explaining here the dashboard a little bit. So I make sure you're not moving it.
1:23:00You're actually just doing it. So perfect. So right now, I want to just have the entire composition here.
1:23:10So that's why I'm doing that. Perfect. I'm gonna select here, make it a little bit bigger.
1:23:17And then we were talking about the bold. Right? So we wanna create a a small animation for the bold.
1:23:22We wanna go here back and as we scroll down here.
1:23:27Okay? As you can see, we can hold shift if if we want to make this, like, faster.
1:23:33Alright? So I I'm gonna put it right there. K?
1:23:36So now if I click play with the space bar, it's going to do the little animation as you can see.
1:23:46K? And we can create keyframes for a scale, for rotation, for opacity. You guys are gonna see how we do it.
1:23:53I don't wanna I I don't want this segment to take too long, but I'm just showing you some basic stuff. Alright? Now the way we actually go ahead and make that as, you know, more smooth because right now it's not as smooth as you can see is by easy easing these keyframes.
1:24:13So I right click, and then I can just go ahead on keyframe assistance and ease in is easy ease, easy ease in or out.
1:24:23Okay? So as you can see, we can also press f nine to do that. So I'm actually going to do that.
1:24:28I'm gonna select both keyframes f and f nine here on my MacBook, and now it's gonna be it's gonna look a lot smoother.
1:24:39Boom. Just a little bit smoother. Okay?
1:24:43Now the way we can even go ahead and make that even smoother is by clicking here the graph editor. Alright?
1:24:52So I click there and it's going to show me this. Now if it doesn't show you this, you can right click and you wanna show the you wanna activate this edit a speed graph.
1:25:02Okay? Because maybe you have it here on value, just edit the speed graph.
1:25:08Now I want to select these two and I can actually make like, play around with this to the point that I'm making a smoother animation, even smoother.
1:25:19Okay? This is the good stuff about After Effects that you can be as smooth as you want.
1:25:25So take a look at this. Boom. It's way smoother.
1:25:28Okay? I can make it even bigger here.
1:25:31So boom. Okay?
1:25:34The ball is a lot smoother. Alright. So those are just some basics.
1:25:38Alright. Uh, and we are working here on the little, you know, on the little template.
1:25:46Uh, for now, we're just gonna leave it like this, but just to show you something before we continue. Um, we can actually save that animation so we don't have to do it over and over again.
1:25:57So for example, I can select these two keyframes. Alright?
1:26:02Well, not the two keyframes. Don't select anything. So just select the one that says position.
1:26:08Okay? And in order to save that, we're gonna go here up where it says animation. Alright?
1:26:15And we wanna save that animation preset that this is how you create presets. Okay? These are the presets that I included on the full, uh, not on on the full pack, but on the premium assets.
1:26:27Okay? On, like, this one.
1:26:30Okay? It says presets included. Those are the presets that I have saved.
1:26:36As you can see here, I have presets for effects, presets for elements, presets for text, and even zoom in and zoom out presets.
1:26:46Okay? All these presets are just keyframes that I have previously created that whenever I drag and drop these presets onto any element is gonna be applied and that's how my I I I just edit a lot faster. Okay?
1:26:58Because I don't have to do it over and over again. This is how you save it. Okay?
1:27:02You wanna create, like, you wanna save it where it says, uh, like, on your computer, it's gonna be on Adobe Adobe, uh, After Effects user presets, and then you can save it there or you can create a new folder. For example, I can create a new folder here, call it tutorial, uh, create, and then save the preset on the tutorial folder and I can call it be be really intentional on how you call the presets.
1:27:28For example, this one is a like the ball is doing a slide up. Okay? But it's it's a sliding up.
1:27:36Okay? So I'm gonna call that one slide in up.
1:27:43Alright? Perfect. So once that's done, I click save and boom.
1:27:48We have the preset. So I'm gonna just delete this really quick. Delete it.
1:27:53I'm gonna, uh, position the plate head at the beginning or where I want the preset to start. So in this case, I'm just gonna put it, you know, on the very beginning and then on effects here, so if I if we go to effects, I can actually go ahead and search for a slide in and I have created some before as you can see, but here on the tutorial, I can go ahead and drag and drop that one into the circle and now we have that animation preset.
1:28:26For example, if I wanna do it to the text, I can also go ahead and apply it to the text. But look at the plate head. The plate head is right here.
1:28:34Okay? It's right here. So if I apply it, it's going to apply that one to the text right there.
1:28:44Okay? And it's gonna take the same, uh, parameters of the position of the ball.
1:28:52Okay? So in case we want to edit that because we want the text to end here, not there, um, I'm just gonna click u here on the circle so it just shows the keyframes, But I'm gonna so completely, like, just hide everything, and I'm gonna click u.
1:29:11Okay? The key u. Boom.
1:29:14On here, and it's gonna show me the keyframes. Okay? Because I just added the preset.
1:29:19I just added this preset and that created these keyframes. Now if I wanna edit the position of the end keyframe or the end position, I can just select the position, make sure the plate head is here and then select that, hold shift so I can move it like, you know, it doesn't move to everywhere.
1:29:39It actually moves like, you know, in this frame here, and I can put it right there. So now, boom, the hook text is gonna be right there.
1:29:48And this is how you create presets, guys. So with that being said, hope this this little segment wasn't too long, but I think you guys are starting to understand, like, how to use how we use After Effects, uh, different keyframing.
1:30:03Don't worry. As we continue with the tutorial, you're gonna see, like, more stuff. For now, I'm just gonna gonna keep it there, and, uh, we can move on to the next module.
1:30:17It's gonna take some time to realize. Hey. Hey.
1:30:23Hey. Okay, guys.
1:30:25So it's morning. I'm just I'm just, you know, excited to keep recording these tutorials. So let's actually go ahead and get started here.
1:30:32Okay? So on this segment, we are going to open After Effects.
1:30:36I don't know why I started this one singing, but, anyways okay. We open After Effects.
1:30:44Alright? And we have the projects. Now what we wanna do right there is well, you wanna obviously open the project of the template that you created previously, but I want to show you the one that I have created for my reels so far.
1:31:01Okay? So as you can see, we see a lot of things, lot of layers, elements, big timeline, some, you know, elements here as well.
1:31:11Don't worry. Okay? Uh, it's just I just wanted to show you the progress that I've been able to build so far.
1:31:18Okay? And this is not all the progress because I switched from Windows to MacBook. And when I did that, I kinda lost a lot of things, so I had to rebuild it again.
1:31:29That's why I only have, like, two reels here, but that doesn't mean that I have only edited two reels on After Effects. I have edited more, but on MacBook just two.
1:31:38Okay? And, obviously, I have, uh, edited more for one of my clients that I had before, okay, on the past. So with that being said, just wanted to quickly show you my template and how as I do things here, okay, I am adding, like, text for the hooks and text for the subtitles and then a shadow.
1:32:02What else do we have here? Okay. We have, some boxes with different colors that I can just again go ahead and drag and drop to other compositions in order to use them.
1:32:15Okay, I have a background and I have actually created another composition with backgrounds.
1:32:23Right? So on this composition, I have a black background, another background here, and another one here, and so on and so forth.
1:32:34Okay? Actually, this is the one that I used to, uh, create the or these are the backgrounds that I share on the on the premium assets.
1:32:45Okay? Perfect. So with that being said, guys, um, that's my template.
1:32:52Right? I have, like, the template with text, some icons that I I can use several times, for example, in text, and then also I have backgrounds.
1:33:02Um, and as you can see, I will explain this a little bit more later, but, um, I have these these timelines here or not timelines, but compositions. Look at this.
1:33:12Like, there's a lot of things going on here, a lot of key frames, but don't worry, guys. We are going to start learning how to do that. And right now it seems overwhelming, but don't worry.
1:33:24And then I have another composition. So what I'm going to do now, okay, obviously for you guys is gonna be empty.
1:33:31You're only gonna have the template and that's it. Um, so for you, what you're gonna do and what we're gonna do right now as we start to edit the video, we're gonna create a new folder again for the for every reel that we're going to start editing, we're gonna create a new folder.
1:33:52So that's gonna be basic. Uh, well, I'm just calling this ones r three pablo. Okay.
1:33:59Perfect. So r three pablo. And on that one, I want to right click import a file and we're gonna import, um, what is this?
1:34:10Okay. So let me go to red tag, Pablo reals basic content and renders, and we're going to import the one that we have prepared.
1:34:21Okay? Kinda like similar to what we did on the template, but now we are actually going to start editing that one.
1:34:29Okay? Now I'm gonna right click that one, and I'm gonna create a new composition from that clip.
1:34:37So we have a new composition, and it's called r three basic content prepared.
1:34:44Okay? We can change that name so it's a little bit shorter. Um, so remember, just select the composition right here.
1:34:52Click enter, and we're gonna call it r three main.
1:34:57Okay? Uh, and the reason why is because, um, you're gonna see at the end.
1:35:03Okay? This thing is gonna get a lot of things. So as, uh, we have a lot of things here, we can we're gonna quickly recognize what's the main timeline at the end.
1:35:14Okay? But don't worry about that yet. Just call it main or just a short name.
1:35:19Perfect. So we have the video.
1:35:22Okay? And we now can go ahead and start editing the reel. Okay?
1:35:28The hook, the segments, all that stuff, the animations.
1:35:33But before we actually go ahead and do that, okay, we can do an important step here. Okay? So for example, here on my drawings, okay, sometimes I will use maybe some text behind my myself behind the speaker and I will in this segment, I will use a Loom video behind myself.
1:35:56That so that means that we need to do some rotoscoping here on After Effects.
1:36:03Basically, rotoscoping is, uh, taking the speaker.
1:36:07Okay? It's like the cutout feature on CapCut where you take the speaker alright and you separate it from the background so you can put things between the background and the speaker so it looks like something is behind yourself okay So that's called rotoscoping here in After Effects, and we're gonna go ahead and do that.
1:36:27In order to do that, we need to duplicate this. Okay? So, um, where do I duplicate this?
1:36:38Okay. The way I usually do it is command d.
1:36:42Okay? In Windows, it's, uh, control d, if I'm not mistaken. Right.
1:36:47So you go ahead and, uh, you go ahead and duplicate it. And the reason why we duplicate it is because we're going to select the second clip. Alright?
1:36:57And we're gonna select this little icon here that says roto brush. Okay? We're gonna select it, and then we're gonna double click on the video.
1:37:07Alright. Perfect. Perfect.
1:37:09So now I can just go ahead and close this for now. And right now, I have, a little pointer here, alright, as you guys can see.
1:37:20And, uh, I have selected the duplicated clip, so I'm on a different, like, window here.
1:37:27A different window just popped up. Okay? So what I'm gonna do is I'm gonna draw a line.
1:37:34Okay? It doesn't have to be a perfect line. Just, you know, just drawing a normal line here, you know, to the subject that we want to do the rotoscoping to.
1:37:45So for example, I wanna do that. Okay. Perfect.
1:37:49So as we can see as we can see if we scroll and zoom in, it took some of the parts that I don't wanna take for the rotobrush.
1:38:00Okay? As you can see, I want my finger to be part of the rotor brush and I don't want these things to be part of the rotor brush. So the way we fix that is by holding option on MacBook.
1:38:16Okay? Try to test it. For those of you of you who are on Windows, try to test it out.
1:38:21I don't remember exactly what was the key, but on MacBook is holding option.
1:38:27So you're gonna see like a little minus right there. Okay? So we're gonna draw a line right there.
1:38:34Okay? Perfect. And now with the space bar, you can actually while you are holding the space bar, you can do this.
1:38:42Okay? Then we wanna do that for this as well, so option, and I wanna draw a line right here because I don't like, I want that to be part maybe a little bit more here.
1:38:55Okay. That's fine. And then we're gonna do the same for this one here.
1:39:00Alright?
1:39:03Where we are taking those out. Alright.
1:39:07Perfect. And maybe I want the the ear to be a little bit more so we do a little bit right there. I don't want this to be here.
1:39:16Okay. Perfect. And my finger, I want it to be part of the router brush.
1:39:22I don't want this thing to be part of the router brush either, so there you go. Okay.
1:39:29I think we're doing some good here. Option and do this one right here.
1:39:37Okay. Perfect. So I think we're good.
1:39:39Okay. Don't don't get too caught up into this thing. Mainly, what we wanna do is we wanna have the the speaker.
1:39:46Okay? The speaker. Perfect.
1:39:48So once that's done okay? Once that is done, you want to freeze this.
1:39:57Okay? Because if we if we don't do that, then you might get laggy and everything. So we want to freeze that.
1:40:04Okay? And it's gonna take some times to freeze everything. Okay?
1:40:10So we're gonna wait now. Okay. Perfect, guys.
1:40:13So as we can see, it has been frozen. Okay? That means that now we can go back and continue editing and start to do the animations and pretty much do everything as usual.
1:40:28Okay? So what I'm gonna do now is I'm going to close that.
1:40:33Okay? Well, first, I'm gonna save it. K.
1:40:36Command s, and then I am going to fit this here and close this one.
1:40:43Now where do we have the, you know, the thing again? Like, it's not showing up.
1:40:49Don't worry. You just have to double click this. Okay?
1:40:52Um, but not in the Roto it's gonna it's gonna open the Roto Brush again. Uh, you know, don't worry.
1:41:00We can just go ahead and close that again. And, um, the project, the main timeline.
1:41:08There you go. Okay? Perfect.
1:41:10So it's a it can be a little bit confusing to get back to the composition again, but, um, that's how we do it. Okay?
1:41:17I got confused for for just a second right there, but perfect. We have Okay? Now we have it.
1:41:24Uh, it's been frozen, and if I actually go ahead and deactivate this one, as you can see, we have this video.
1:41:34Okay? We have this video, and it's only myself. Alright?
1:41:38So that's how we rotoscope. That's how we, um, you know, get rid of the background.
1:41:44And later on, whenever we want to put something between myself and the background like at the Loom video that I'm talking about in this segment or maybe these letters here, I can go ahead and do that by putting a layer.
1:42:00So let me do it really, really, really quick. So, uh, let's say that this box, okay, I want to put this layer between these two.
1:42:09So if I activate this again, uh, we have a element, you know, between myself and the background.
1:42:17Perfect. I'm going to delete that and it is very important that we deactivate the audio from the duplicated clip.
1:42:26Deactivate the audio. Why? Because it had has happened to me that I don't know.
1:42:32One day after effects was lagging a lot and I just didn't know what it was. I was deactivating the effects, like everything, I was lowering the quality of the of the composition and it was lagging a lot and it was because due to the fact that the two audios from the two clips were activated, it was just lagging.
1:42:56So I don't know, it happened so I learned that you just need to deactivate the audio if you have two clips that are pretty much the same. Okay? So we deactivate the audio, um, and now we have the rotoscoped rotoscoped, um, reel and clip and the original one.
1:43:16Alright. So for now, guys, um, that's it for this mini mini mini segment of the tutorial.
1:43:24And with the rotoscope, we can do it at the beginning or we can do it at the end.
1:43:31Now it has its own pros and cons. So if you do it at if we do it at the beginning just like we did right now, then if we do like a zoom in and zoom out to the to the main video, we will need to do the same zoom ins and zoom outs to the rotoscoped video.
1:43:49Okay? Because, obviously, we want it to to be matching. If we do a zoom out, you guys are gonna see.
1:43:56Okay? But if we do a zoom in, zoom out, we need to apply it to both clips. Just keep that in mind.
1:44:02I'm gonna show you how to do it. And I'm also going to explain how, uh, why it's good to also do the rotoscoping at the end.
1:44:12Okay? But for now, we're just gonna leave it like that, and, um, we can move on to the next segment right now.
1:44:23Okay, guys. So welcome to this segment. And in this one, we are going to start adding all the assets, all the things that we are gonna be editing on the animations.
1:44:35Okay? Here is where we actually start to get into the good stuff, um, because now is where we are going to actually start editing.
1:44:44Alright? So in order to do that, uh, we need to actually go back to our drawing, okay, and then start to see all the things that all the notes that we made.
1:44:56Okay? So for example, just to do it quickly, um, on the first segment, we have basic content design. Okay?
1:45:02So we have text. So you want to just go ahead and simply add some text.
1:45:08Okay? So, uh, it said something like basic. So let me do it again.
1:45:14So basic content. Alright.
1:45:18And, uh, it I don't know why it's so small. I'm going to make it bigger.
1:45:25Okay. So basic content, and I'm gonna hold command and just anchor point that to the middle, and we have basic content.
1:45:35Okay? So I have edited some videos before. That's why I already have this.
1:45:42Okay? I already have this, uh, owner's text.
1:45:46By the way, I'm getting these texts from Adobe Creative Cloud. Okay? Remember, Adobe Creative Cloud, um, this is where I'm getting these text owners.
1:45:56Okay? And then I we have a bunch of options here that we can play around. So that's where I'm getting the, like, the, you know, the thing for the for the for the hook, if that makes sense.
1:46:08So, um, alright. Perfect.
1:46:10So with that being said, um, I already have that text. Alright?
1:46:15So for you guys, you wanna go ahead and and obviously use the text for your brand. Okay?
1:46:21The on the on the editing signature style that you created, you chose some text, and and, you know, you brainstorm some ideas.
1:46:31So that's the text that you wanna use. For now, just make sure you add some text.
1:46:36Don't worry about, like, choosing the the style for now. Just leave it like that. And then I'm gonna do another one.
1:46:42I can duplicate that one, actually. So command d. I can move it below, and then I can just change it for, um, I think it was is dying.
1:46:56Right? Something like that. So I can go back to my drawing.
1:46:59Okay. Basic content is dying. Okay.
1:47:01Perfect. So, uh, for this one, I'm going to use a different different, uh, letter here.
1:47:10So is dying is gonna be this one, regular. Okay.
1:47:17So I'm gonna choose that one, and I can even make it a little bit bigger here. So basic content is dying.
1:47:27I think I can change that one for, like, not regular, but no. We're gonna leave it on regular.
1:47:35And then, um, okay. Here.
1:47:39Perfect. We can deactivate that. Alright.
1:47:41Perfect. So we're just, you know, building here.
1:47:45We're just adding the elements. I can choose that and align it to the center as well.
1:47:52So basic content is done. Okay? So that's gonna be the hook.
1:47:55And we also have, like, a small highlight. Alright? So let me show you how to actually do that highlight.
1:48:03So the way we're gonna do that is with or by creating a line.
1:48:08So the way we create a line is with the pen tool. I click one point, okay, and then I click another point here.
1:48:18Perfect. So we just created a line.
1:48:22Alright? So I'm gonna go back to this and change the name of that to, uh, not line, but highlight.
1:48:31Highlight. Okay. Perfect.
1:48:34So we have the highlight, and highlight is gonna be below this word because it's gonna be a highlight for that word.
1:48:43Okay? And now I'm gonna take that and I can play around with that a little bit. As you can see, the anchor point is here.
1:48:53It's not in the middle, so I'm gonna do I'm gonna center the anchor point to the actual thing.
1:49:00And as you can see, guys, this line right here is black, but I wanted to be like red, something like that.
1:49:08K. So I changed the color of the stroke and then I can make it bigger as well. Alright?
1:49:14And now I can even make this like a little bit like this as you can see. K.
1:49:22So we can change it a little bit. What are these points? Why are these points here?
1:49:31Uh, let me see because I think this is stroke. Yeah. It's a solid one.
1:49:37I don't know what are these points, uh, why are these points here to be honest, but let's just ignore them.
1:49:45Let's just, you know, leave it there. Okay. Perfect.
1:49:47So we have the little line, um, right here. As you can see, we can make it, you know, bigger.
1:49:53We can make it, um, you know, the size that we want, but for now, I'm just gonna keep it simple.
1:50:02Just gonna keep it like that. K. So basic content is dying.
1:50:08Alright. Perfect. Again, we are just creating the elements, doing pretty much everything.
1:50:12Um, the second segment we have is Justin Welch, so we need a Justin Welch and then a background with some boxes and stuff like that. Alright.
1:50:23Perfect. So, um, let me fit this again. We're gonna start to save things.
1:50:29And, um, for the next segment, we need a Justin Walsh. So let's actually play that.
1:50:38Basic content is dying, but let me actually tell you why that is good news. Okay.
1:50:44So here is where the hook ends. Alright. So now I'm going to add Justin Welch right there.
1:50:52So the way we do that is we go on Chrome, and I can be like, Justin Welch.
1:51:01So images. Justin Welch. Okay.
1:51:05So I'm thinking about using well, this one seems to be, like, the best one. Um, make sure it's, like, good quality, the image that you're getting, then I can put it on Canva and just create an Instagram story on Canva and then paste that.
1:51:23And then you can call this, like, um, I don't know, real I call it real elements. But since I already have that, you know, that name, um, reels tutorial, I'm gonna call it.
1:51:36K? Just put in a name so you're not confused. Reels tutorial.
1:51:40And then here, we can remove the background. It's gonna remove the background.
1:51:46Perfect. We can make it a little bit, like, even bigger here. Right?
1:51:52Okay. Perfect. So we have Justin Welch.
1:51:55Uh, we're going to go and download that. So with a transparent background, so we download it. And keep in mind what I'm gonna do here because I am going to save this into the Pablo Reels basic content, is the folder we're we're working here on the tutorial, and save it on images.
1:52:16Okay? And click save. Alright.
1:52:19Perfect. So now that we are on the images side of things, now that we are here on Canva and on Google Chrome, we're gonna take advantage of that and see if there are any more images that we need to download.
1:52:33So we downloaded Justin Welch. We're gonna use Justin Welch here. Then we need some text, some text boxes.
1:52:40Okay. It seems like I don't need an image here. Then the word essence.
1:52:44Uh, three d cameras. Okay. So I need, like, my profile picture here.
1:52:49Um, so that's another image, but that's that's gonna be a picture of myself, so I already have it. I don't I don't need to download anything. And then, um, it says here I some icons, but I didn't make the note of what type of icons, but I remember what type of icons.
1:53:05I wanna have, like, cupcake here, Instagram, YouTube, and Gumroad because those were the things that allowed me to go from zero to one k.
1:53:17Okay? To my first one k and my first 10 k. So, uh, I want to represent that and since I wanna do that I am going to use some icons relating to Gumroad and stuff like that.
1:53:29Okay. So in order to do that I need those icons and I also needs the need this XP icon.
1:53:36Okay? Because, uh, I'm I'm talking about getting ex experience and insights, something like that.
1:53:43So now that I know about that, I can go ahead and just delete Justin Welch. It's fine.
1:53:49We already have it. And, um, we talk about the icons. Right?
1:53:53So icons and XP. Alright. So let's actually get the XP first.
1:53:59Elements. Um, I don't know. XP.
1:54:03Okay. Alright. So we have an XP here, and you can, um, try to find more if you want to.
1:54:12But, honestly, I'm gonna use that one. I like that one. So I'm going to download it, make it transparent, download, and I'm gonna save it.
1:54:22Uh, it says there is only one in my sort of graphic. Oh, okay. So sometimes it happens to Canva where you need to add more elements than the thing.
1:54:32So for that, just add a point here and put it anywhere. I don't know.
1:54:36Like, And then just go on transparency and decrease the transparency to, like, one.
1:54:44And there you go. Okay. We now have the element, we can download it.
1:54:48Transparent. Download. And we're gonna save it as, um, xp icon on the same folder, on images, on the same folder.
1:55:00So this one saved as real tutorial. I need to change the name.
1:55:04I forgot to change the name for for that one. So I'm gonna quickly go onto my files.
1:55:11So files.
1:55:14Red. Okay. Let's just change that name really quick because if not, it's gonna be with this name.
1:55:21Justin Welch. K.
1:55:23I forgot to change the name of that one. Uh, Anyways, I'm gonna just, you know, minimize this, go back here, and we got the XP. Also, insights.
1:55:34I talked about insights. So for example, a gem for me is like an insight.
1:55:41It's it represents something that I know, and I can even search for three d gem. Okay.
1:55:48Perfect. So and we have several here. And so as you can see, I can use this one.
1:55:55I really like this one. I have used it before, actually.
1:55:58So I'm gonna use that one, and I'm going to I can use actually, since here's the things.
1:56:06We wanna keep, like, the style of the of the things. Right?
1:56:10So since I'm using, like, a black, uh, and white XP icon, I wanna keep that branding.
1:56:18Okay? So Justin Welch's picture is also, like, he's, you know, with a black shirt. So we are trying to keep the style here on the black color.
1:56:26And since we're doing that, I'm gonna download this one. Okay? Uh, download transparent.
1:56:32And this is what I mean by not doing, like, a lot of things.
1:56:38Right? So gem, I'm gonna call it gem icon and save it on images and save.
1:56:47Okay. So when you're editing, you don't wanna have, like, a lot of colors and stuff like that. It's not necessary.
1:56:54Like, keep the branding of the thing that that you're doing. Right? So, um, I don't know why it can seem to hide this.
1:57:03But, anyways, uh, what else? What else?
1:57:05What else? Let me minimize this and go back here. Okay.
1:57:10We got the XP. Okay. The icons.
1:57:11Perfect. So for the icons, what I can do is I can go here and search for actually, let me see if on Canva we can do that.
1:57:25So three d, and the first thing I did was, like, CapCut.
1:57:34Okay. But, actually, now that I remember, I have used an icon before here on Canva.
1:57:42So like this one. I got it from Google as well. Okay?
1:57:46So now I can just, you know, download this, cut it, and that I'm gonna use that one. So download it, transparent background, download.
1:57:58Okay? Cap cut icon. Right.
1:58:03Save it. And then we do the same for like, what was the next one? Okay.
1:58:08Instagram. So just to show you on the full pack, uh, now that I'm that that I remember, obviously, on the full pack of editing assets, I have some icons, social media icons, and I have some icons from, like, the Instagram reels, the YouTube, and so I'm gonna take those.
1:58:30I also have the CapCut one here as you can see. So, um, you can go ahead and find them on if you've got the full pack, you're gonna have them.
1:58:39If you don't, you can go on Google and download them using Canva as well. Okay? So what I'm gonna do is I'm gonna copy these and I'm going to go to the folder, basic content, uh, images, and I'm gonna paste them here in some real YouTube three d.
1:58:57Alright. Perfect. So, uh, I'm just missing Gumbroad.
1:59:01Okay? So I'm gonna go here and I'm gonna do Gumbroad, um, three d because we're using three d icons.
1:59:09So I, uh, Gumbroad three d icon. Let's see if we can find it.
1:59:17This one is gonna be a little bit difficult, but let's actually use this one. I think this one is gonna be a solid one.
1:59:26This is the one that we can use. So copy image, go here, paste it, and we're gonna just wait a little bit to remove the background.
1:59:37And there you go. Gumroad. Perfect.
1:59:39So download transparent background. And this is how you wanna do things, guys. Like, it doesn't take too much time.
1:59:46We're just gathering all the images. Now that we are here, Gumroad icon, um, we're just gathering and downloading all the stuff that we need all at once.
1:59:58Okay? So, uh, let's Go back to the drawing.
2:00:03We got the XP, the insights, and the icons. Okay?
2:00:07Um, try to connect. Okay. So this is text.
2:00:10Uh, this is, uh, let me see. Okay. My profile picture, the XP icon, which we already have, and then some numbers with balls.
2:00:19We already have we can create those on After Effects, so don't worry. And then we need a Loom video, okay, that I have recorded previously, then some text, and then some text as well.
2:00:30So we're just missing the Loom video. And just to show you, this is a Loom video that I recorded previously, um, about the lead magnet that I'm talking about.
2:00:40It's called how to monetize your skills. So I'm gonna download that one, and I'm going to how to monetize it?
2:00:49Like, I'm just gonna call it Loom video, and I'm gonna save it not on the images one, but just on the basic content folder.
2:00:58Okay? Saloon video by Pablo.
2:01:01Okay? That's how I'm gonna call it. Don't worry.
2:01:04I will leave I will also leave this on the Google Drive folder with all the footage that you guys need to download for this tutorial. So I'm gonna save it right there.
2:01:15Okay. And, yeah.
2:01:18There we go. Perfect. So I think we have pretty much everything downloaded, all the images that we need, so I can minimize this.
2:01:25And look what I'm gonna do now. I'm gonna go to the folder, right click, import, and I'm going to import multiple files.
2:01:35And, uh, if we go to the Pablo reals basic content images, open that one and, um, let me click cancel here.
2:01:51Okay. There we go. Perfect.
2:01:53So we have the Capcut, the gem, the gunbroke, the Justin, the XP, the Youtube. We have pretty much all the images that we will need. Okay?
2:02:01So since the next segment starts here, what I'm gonna do is I'm gonna click images. I'm gonna go to Justin Welch, drag and drop it, and then I'm gonna make it, um, you know, cut it in a way where he will start here.
2:02:18Okay? Boom. Uh, based on the expert Justin Wells, and let's actually continue to play here.
2:02:25Based on the LinkedIn expert Justin Wells. Okay. It's somewhere here, um, somewhere here is where we do the transition.
2:02:34So we go from Justin Welch with the speaker, which is me on the frame to a background. Okay? To a background.
2:02:43So let me actually go ahead and show you how to create that background. So new, solid.
2:02:49Okay? And what color is gonna be this background?
2:02:56It can be white. It can be based on my content style, I wanna use either blue, red.
2:03:05Okay. It can be red just because we're talking about a problem here. So it could be it could be red if that makes sense.
2:03:14So let's call it red background. Okay?
2:03:20So red background, uh, we make the color here, and it's gonna be not a like a hard red, but rather like a darker one.
2:03:30Okay. Okay. Perfect.
2:03:33So we have the red thing right here, and just to make it we can make it we can make that bigger. Okay?
2:03:41So I'm gonna make it bigger because I will explain just in a few minutes, but we're gonna make that that bigger, and we're gonna make it here.
2:03:52So we have Justin Welch. And I wanna rotate this. So the way we rotate it oh, how can I rotate the background?
2:04:01Doesn't give me, like, an option. Oh, I can go actually go here, select the red background.
2:04:06And instead of me going to the transform options and everything, can I can just go ahead and rotate it, uh, right away here? So we can rotate it to let's just go ahead and put the number 90. Okay.
2:04:18And then we can make it bigger. Now, uh, here's what we're gonna do.
2:04:24We're gonna do like a movement of the background where the background is gonna move like this. Okay? It's gonna start here and then it's gonna move like this and like here and then like this.
2:04:34Okay? With keyframes. We're gonna do that with keyframes.
2:04:37I'm gonna show you, but, uh, for now, let me just actually make this bigger. Okay? I'm gonna pause the video right now because I gotta take a break, but, yeah, I'm gonna continue with, uh, another one.
2:04:50We're gonna continue, like, adding more stuff as well. Okay, guys. So that was a long break I took.
2:04:56But, anyways, let's continue here. Alright? Let's continue here because as we are building things so we have the let me just fit this again.
2:05:06We're building the hook. We're building the next segment, okay, which is about Justin Welch and the background with all these, you know, with a text, with tips, how tos, chat GBT doesn't work.
2:05:22Okay. All these things. Perfect.
2:05:24So we already have Justin Wells, and the second thing that I'm gonna build within this frame, within this segment is a normal text.
2:05:34Okay? So I don't select anything here. Okay?
2:05:38I don't select anything there, and I'm going to just go ahead and create a new text. And the name of that text is gonna be generic or it's gonna say generic content.
2:05:53Okay? So generic content. Uh, keep in mind that whenever you guys create a new text, remember that yours is gonna be different.
2:06:02Okay? Depending on the fonts that you have used within After Effects. I have used oh, what happened here?
2:06:09I'm just trying to make this bigger. This is why it's so import let me just undo this. This is why it's so important to bring the anchor point to the center so that doesn't happen.
2:06:20Okay? So I'm gonna do that again. Okay?
2:06:24And for this one, I'm gonna use the one that says relation. Remember, I'm getting these from the Adobe Creative Cloud.
2:06:33Okay? So if I actually show you, if you go to Adobe Creative Cloud, this is Adobe Creative Cloud.
2:06:39Okay? You wanna go to Adobe Fonts and then you wanna browse fonts.
2:06:45This will take you to adobe.com, to your account, and here you can find a lot of some, like, really good fonts.
2:06:55So for example, I found relation here on brush pen and then I just add just like this bottom here, I add the family of the font that I want and it will be automatically added to my Adobe Creative Cloud.
2:07:13So Adobe Premiere Pro and After Effects are going to read those fonts.
2:07:18Alright? Perfect. So with that being said, as you can see, guys, if I click this I don't know if I already explained this.
2:07:27Sometimes I forget, but if we click this on shortcuts, if we click this thing right here, okay, We are gonna be able to make this bigger.
2:07:40So boom. Just like that. Okay?
2:07:43Again, as I'm recording this, I don't know if I already explained this or not, but, you know, just keep that in mind. Perfect. So generate content.
2:07:51And then the next thing that we wanna do, I'm gonna take Justin Walsh, just put it a little bit here, is a text box. Okay?
2:07:59Because we are using some boxes here as we can see. So I'm gonna just, uh, zoom this in a little bit more. So, uh, something that said a text box and something that says tips.
2:08:10Perfect. So I'm gonna get the, um, rounded rectangle, and I'm gonna make okay.
2:08:16Make sure I don't select anything here and make a rounded rectangle. So it's gonna be something like this.
2:08:26Alright. Maybe yeah.
2:08:29Maybe like this. Okay. I think this is a solid one.
2:08:33And then I'm gonna select this and go back here. The anchor point is on the center.
2:08:39And for me, the stroke is good, so I'm gonna call this text box.
2:08:47Okay? Perfect. So text box, and then I want to make that gradient.
2:08:54So I'm gonna make it gradient, and then I can choose the colors here. So I'm gonna choose white, and I'm gonna choose, um, another one which is gonna be a bit a bit darker, which is gonna be that one.
2:09:07And then I can take these points here and play around with those to something that I like. Okay?
2:09:14So for example, maybe here.
2:09:20I like this. I like something like this. Okay?
2:09:25So as you can see, we click and we take a look at this. It's looking pretty solid, to be honest.
2:09:31It's looking pretty solid. So now I want a text for the text box.
2:09:38Okay? Because here it says tips. Okay?
2:09:41I think I say something around the lines of generic tips, so let me see. Posting generic content like quick tips.
2:09:47Okay. I say quick tips. Right?
2:09:50So I'm gonna create a new text. Alright. I'm gonna create a new text here, and I'm gonna call it quick tips.
2:10:03And as you guys can see, it is small, so I'm going to make it bigger. Just fit it in right there.
2:10:11So a little bit bigger. Fit it in. Okay.
2:10:16I actually like that. So let me see. Alright.
2:10:19Perfect. Maybe just a little bit. Let me anchor that to the center again.
2:10:25And quick tips. Okay.
2:10:29I like it. I think it's pretty solid. So, look, one thing that we are going to do here, I'm gonna save this.
2:10:36Okay. Remember to to continue to save your progress. You never know what can happen.
2:10:43So if I get the box, okay, and if I want to move the box, the text won't follow the box. Okay?
2:10:51By the way, let me center the anchor point of the box. Alright. Perfect.
2:10:55So on that case, what we wanna do is, uh, we want to parent the text, which is quick tips.
2:11:04I'm gonna just close this. So quick tips, I'm going to parent that to the text box. Okay?
2:11:11So you just do it by dragging this little thing here and dropping that into the text box. And now if I grab the text, I can move it around, I can animate it, I can do whatever I want, and the text will follow the box.
2:11:28Okay? Perfect. So we also need here, like, the line.
2:11:35Right? Like, this little line. We obviously need other boxes and other text, but for now, we are just creating the very, like, the, you know, the very draft.
2:11:45So later on, when we start animating everything, you guys are gonna see, um, that's when we can actually just go ahead and, um, you know, duplicate everything and animate everything.
2:11:58But for now, if we want, we can just leave it like that. We will duplicate it later on.
2:12:05Okay? And now I'm just missing the line here. So this little line, I'm gonna do it.
2:12:11So in order to do that line, I want to let me see how we can do it.
2:12:18Um, I'm gonna take Justin Wells. In this case, I'm gonna move it a little bit. Okay?
2:12:23Don't worries. We will, you know, we will position it the right way later.
2:12:30And I'm gonna take like, I'm not going to select anything, and I'm gonna drop this pen tool. Okay? So I wanna make a line here.
2:12:40Okay? So a point here. And then what I'm going to do is I'm gonna draw like, I'm gonna click and hold because that way I can create a line.
2:12:52Okay? So just a tiny line just like that. And then another another one and hold.
2:12:59Okay? So I can create another line, which is gonna be like this maybe.
2:13:05Okay. And then I can if you don't like how it looks, don't worry. You can, like, select this and move it a little bit.
2:13:13Alright. And we can move this as well. So there you go.
2:13:19Now one thing that I don't like to do on lines is to have the fill color. So we're just going to deactivate the fill color on that one. We're going to increase here the stroke of the line.
2:13:35Alright. Maybe 15, it's fine. I'm gonna click away, and I'm I don't know.
2:13:41I'm not sure about the line. By the way, I'm gonna call I'm gonna change the name. So it's gonna be curved line, again, just to keep organization and of of everything.
2:13:53I'm gonna select it, and I'm gonna center the point. I'm gonna select the pen tool to the curved line, and I want to edit that one.
2:14:04So let me see. Content shape.
2:14:10Okay. I want to how do I do it?
2:14:13I don't quite remember, like, how to edit the lines again. Oh, there you go.
2:14:20Perfect. So you just select that apparently, and, uh, this is the thing that I wanted to modify.
2:14:28Okay? So I select that one again, and this is what I wanted to modify.
2:14:34Perfect. So I go back. Lines are a little bit complicated, guys.
2:14:38I'm I'm not gonna lie. Like, lines are a little bit complicated. You wanna be patient with lines.
2:14:44But there you go. We have a line that basically will be just the representation of this.
2:14:50Okay? So later on, again, we're gonna edit that one. But for now, let's go on shape here.
2:14:56Let's go on stroke because I want this line to be dashed. Okay?
2:15:01So I'm gonna create a dash here, and I'm going to increase the distance of the dashes.
2:15:08And, also, if we scroll here boom. Scroll.
2:15:11Scroll. Scroll. Um, you guys are gonna see how this line if we if I click, um, other thing, like, quick tips, how the line is, like, you know, um, it is fine, but I want it to be rounded, so I can change that here.
2:15:28Round cap. Okay. Perfect.
2:15:30And I can decrease the, um, stroke a little bit so it's not too much. Maybe at 12, it's fine.
2:15:40There you go. And then I can even change the space of that.
2:15:45Okay. Perfect. Stroke width.
2:15:48Uh, okay. I can change that here as well. And what else?
2:15:56Offset. What is this? Okay.
2:16:01I'm just gonna leave it like that. And there you go, guys. So let me just drink some water really quick.
2:16:09I think I'm I I like it.
2:16:14Honestly, I'm just gonna leave it like that, and we can close this. We can close this, and we have the line ready.
2:16:22Let me fit this again. Perfect. So we are done creating the elements for that segment.
2:16:29Okay? So we wanna go now to the other segment and take a look what I'm gonna do now.
2:16:34So this segment work anymore.
2:16:38What's It ends here. Right? And it starts here.
2:16:41Obviously, Justin Welch starts a little bit earlier, but for now, this one starts here.
2:16:47Okay. So with that on mind, keep in mind that I also trimmed these texts at the very beginning.
2:16:55Okay? I I don't think I did it on the previous, like, clip that I recorded.
2:17:01Like, I created these things, and they were, you know, the same size of the entire timeline, but I trimmed those, okay, while I was on the break.
2:17:12So and I didn't realize that. So now I'm just going to explain how to trim things because remember that we can do this. So this is just this is generic content.
2:17:21Uh, I can take that to the size of the segment that we're gonna be doing. Okay?
2:17:28It should start there. But the other way that we can do it is we can select several, um, elements and layers here.
2:17:36And, again, if we go to keyboard shortcuts, we can click or hold option and then this key.
2:17:45Okay? If we want to make the cut here. If we want to make it here, then we would need to hold option or on Windows, I don't really know what what what that was, but I think it's control or alt and then option and then this key right here on MacBook.
2:18:05Okay? So I'm gonna do that.
2:18:07So option, Boom. So it trimmed everything to this point, to the plate head.
2:18:13I positioned the plate head plate head here, and I can do option and then the next one. I forgot to select generic content as well, so let's do it for generic content.
2:18:26Perfect. So we have Justin Wells. We we have the intro, right, with the text hook and the highlight.
2:18:33Perfect. That only lasts that segment because then we have Justin Welch, and then we have the background with those elements that we created. This segment ends here.
2:18:43Anymore. What's working right now? But you can see that it was like a weird cut.
2:18:47Right? I'm ending it here, and then it starts again.
2:18:53So More. What's working right So it was a little bit weird, so let me see. Anymore.
2:18:59What's working right Something is not, like, ending at the right time.
2:19:06So let me just increase or zoom in here and try to see the what's working?
2:19:18I don't know. Maybe it could be somewhere here. Okay.
2:19:22This this cut is is the one that it looks a little bit weird, so I'm gonna just take everything. Okay? So from here, shift.
2:19:31Take everything and make it disappear right there. Okay? So I think it's gonna be way better.
2:19:37Okay. Perfect. So let me zoom out here.
2:19:41Okay. Zoom out. And then Doesn't work anymore.
2:19:45What's working right now is essence. Okay. So, um, here is where we get into the other little, um, segment, which is about essence.
2:19:54So, honestly, I'm just gonna take this generate content text. I'm gonna duplicate it. I'm gonna bring it to the top and then I'm going to add it here.
2:20:04Okay? And now I want to change that for, uh, let me change that for essence.
2:20:12Okay? Now this text is a little bit different because it's not gonna be black. It's gonna be white and a little bit bigger, so I can make that a little bit bigger here.
2:20:25Perfect. So essence. And then the fill color, I can change it to white.
2:20:31Alright. Perfect. Now let me actually tell you what that means.
2:20:35Okay. Let me actually tell you what that means. It's another segment, so I go I I am going to zoom in here because, again, I really want to, uh, be able to see when does the frame changes.
2:20:51So here is where I make the cut. So before the thing ends, I want to take the word essence and I want to trim it.
2:21:01Okay? Right there.
2:21:05And then right there, I'm going to add another background. But this time, it's not gonna be a red background because I'm gonna be talking about when you overcome a challenge.
2:21:17So it's an animation of me going from zero to one k and the things that allowed me to do that.
2:21:25So we really but we we really wanna be intentional about the things, the colors we use, and the the things that we do on the animation.
2:21:35Because remember, the most important thing is to make the message that we want to communicate, to make it easy to understand to the audience. Alright?
2:21:45And use, like, the vibes that will help the audience understand that message. So here, I'm talking about overcoming a challenge. I wanna use a blue background instead.
2:21:55So I'm gonna right click somewhere here, new solid, and then I'm gonna do blue background.
2:22:04And then this color, okay, it's blue. Okay. Perfect.
2:22:07So click okay. Click okay. And there you go.
2:22:10We have a blue background, but that is gonna start here. Alright.
2:22:16Then let me zoom out this and okay. The text essence starts there, and then it finishes there, and we have a new background.
2:22:26And we have let's take a look at these elements. We need my profile picture, uh, $0, one k.
2:22:34We need a line, and we need the icons, and we also need on the other scene, which you're gonna see how we do it with three d cameras, we're gonna have, uh, or need the XP icon.
2:22:45So let's actually start adding pretty much everything. So the first thing is gonna be a text, um, and this text is gonna be just one, um, no.
2:22:580. $0. Where is it?
2:23:01Why don't I see it?
2:23:07Okay. There you go. So I'm gonna make it just a little bit bigger.
2:23:12Uh, okay. It's because I'm creating this text below the background, so it should be here.
2:23:19Awesome. Now, um, if I go here I go here, then I wanna change that to owners.
2:23:29Okay. Remember, I'm getting these funds from, um, from the Creative Cloud.
2:23:38Okay? So $0. Yeah.
2:23:40I'm gonna keep it like that. Don't worry. We will worry about this, like, later later on.
2:23:45I'm gonna duplicate this, and I'm gonna move that maybe to the same position.
2:23:50And then I'm gonna change it for what?
2:23:55One k. Okay? And select here.
2:23:59Then we also need a line. Right? So we are gonna do a line.
2:24:04Uh, this one is gonna be simple. So without selecting anything, go ahead and create the line. So one point here and then the other one here, and we have created a line.
2:24:17We can, if we want, increase the stroke of the line, but I wanna take the anchor point to the very, very middle.
2:24:26Okay? So, again, I'm gonna change the name for this. I'm just gonna call it line, and there you go.
2:24:34We have a line. Alright. Perfect.
2:24:36So this line right here, uh, I'm gonna select it, and I also wanna do the same for the stroke. So contents, shape, stroke, dashes, and then add a little bit here.
2:24:51And I think I'm gonna just leave it like that. Okay. Perfect.
2:24:56So maybe a little bit more.
2:25:01Okay. That's fine. And what else do we have?
2:25:04Okay. We have my profile picture. So for my profile picture oh, I remember.
2:25:11So I have it actually here. Okay.
2:25:14I added from my computer previously, so I'm gonna take it and drag and drop it. Perfect.
2:25:20And take a look what I'm gonna do now. Okay? For this one, I don't want this whole square picture.
2:25:27I just want it to be a circle. So we're gonna create a mask for the picture. So I need to select that picture, the element, the layer, and I'm gonna go here, hold, choose the ellipse tool, and from here, from the corner, okay, somewhere here, I want to create, holding shift, a circle for the picture.
2:25:55So it can be something like that. Perfect. Now I want to select the thing, and I can go ahead, select this, and move it.
2:26:05Holding shift, make it smaller, maybe like that.
2:26:11Okay. Perfect. Could be smaller.
2:26:13We'll see. And okay. So we have the picture.
2:26:16We also need the XB icon. The XB icon will be later on because we also need these icons, okay, that we previously downloaded.
2:26:28So we will need the CapCut one. So if I add this one don't worry, guys. I'm I'm gonna leave these things on the on the video's description as well so you guys can have them.
2:26:40I'm gonna make this smaller. Boom. Like this.
2:26:45Okay. And then I'm going to add the next ones. Okay.
2:26:50See how intentional we are being with the actual edit and actual animations, guys?
2:26:56This is what I wanna teach you guys. Like, it's not video editing, it's not only about adding stuff to a screen and editing that. And then boom.
2:27:05You have a really cool edit or you're over editing the video and that's it. No.
2:27:10We wanna be intentional about the edits that we do. Every element on the screen has a meaning. They have an intention.
2:27:18They add some sort of value to the message that we want to communicate. Okay?
2:27:23So I'm not adding a bunch of random stuff. Everything is intentional. Okay?
2:27:30I see that as a just a small common mistake that I see on some people that they just added stuff to the screen just for the sake of adding stuff to screen when in reality, like, again, guys, you wanna put some effort into the the brainstorming and the actual edit. So, uh, we go ahead and do this here.
2:27:50And by the way, if you can do this, like, the and if you if you're doing this for clients, then, um, your client is gonna be really happy with your work as well. So keep that in mind.
2:28:02Um, Alright. Perfect. So okay.
2:28:05Later on, we will, like, organize them and stuff, but we are now only adding all the things. Okay?
2:28:13So XP icon, I'm gonna add it here and make it a small. It's gonna be somewhere here and then the gem.
2:28:27Okay. This is gonna be here, and then just make it small.
2:28:32Alright. Perfect. Now this this little segment is gonna take more than I expected, so it's taking more than expected, but it's normal because, guys, building these, like, the elements dragging and dropping and and building the backgrounds, creating the backgrounds, um, creating the text, and all these things, even though we are not animating, uh, it takes some time.
2:28:53Okay? So that's why we're taking some time here. Now take a look at this.
2:28:57Okay? Uh, all these elements, when I created them, when I drag and drop, all of them are the same size of the timeline.
2:29:06Okay? So look how big they are. So in this sense, we need to go ahead and make them, uh, the size of the segment.
2:29:16Alright? So for example, the background is started here.
2:29:20Okay? And let me see where let me just listen to the video to see where the the segment ends.
2:29:28When you overcome a challenge when you overcome a challenge or you solve a problem in your k.
2:29:38Let me pause it, uh, really quick because I don't know why this is lagging. Alright, guys. So I have just a little issue here, uh, but we we are back.
2:29:47So let me just play that to see where this segment ends. When you overcome a challenge or you solve a problem in your life, you gain genuine expertise and insights. Okay.
2:29:59So you gain genuine expertise and insights. Here is where the where the segment stops.
2:30:06So I'm gonna option and trim or cut this layer here and all the layers above.
2:30:15Since all these layers that we created are part of this segment, we're going to trim those as well. Okay? So just locate the playhead where the segment starts based on the background as a reference, And then I'm gonna take zero, hold shift, and select everything and do option and then the key that I mentioned before, and then, again, option and then the key.
2:30:42Again. Okay. I might need to move that a little bit.
2:30:48Okay. Let me zoom in this because I wanna do it wanna be, like you know, you wanna take care of that.
2:30:56Like, just, you know, make sure everything is aligned. So I'm gonna save that, and now everything just can click away, and now that segment is ready.
2:31:06Okay? Gain genuine expertise and insights. But it is only when people see that you overcome a challenge that they wanna solve when they truly connect with you.
2:31:17They're Okay. So that segment, um, is about the next segment is about when they truly connect with you.
2:31:24So it's just normal text. Um, so what I'm gonna do now is I'm gonna go here to the very start of the segment, and I'm gonna add some text.
2:31:34Okay? So here, uh, let me just go ahead and add some text.
2:31:41So it's gonna be something like when when they and then I say when they truly connect with you.
2:31:49So when they let me make this bigger. K.
2:31:54When they anchor point to the center, And then I'm just gonna duplicate this for now and then say, like, when they, um, truly and then it's like truly and that that is gonna be one word.
2:32:15I'm gonna explain why later. Truly, and then duplicate that truly again, and then be like, when they truly connect.
2:32:28Okay. Take the truly, make it somewhere here, and then connect somewhere here.
2:32:36When they truly connect, um, and then this one is gonna be with you.
2:32:43When they truly connect with you. Okay. Perfect.
2:32:47So when they truly connect with you, and that is the segment. Alright?
2:32:52And that segment, let's see. Well, it starts here. So when they and then shift option, the key, and let's see with where that ends.
2:33:02That you overcome a challenge that they wanna solve. Actually, it starts here, somewhere here, like, when they truly connect with you.
2:33:12So here, this little space is just gonna be me with the captions. You don't need to edit everything. Okay?
2:33:17You can leave the video with some captions, uh, here and there. Okay? So solved when they truly connect with you.
2:33:24There Okay. And then we wanna zoom this in until we see the the little frame right here to see where the thing ends.
2:33:35Connect with you. So it's somewhere here. Okay.
2:33:39It's right here. So I'm gonna option actually, just here.
2:33:51Somewhere here. Okay. Option.
2:33:53Boom. So they're gonna be until here. Alright.
2:33:57Perfect. And here, we start another segment, which is, like, fully screen.
2:34:02It says original. We have my profile picture and the XP going through a path. Okay.
2:34:08Perfect. So for that, for now, I'm just gonna use the same background, blue background.
2:34:14And here's the thing, guys. Like, we don't wanna use a lot of colors.
2:34:18I don't suggest using a lot of colors because then the edit will not keep the the style.
2:34:26Okay? It will like, some people use a lot of colors.
2:34:29They don't really maintain, like, a style within the video, and so everything just looks different.
2:34:38Uh, what I mean by that is if we take a look at the icons we are using here, every icon if we make this bigger. Okay.
2:34:47So fit. Every icon is, like, similar.
2:34:51Even though they are not, like, the same, it it's similar. Like, they are three d icons. Right?
2:34:56The these things, both are black. Okay? My profile picture is fine.
2:35:00I'm I'm keeping, like, the style that I'm doing within the video. Right?
2:35:05So ever since I start, I'm starting with one type of a font, then another one. Okay?
2:35:12Then I'm using Justin Welch. I'm using one type of line, one type of textbooks, the same font as the very beginning on the hook, and so on and so forth.
2:35:21Okay? That's what I mean by keeping the style. I'm keeping the style on this word right here.
2:35:26I'm keeping the style here. Just using another, like, a different background, and don't worry. We're, like, we're gonna work on those backgrounds, uh, later on.
2:35:33But you guys get the point. Right? Everything keeps its own style.
2:35:37Now for this background, let me actually see where this segment ends. There is a system to share your insights and expertise in an original and honest way.
2:35:47I Okay. In an original and honest way.
2:35:50So Honest way. I call it the only Okay.
2:35:55Perfect. So I maybe I can do this.
2:35:59You know, in honest way. I call it the Okay. No.
2:36:02There's a cut a weird cut right there here right there. You wanna take care of that, okay, as well. You wanna be careful to end the background where, like, the other segment start, it has already started.
2:36:14Okay? So because if not, it's gonna look weird. For example, if I leave it here, look what happens.
2:36:21Boom. You can see the cut. So that's another common mistake I see.
2:36:27Just make sure to not do it. So if I do this here.
2:36:32Okay. There is a system. Okay.
2:36:35They there is a system. Let's see what we have. So my profile picture that we can just go ahead and duplicate.
2:36:43So duplicate, bring it here, move this here, move it here.
2:36:49See how I'm I am, like, just, um, recycling some things? It that's how you that's how we wanna do it, guys. Okay?
2:36:58Recycling some things that we have previously used during the animation. Okay?
2:37:03Then so we have that. We also have a path.
2:37:09Okay? But before I do that, I'm going to duplicate the XP icon, so I'm gonna duplicate that one.
2:37:18Um, maybe here. Right.
2:37:22So maybe here. Let me see that just make sure that OBS is up and running. Okay.
2:37:29Perfect. And then go ahead and do this here. Alright.
2:37:34So the XP is the one that is gonna go through the path. Now we need a path. Okay?
2:37:39So I'm not selecting anything. I select the pen tool. I create the first point, then I create a this could be like the second one could be here.
2:37:51Alright. Okay. And then the third one, honestly, like, the third one could be here to be honest with you guys.
2:38:04And then I can move this one a little bit more, and then this one like that.
2:38:13Alright. Perfect. So I click away, and, uh, that is gonna have a less stroke.
2:38:20And I want this line to be also, so I'm gonna call it path here. I'm gonna change the name to path, and I'm going to make it content, uh, just dashed stroke.
2:38:34Okay? So dashes, I'm gonna add one and then increase the number here a little bit more by 20 maybe.
2:38:43Okay. I like that one. So by 20, and I think I'm just gonna leave it like that.
2:38:50What else do we need? We need the numbers and the word original. So for the word original, I'm going to recycle which one?
2:39:03Generate content. So drag, drop it to the top, go back here, drag, put it on the segment, align it with the segment somewhere here.
2:39:19And then this one, I'm gonna take, like, do it again just right away. And I'm gonna take this one, command, generate content, option, hold option, and there you go.
2:39:32Generate content. I'm gonna take it, and I'm gonna I'm gonna just write original. And then that original text is gonna be white.
2:39:43And then we just need the numbers. So look how, like, how easy this can be.
2:39:51So for the numbers, we need a ball with a number. So I'm gonna, um, just select the ellipse tool. I'm not selecting anything here, remember, because if we select something here, we're gonna create a mask, and we don't wanna do that.
2:40:06So I'm gonna create a circle holding shift, and it's gonna be something like this.
2:40:13I can change the size later on if I want to. And then by selecting the ball, I can center our anchor point and then change the name to number circle.
2:40:32Okay. Perfect. I want some fill for this circle, okay, which is gonna be at least for now it's gonna be white, and then I'm going to create some text here and then just the number one.
2:40:48Um, that number one is gonna be black. Oh, I just wanna make this bigger.
2:40:58Holding shift, center anchor point, change that to owners or Europa.
2:41:08I think it'll Europa broad test is a good one for numbers, so I'm gonna use that one. I think it's included on the on the premium pack.
2:41:19If I yeah. If I yeah.
2:41:23On the premium pack, I think it it would help grow Grotesk, this font. Okay?
2:41:27So now that's done, I want to select both of them and command d, okay, two times because we need, um, okay.
2:41:37But before I do that, let me just undo. I'm gonna just parent this number one to the number, okay, to the circle.
2:41:46So now I can go ahead and duplicate. I can take circle two, put it here.
2:41:53Alright. And where is the number? Oh, I didn't duplicate it.
2:41:58So let me undo that again. Select both, command d, command d.
2:42:04Okay. Now we're talking. So I can take this one, and I can take the third one, put it somewhere here, and then take this number.
2:42:14I'm gonna type two. I'm gonna take this number, type three. There you go.
2:42:21Okay. So I think we have all the elements. My picture, number one, three, the path, and the XP, and the text original.
2:42:28There you go. Okay. Perfect.
2:42:30We have it. Awesome. We also need a three d camera, but we're gonna create that because we we're gonna have a camera zooms out.
2:42:38We need a a three d camera for that, but we're gonna create it by the time we're gonna start animating.
2:42:46So if we take a look at this, these elements here, uh, if I hold shift, we need to cut them.
2:42:56Okay? Or just trim them. So the way we do that, again, is by holding option and then the key that I previously mentioned.
2:43:04Uh, again, if you don't remember what that key is is where is it?
2:43:10So option and then this one or this one. Okay? At least on MacBook.
2:43:16I think on Windows is pretty similar. We're gonna save. And, guys, we're almost done here.
2:43:22We just need a Loom video. Okay? And then the only ecosystem letters and then this the comment, like, the call to action.
2:43:30Okay. Perfect. So, um, we need the only ecosystem letters, so I'm just gonna create a text, uh, somewhere here and just gonna put the online and then enter ecosystem just for now.
2:43:49Okay? Again, later on, we're gonna be editing all of this. The only ecosystem.
2:43:57White for now. And then I need a Loom video here. I need a Loom video, but I think I think I need to go on Premiere Pro and change the format of that video because if I try to import it import.
2:44:13This is the Loom video. Okay? So if I try to open yeah.
2:44:19Sometimes it doesn't support, um, I don't know. Sometimes it doesn't support a type of video, like, uh, I think it's m p four.
2:44:28I don't know. So I will need to go and to Premiere Pro and drag and drop the Loom video there.
2:44:34Don't worry. I'm gonna I'm gonna upload it to Google Drive for you guys because I wanna show that, uh, Loom video right here just like we're doing here on the scene. And, um, let me see where that ends.
2:44:48So option here. I call it the online ecosystem, and I just recorded a video explaining how it works. Okay.
2:44:56So until here. If you want the video, just comment the word system, and I Okay.
2:45:02So then we just have a normal comment.
2:45:10We're gonna make oh, that's why we need to hold shift. Okay. Let me just undo this, create it again because comment.
2:45:21Let me center the anchor point before even trying to scale that thing. Because if not, it's it's it can get if if that gets messy, we can just go ahead and do it here.
2:45:33Scale. Hold shift to make it, like, faster. K.
2:45:39So comment, maybe not as big, and then we're just gonna duplicate that and put blueprint.
2:45:53Okay. Awesome. We finished here.
2:45:56That was a little bit it took a little bit of time. I'm not gonna lie. It took a little bit of time, but, guys okay.
2:46:04I also need to go ahead and select those two And just option.
2:46:12Alright. Perfect. So awesome.
2:46:14Well, we are done here at least with preparing all the things that we're gonna be animating. Okay? So we created the backgrounds, the color for the backgrounds.
2:46:23All these elements right here, as you can see, that's the the whole idea of the brainstorming and then creating the assets because now we are gonna be able to just go and everything is, like, ready now.
2:46:40We can just go ahead and edit everything. So we now can go into the frame of keyframes, presets, and everything, and, um, this is this is what I'm talking about when I say productivity blocks.
2:46:52What we just did is a productivity block. You do it all at once. You prepare.
2:46:57You you wrap. You drag and drop text. You don't apply any effects, any key frames, nothing.
2:47:02You're just building everything. You're just building. And once that's done, we can now just go ahead and start editing everything, applying three d cameras, keyframes.
2:47:13You're gonna see how fun it is once you have everything. It's it's, like, much more enjoyable than it is to go in and create in a segment and then edit in the segment and then just, you know, going through the video and be like, oh, I don't have anything here, like and brainstorming what you're gonna do.
2:47:33So it's just better to work in productivity blocks. Okay?
2:47:38So with that being said, um, this is the end of module two, and now we're gonna transition into module three where we actually start learning the good stuff, the animations, the keyframes, the three d cameras.
2:47:53I'm actually really excited for that. So, yeah, I will see you in the next module.
2:48:01Okay, guys. So just an important note here, before we actually go ahead and learn about animation and high quality video editing and all the good stuff, I wanted to show you guys why is the skill that you are about to learn important.
2:48:14Okay? Why is it important? I want to show you the big picture.
2:48:18Okay? So once you understand the big picture, you will be 10 times more, like, motivated to actually learn and implement the stuff that I'm just teaching here in this tutorial.
2:48:30Okay? So let's go ahead and talk about it. And in order to talk about that, I want to talk about the online ecosystem.
2:48:37Okay? This is just a concept that I came up with for my brand, and it's a very efficient system.
2:48:44It's the system that allowed me to start getting re results after trying different business models and stuff for over three, four four years. You know? It was messy.
2:48:54I failed a lot. But then I I understood what successful creators were doing, and I just doubled down on that and got my first results as well.
2:49:03So I want to explain what successful online creators are doing. Uh, guys like coaches, freelancers, business owners.
2:49:11Okay? So, uh, to understand the big picture, I created this little drawing, and bear with me.
2:49:16Okay? You will be able to understand why I'm sharing this on a video editing tutorial in the first place.
2:49:22Okay? So these successful creators, they have values, challenges, they have a strong why, interest, they have their unique situation, knowledge, skills, game plans, vision, goals.
2:49:34They have everything. All of these is in place.
2:49:38Right? They understand and they are clear on what these things are. K?
2:49:42So that allows successful creators to build a foundation. Once a foundation is established, they can go ahead and start implementing on their life.
2:49:51Okay? They can start learning, practicing, creating.
2:49:55They learn they are good in something. They keep learning that in order to be better. Practice more, they create more, and that builds the third stage which is the only ecosystem.
2:50:06So all those creators who are successful or are getting results in their life, in this case, they have a personal hub as well. I have noticed every creator has a personal hub, every successful creator that is.
2:50:21So with a personal hub, it's just a place to hold all the information that one person is learning, so the knowledge, the notes, the resources they create, the frameworks, the systems, the content, everything, all the information turns into the online ecosystem.
2:50:38Okay? So all that information can be turned into short form content on X, short form content, long form content on on on Instagram, uh, long form content on YouTube.
2:50:49You've seen these videos, uh, people building their brands on YouTube as well. Most successful creators has have an email list. Most successful creators understand that an email list is important.
2:51:00Okay? Now all these content, all these things, short form content, long form content, resources, this builds authority and allows the creators to sell courses, coaching, subscriptions, mentorships, and so on and so forth.
2:51:16Okay? So now we are learning like high how to create like high quality reels on Instagram, right, with this tutorial.
2:51:26So that's that is just a tiny part of what the online ecosystem is.
2:51:32Right? The online ecosystem is all of this.
2:51:35Okay? The values, why, the foundation, a person who is implementing, a creator who is implementing stuff and creating stuff, saving their information, writing about that, and then creating content around their knowledge as well.
2:51:51Okay? So if you're learning how to edit high quality reels and even high quality, like, YouTube videos, then you can help a creator who has all these things in place, who a creator who is already winning, you can go ahead and save them time so by by you actually creating high quality edits for them that builds authority for their brand and therefore allows them to sell more of the stuff that they are creating.
2:52:21Right? This is the whole point. You wanna help creators who have these things in place because here is the thing.
2:52:28Okay? If, like and this this doesn't only count count for coaches or or stuff like that that you wanna edit videos for or business owners, like, this counts for everyone.
2:52:40Now let me tell you let me tell you what not successful creators are doing. Okay?
2:52:46Let me tell you why most creators who are not getting results are doing. Okay?
2:52:51So I'm talking about coaches, freelancer, business owners who struggle to monetize their product, their service, their skills online. Okay? So they also like, unsuccessful creators, they also have values, challenges, why, but these things are not in place.
2:53:09These things are not clear. There's not they don't have a clear vision, they don't have clear goals, a clear game plan, they might have skills, they might have knowledge, they do have a unique situation and interest but it's not clear so therefore once this is not clear the foundation is going to be weak, There's gonna be a weak foundation.
2:53:30Okay? And then implementation is gonna be also weak.
2:53:34Maybe you are a person who is learning a skill, but you are also learning a bunch of other stuff and everything is scattered and you might practice here and there but you might be not even creating anything, you're just learning and practicing. So when that happens, the person doesn't have a good implementation of the stuff they are learning and everything they are doing in their life.
2:53:59Okay? Like, there's no real intention behind it so therefore an online ecosystem cannot really be built. Some people don't even have a personal app where they can host all the information of the things they are learning and the podcast they are watching and the content they are consuming, um, and they don't have a personal app or maybe they do take notes but the notes are all over the place.
2:54:21Right? So the reason why I'm saying this is because there are a lot of creators who don't have these things in place and yet they expect this content or the email list or the ads on Facebook or Instagram or they expect their quick tactics and strategies on marketing and selling and copywriting to sell their things and their stuff but they don't realize that they need to work first on a strong foundation to have a good implementation, to be able to be organized on their personal hub, and therefore create a stuff that is helpful for people.
2:55:00Okay? And the reason why I'm taking time to explain this within this long tutorial is because if you don't understand this big picture it doesn't matter if you continue learning.
2:55:11Okay? Because you as of as you most likely you are gonna be freelancer if you are learning this or at least you're a coach or a business owner who is trying to learn how to edit high quality videos so you can, you know, edit for yourself and actually increase the authority on your Instagram and YouTube.
2:55:31Okay? You because you want to edit for yourself. Alright?
2:55:34That is totally fine, but it is crucial to understand the big picture. You gotta have, um, these things in place.
2:55:42You gotta have a clear vision goals and game plan in order to implement the right way, save your stuff, and then convert that into content and also courses, coaching, subscriptions, mentorship. This is this whole thing is the online ecosystem. Okay?
2:55:58That's why I put it here. The online ecosystem. We can see the big picture right here.
2:56:03Okay? If I scroll here, alright, you can see the whole big picture. And now for you watching this, that's why I encourage you at the very beginning of the video to do a challenge, watch the whole tutorial, practice one-two hours for thirty days straight, document the whole process on X because if you do that, guys, as you're learning this, as you're testing stuff, build your name online and start building your own ecosystem.
2:56:29Like go ahead and build a game plan, build a vision, set a goal for 2025 or the years to come whenever you're watching this to be able to build a foundation and be able to implement with intention, create your own stuff.
2:56:45I hope you can practice for thirty, sixty, ninety days and then once you have good knowledge you can go ahead and create a tutorial just like the one I'm doing right now. This is what I'm doing right now because I understand that building the only ecosystem is the most important thing you can do as a freelancer, as a coach, as a business owner, as someone who is trying to build their name online in order to make a living out of it.
2:57:08Okay? So with this, I encourage you guys to continue learning, to continue implementing, but doing in this frame of mind where you are working in something bigger than yourself.
2:57:21Okay? Not just quick money, not just a side hustle, not just another business model. This is not another business model.
2:57:27This is your life project being executed in order to have a better life. Okay? So be before we move on to the next module and because I'm pretty excited to continue recording it.
2:57:39Um, if you want more support on how to start building your online ecosystem, feel free to check my upcoming content on YouTube. I'm gonna keep creating content on my YouTube.
2:57:47Um, check my newsletter as well because I'm I love writing. I'm really passionate about writing and explaining things. So you can check my my newsletter.
2:57:56You can also check the online ecosystem course, which is coming soon. Right now, by the time I'm recording this, it's not ready yet. I haven't even started it, but I'm for sure going to build a course about the online ecosystem explaining everything.
2:58:08And then, um, something that I do have as of now is an offer, which is my one on one mentorship. Okay? You can find the book I call in the description, but keep in mind, I don't take everyone.
2:58:19Okay? Spots are are limited because I rather work with few individuals who are action takers than just than just taking everyone.
2:58:28Right? I am very, very careful who, uh, with whom I I take into my mentorship because I want to guarantee results for the person who actually can afford my mentorship and is willing to put in the effort to create a better life for themselves.
2:58:45Okay? If you can't invest on a one on one mentorship, don't worry. That's why I'm doing my content on YouTube.
2:58:51That's why I'm doing my content on my newsletter. Okay? And that's why I'm gonna also do the course.
2:58:56The one on one is just for me to go extra personalized into helping someone. Okay?
2:59:01But, you know, that doesn't mean that you can't get results unless you buy my one on one. Okay? That's not totally what I'm saying.
2:59:08What I'm saying is, you know, you adapt to what you have. Okay? So if you can afford a one on one, that's amazing.
2:59:15It's gonna speed up your momentum and, you know, results and process. But if you don't, like, that's totally fine.
2:59:23You have the free content. So with that being said, guys, I'll leave it here. You now understand the big picture of why we're gonna learn this skill of why we're doing things in the first place, and I will continue the recording here, and we'll see you in the next module.
2:59:39Thank you so much for taking the time to watch this tutorial. You are an action taker. You want to improve your life, and I'm really happy for that.
2:59:46So let's continue.
2:59:51Okay, guys. Welcome to module three. I'm pretty excited for this one because here is where we started learning the good stuff.
2:59:57Okay? The animations, the effects, And you guys are gonna see how cool everything is gonna look after this module.
3:00:06Okay? So with that being said, before we continue by editing the hook, which is the first and most important part of the video.
3:00:15Okay? Before we do that, I just wanna show you a quick tip here. Okay?
3:00:20Because using After Effects and using Premiere Pro, these two are, like, heavy software and they sometimes take a lot of storage from your computer.
3:00:32So every now and then, what you wanna do is you wanna go here to where it says After Effects, you wanna go to settings and you wanna go to media and disk cache.
3:00:44Okay? I don't know if you pronounce it that way, but, anyways, you wanna go there and you wanna empty the disk cache.
3:00:53Okay? So it says, are you sure you want to delete all files? It's around 45 gigabytes from your disk.
3:01:01Of course, I wanna do it, so you wanna click okay. Don't worry.
3:01:06You're not deleting anything from any project. This is just, you know, like, little information that these offers use to, you know, be able to run, basically.
3:01:19I don't I don't know too much about this stuff, but I just know that you just need to empty that so your computer doesn't run out of space. Okay?
3:01:28So if after if After Effects at any point tells you, hey. You're running out of a space, just go there and empty the disk cache. So click okay.
3:01:37Perfect. So we're done with that. And now we can go in into the project that we've been working on.
3:01:43Remember how we prepared all the things, the text, all the layers, all the segments with, you know, all the little text, boxes, lines, backgrounds.
3:01:55Okay. Perfect. So now it's time to actually go ahead and animate that and add some effects so it actually looks good.
3:02:04So the first thing that I wanna do, guys, okay, before I start editing the hook is I want to like, I don't wanna see all these layers. Okay?
3:02:14Because, like, the ones that I'm gonna be editing right now is the basic content text, the highlight, and then the text that says is dying. That's it.
3:02:24Okay. I don't I don't need to see all these other layers here. For me, it's kinda like overwhelming, so look what I'm gonna do.
3:02:30I'm gonna select red background, which is the next element of the next segment, I'm gonna go all the way up, hold shift, and click on where it says blueprint.
3:02:44So what I'm gonna do now is I'm gonna click this little thing here, and that little thing is called shy. Okay?
3:02:51Basically, we're gonna hide the layers, and we're gonna hide all the layers here by clicking here.
3:02:58This is now activated, and that's why we only see the layers that we wanna be working on.
3:03:06Okay. So what I wanna start working on is the actual video. Okay?
3:03:10So I wanna make, like, a if I hold shift, I wanna make a zoom out. Okay?
3:03:15Like a zoom out effect. But as you can see and if you remember, we have two clips.
3:03:21Okay? We have the original clip and the rotoscope version of the clip.
3:03:27For now, we're just gonna deactivate the rotoscope version of the clip. Okay? And we're gonna be now just working on this little original clip.
3:03:37So I'm gonna undo that. Undo. Undo.
3:03:41Hide the rotoscope version again, and we're gonna start working on that zoom out effect effect for the intro of the reel. So what I'm going to do now is I'm going to go here to the transform properties.
3:03:56Alright? And once I'm on the transform properties, what I wanna do is I wanna create a keyframe on position and scale.
3:04:04Okay? We're gonna be playing with position and scale, but before I do that, I wanna go here and I wanna click command r, and then I want to drag and drop this little line here to the eyes.
3:04:20Basically, there is a rule on video editing where if you're gonna do zoom ins and zoom outs, you need to keep the eyes on the same positions every time. Alright? So we drag and drop the line right there.
3:04:33For now, I'm just gonna hide all the other layers. Okay? So we just see the the actual video.
3:04:40And I'm going to create a keyframe on a scale because we're gonna zoom it zoom it in or zoom it out, and then position. Now I'm gonna take since this is like the let me feed that again.
3:04:53Since this is the position where I want the video to end because it's at zoom out. I wanna take both keyframes and I wanna move them around one point five seconds, something like that.
3:05:06Okay? I can see the seconds here. So around one second and something.
3:05:11And now what I'm gonna do is I'm gonna just click away. Okay? And with the plate head on the very beginning, I want to scale that to, I don't know, 185, something like that, maybe 190.
3:05:30It's a lot. I know. But if you take a look at the eyes, it's, like, it's not on the line.
3:05:36Right? So if I just leave it like that, the zoom out will look a little bit weird. Okay?
3:05:42Okay. Some people do this. Uh, I think this is a common mistake, um, that I see on video edits.
3:05:48So what we wanna do instead is we wanna take those eyes. So here on position on the y, um, property, We wanna take it down by just scrolling to the or going to the right and with the mouse, and there you go.
3:06:06K? You wanna hold you know what? You wanna click there and hold in order to be able to either move to the right or to the left.
3:06:13And you wanna align the eyes right there. And awesome. Now if we take a look at the zoom out, the eyes are always in the same position.
3:06:23Boom. K. So it's 10 times better.
3:06:26Perfect. Now if we click that, basic content is dying, but let me actually it doesn't look smooth.
3:06:33Right? It looks like very straight. Um, we need to add some smoothness to this movement, okay, to the zoom out.
3:06:40The way we do it is by selecting all the keyframes, and we are gonna ease the keyframes. We do that, uh, at least on MacBook with f nine.
3:06:50Okay? I think Windows is the same, so I'm just gonna click f nine, uh, here, and there you go.
3:06:56Okay? So f nine, and now they are eased in. So if I click, basic content is dying, but let me okay.
3:07:05It's a little bit better. Right? But these could be even 10 times better.
3:07:09Now the way I make it better is by selecting all the keyframes, going to graph editor, and remember that we need to be on edit speed graph.
3:07:19Okay? I'm going to select everything, wrap this point to the middle, and wrap this other point to the end.
3:07:27So we we do that, you know, curved curved line right there. I'm going to deactivate the graph editor to be able to go again to the timeline.
3:07:38And now look how smooth it looks, guys. Boom. Basic content is dying.
3:07:44Okay. Amazing. So I like that movement.
3:07:46Let me see it again. Basic content is dying. But okay.
3:07:50Awesome. So I can even make it a little bit longer. And if I wanted to, I can take these two keyframes, and I can move them here.
3:08:00But be careful when you do that just to make it the right way because if not, like, once I put them there, I cannot, like, go back and grab them again. Okay?
3:08:11Uh, so just make sure you do it the right way. Content is dying. K.
3:08:16But I don't wanna do it that way, so I'm gonna take them back. K. Basic content is dying, but let me Okay.
3:08:24I think it looks pretty good. Um, we have the line on the eyes. We have the zoom out.
3:08:29And now, guys, once that's done, we can take this out and command r just to make it disappear.
3:08:38And if we want to use these the same zoom out effect on the feature reels that you're gonna be editing.
3:08:48What you wanna do is you wanna go ahead and select position, command, select select the scale. So those two properties as you can see.
3:08:58And you wanna go to animation. You wanna save the animation preset. And on user presets on the tutorial, which is the folder that we previously created when I was explaining, like, presets and stuff like that, we created that one.
3:09:14So now we can call this just remember to give it a name that makes sense. Okay? Because the more you create presets, the more you're gonna be able to like, if if you name them the right way, you you're you're not not gonna gonna forget what the what the thing does.
3:09:31Right? So intro, zoom out.
3:09:35That's how we're gonna call it. And then I can save it there. And perfect.
3:09:40So look now. If I go ahead and delete those keyframes and I look for, um, intro zoom out, as you can see, I have, uh, previously created intro zoom out and zoom in, okay, for the presets that I included on the premium editing assets.
3:09:57Alright? But now you guys also know how to, um, you know, how to use or how to create a preset as well. So intro zoom out, you're gonna put it here, and take a look at where the plate head is.
3:10:09The plate head is right here. So if I drag and drop that, uh, effect right there, it's gonna start from there, from the plate head.
3:10:18Okay? So I'm gonna undo that, take the plate head to the very beginning, and then take the intro zoom out to this video right here.
3:10:27Okay. Basic content is dying, but let me actually Okay. Awesome.
3:10:31Now another thing. Remember that we also have okay.
3:10:35Remember that we have the rotoscope version.
3:10:40So as you can see, the rotoscope version is not making the zoom out. Okay?
3:10:46So I need to take the plate head, and whenever I add a zoom in or zoom out to the original video, I also need to add that one to the, uh, rotoscope version.
3:11:00Okay? Just keep that in mind. So it's gonna be the same with the same length.
3:11:05If you wanna modify the length, just click on the video, click u, and then you can move both together so they are the same.
3:11:16Okay? Just make sure to do that if you are using a rotoscope version of of the video.
3:11:23I'm going to hide it. I'm going to deactivate it. And now we can move on to the next to the next element, which is the text that says basic content.
3:11:36Okay? So for now, it's pretty basic, you know, this text, but it's the text for the hook.
3:11:42So we wanna make it look good. Remember, guys, we are editing the hook. And now I'm just including text.
3:11:49Sometimes since the hook is the most important part, the the first part that someone is gonna watch as they are scrolling. Okay? You wanna take some time to make it look good.
3:12:00Okay? You wanna make some take some time to make it look good. You can even include a little animation here.
3:12:06I would suggest use like, doing a little animation, but for now, we're just gonna do text. Okay?
3:12:13So this tutorial actually goes from easy to harder. That's why I'm I'm doing, like, text here. Let me just drink some water real quick.
3:12:26I don't know. Sometimes as as I speak, my throat is like I don't know.
3:12:31But, anyways, um, let's continue here. Okay.
3:12:35So we did the zoom out, and now we're gonna work on the text. Before we work on the text, though, I want to show you something.
3:12:42If we go to Pablo template, I'm gonna just go here to the very beginning.
3:12:48As you can see, guys, I am using a shadow here. Okay?
3:12:53You see this little shadow? Um, we wanna do that. Okay?
3:12:57I wanna I wanna show you, like, how to do that shadow. So let's go here. And in order to do the shadow, I I'm going to right click.
3:13:06I'm going to click on new, and I'm gonna create a an adjustment layer. That adjustment layer right now is doing nothing.
3:13:14Okay? Um, remember that the adjustment layer affects all the things that are below it. Okay?
3:13:20So for example, if I go and search for Gaussian blur. So if I add some blur some some blur to the adjustment layer, it's going to affect everything that is below it.
3:13:33So the text and the you know, pretty much everything. Okay?
3:13:39So if you wanted to, I could even start this video with some blur. Okay?
3:13:46So I could I could I could say blur. Okay? I can call this blur, and then I can create a keyframe here.
3:13:55Alright? Click u just to see the keyframe on the blurriness. Alright?
3:14:00And then I can move it just a little bit and bring that back to zero. I'm gonna hold shift to make this faster here to zero.
3:14:09And then I can with f nine, ease those keyframe, and you can see.
3:14:15Basic content is the little effect with the blur. Okay? But for now, we are not gonna do blur.
3:14:21Okay? We're just gonna create a shadow. I just wanted to show you that so you keep that in mind.
3:14:26So I'm gonna change the name to shadow. I'm gonna go to effects. I'm gonna delete that effect.
3:14:32Okay? And look what I'm gonna do now. What I'm gonna do now is I'm gonna take the shadow and I'm going with the with the layer selected, I'm going to create a an ellipse tool, which is gonna be like this figure right here.
3:14:48Let me deactivate the basic content, and I'm going to activate or just do like this little thing right here, like, just a normal figure or shape like this.
3:15:05And now what I'm going to do, as you can see, we created a mask. Right?
3:15:11Now for that mask, I'm going to search for the fill effect.
3:15:18So this one right here, fill, I'm gonna drag. I'm gonna drop it to the shadow, and it's gonna create a color here within the layer.
3:15:27Okay? Remember, I the reason why I created the mask is so because if I delete the mask, I'm just gonna delete it.
3:15:35Don't worry. The fill color is gonna apply to everything. Okay?
3:15:40Now if if we deactivate this fill color, the adjustment layer is not doing anything. So I'm gonna activate it. Okay?
3:15:48So I'm I'm I'm gonna rather undo everything. So undo, undo, and we have the mask again.
3:15:54Okay? Now I want to change the color for the mask.
3:16:00And look what I'm gonna do now. I'm going to go to here to mask under shadow, and I'm going to invert.
3:16:09Alright? And now what we can do is we can go on mask, and we can go on feather, and we can increase the feather of the mask.
3:16:18Alright?
3:16:21However you you want it. Okay? You can also edit things like mask opacity so the shadow is not as as harsh, but I'm just gonna leave it like that.
3:16:31And you can also do like a mask mask expansion. Okay? So I'm just gonna leave it as it is at zero.
3:16:39And for now, maybe I can increase the feather a little bit.
3:16:45Not not too much. Maybe like that. What I'm gonna increase is the expansion.
3:16:52Okay. So we don't take away the color, the original color, or we don't hide or make darker the color of the speaker.
3:17:01Now see how we're creating the the shadow here. It's starting to get some, you know, some good, um, looking here, but I don't want this shadow here.
3:17:12I just want it at the bottom, okay, of of the layer. So what I'm gonna do is I'm gonna just simply grab that, move it away, move it here.
3:17:23Okay. So it's only affecting like this side. Move it here so it's kinda like on the same size.
3:17:31Going to scroll a little bit and take this somewhere here and take this somewhere here as well.
3:17:41K. Take this one somewhere here. Alright.
3:17:45Cool. So now if I fit this in, save it, we have the shadow, but the shadow is only here at the bottom.
3:17:53Okay? So I can even bring it a little bit more here or there. Okay?
3:18:01And there you go. Okay. Maybe I can decrease the feather or increase it Increase it a little bit more and the expansion isn't as much expansion.
3:18:17Okay. I like it like that. Perfect.
3:18:20I'm gonna save it, and now we have the shadow. Look how cool it looks. Uh, let me fit this in again.
3:18:27And we have a cool shadow. Uh, if we actually deactivate it, it it gives, a good style to the video as you guys can see.
3:18:37Not only that, but look what I'm we're gonna do with the basic content text. We're going to activate it. Okay?
3:18:43And now for this text, what I wanna do is I want this text to, um, basically oh, let me lock the shadow. So I'm gonna lock it here, and I'm gonna grab the text.
3:18:56And what I wanna do with the text is I wanted to scroll up like this. Okay?
3:19:02Boom. Scroll up. And so in order to do that, I'm gonna put this text in the in the center of the screen.
3:19:11Perfect. So right there.
3:19:14And then we're gonna do the same as we did with the keyframes on the original video.
3:19:22Right? So we're gonna we're gonna play around with the keyframes. So the first I wanna take the playhead to the very beginning, and I want this thing to end right there on that position.
3:19:36So I'm gonna create a keyframe for position. Only for position, though. Okay?
3:19:40We don't need the scale on this one because I'm gonna show you how we're gonna scale it. And I'm going to move that to, again, one second, maybe, like, one second, and then I'm going to take it down here, somewhere here.
3:19:59Okay? Awesome. Now, um, what that's gonna do is gonna, you know, just go up.
3:20:06Right? But I need to ease those key frames, so f nine.
3:20:11And then on the graph editor, I can go ahead and play around with this as well.
3:20:20So if we take a look at that
3:20:23Basic content is dying. But
3:20:26Basic content is dying. But Okay. I like how it's how it looks.
3:20:31In terms of the shadow, okay, it's locked. I'm gonna unlock it.
3:20:35I'm gonna go back to mask because I would like this text to, like, appear a little bit less right there.
3:20:46So something like that. Maybe take this point, move it somewhere here.
3:20:52Okay. And then the expansion won't be as much. Maybe right there.
3:20:59Maybe it'll feather. So, um, I can hide this. And now, okay, the text is gonna come right there.
3:21:08So basic content. As you can see, it's going it's it's going to appear really good on the scene.
3:21:14Okay? Awesome. Now that's another preset that you can do.
3:21:20Okay? That's another preset that we can do. In fact, I'm going to delete it.
3:21:25And, um, well, before deleting it, obviously, go on animation and save it, but I'm gonna delete it because I also created one that is called, uh, slide up.
3:21:38So slide up. I apparently, I have a lot. Okay.
3:21:43So, uh, user presets, text presets, and slow slide up. Okay?
3:21:49But if I'm not mistaken, I have a sliding up.
3:21:55Okay? So I have both. But these these these are a little bit different.
3:21:58I'm gonna show you, like, how to do these ones because these are a little bit different. What the one that I wanna drag and drop is sliding up Just to show you guys, remember the plate head needs to be at the very beginning.
3:22:10So sliding up basic content. Wait.
3:22:14Did I change the basic content is the okay. So, apparently, when I was scrolling, I changed the to italic.
3:22:26So it's just x black. Okay. Perfect.
3:22:28So just be careful whenever you're scrolling here because After Effects is a little bit tricky when if you're scrolling, you might change something that you didn't want to change.
3:22:38So, um, on that preset that I have saved previously, basic content is dying, but let Look where the, um, keyframe is ending.
3:22:50It's ending right here. So I'm gonna just move the plate head to the keyframe and modify it.
3:22:56Okay? So holding shift, I can put it somewhere here.
3:23:01Okay? And I also wanna make this bigger just a little bit bigger. There you go.
3:23:06Basic content. Okay. So we have the animation is pretty cool, but now something that I wanna do, okay, as we can see the graph editor, I wanna take this keyframe and move it there.
3:23:19Okay? So it's gonna disappear, and I'm gonna take this one and move it here.
3:23:26And now basic content basic content is It's gonna appear right there. Dying. But if I didn't if I move it too much, then I can just undo it and make it I'll let it be here.
3:23:40Alright. Perfect. So let me play that.
3:23:44Basic content is dying. But
3:23:47k. Maybe a little bit more. Basic content is dying.
3:23:51Okay. I know that I'm taking too much, but I'm very picky to where I position the keyframes because timing is the most important thing whenever you're editing a video.
3:24:01So, obviously, you don't wanna take too long on into, like, editing all the the things, but, again, this is the hook, so it's important that we do it the right way. Now another thing that I wanna do with the with the, you know, with the basic content is I want to scale it with the with the video, with the original video.
3:24:23Now what do I mean by that? Well, what I mean is that we are doing a zoom out for the video, but we can make, like, the text as if it was stick to the video.
3:24:35Now let me actually do it because I know English is my it's not my first language. So let me actually explain it by doing it.
3:24:43Here on this keyframe, I'm gonna take the text that says basic content and I'm going to parent the text to the video. Okay?
3:24:52After I do that, look what happens. It's going to scale because it's parented. It's going to scale at the same size of the video.
3:25:03Okay? So it's gonna scale down. So it looks 10 times better as you can see.
3:25:08Boom. Alright? So if we play the video Basic content is dying, but let me actually oh, it looks so good.
3:25:14Awesome. So with keyframes, we parented to the to the these things. So when we parent something to another thing, if this thing is doing, a scale, um, you know, because we're doing a zoom out, then the text is gonna scale as well, okay, in the same framing.
3:25:31And, uh, that's how we we do that, like, little, um, just that little, um, effect right there.
3:25:39Okay, guys. So now I want to continue with the other one, so I'm just gonna hide this, and I'm going to activate the text that says is dying.
3:25:48Okay? And since we wanna work on that one, I wanna see where that one starts.
3:25:53Okay? Basic content Okay. So somewhere here, it's gonna say, is dying.
3:26:00Alright? So, uh, what I'm gonna do and I actually was looking for it here.
3:26:05So what I'm gonna do is I'm gonna look for the typewriter effect. So the typewriter effect is an effect from After Effects, and that's the one we wanna do for the text that says, it's dying.
3:26:15Okay? I just want to show you guys, um, a little bit how we can play around with different effects on text. So we already play around with one that is sliding up, and now I wanna take the typewriter one, and I wanna play apply it to the text that says, is dying.
3:26:32Alright? Now what that does is that if we scroll here, it shows like a typewriter effect.
3:26:39Right? So I'm gonna click you just to bring the keyframes on that, but, actually, I'm just gonna hide everything, and I'm gonna go to the text.
3:26:52And as you can see, guys, within the text so for you, it's gonna be like this. On text, it it added an animator one.
3:27:01Okay? Basically, that's the the animation that we're doing, the typewriter effect.
3:27:07So we're gonna open that one, and, uh, it created some it created some key frames, okay, for the start property here, but we want to create some for the offset, you know, for the offset property as well.
3:27:23So I'm gonna go to advanced, and instead of a square here on the shape okay. I know this seems, like, complicated, but, you know, just follow along.
3:27:32Uh, on the shape, we wanna change that to ramp up. Okay? And then what we wanna do is we wanna scroll a little bit here.
3:27:42And on the same position at the at the as this keyframe, I'm I'm going to create a keyframe for offset. Okay?
3:27:49Basically, what that's gonna do is gonna make the typewriter effect a lot more smoother. Okay?
3:27:56A lot more more smoother because let me actually undo everything again.
3:28:02Let me change this back to a square because I I forgot to show you guys. Look how harsh this is. Okay?
3:28:09Let me bring this keyframe a little bit here.
3:28:12Is dying, but let me actually it's good,
3:28:14but it's a little bit harsh. Okay? So we can change that.
3:28:19Okay? If we wanted to, we can change it two ways. You can increase the smoothness here to, like, 100 or 80 or 70, maybe maybe 100 is good.
3:28:31Okay. And then we can bring the keyframe a little bit more here. So look at that.
3:28:36Content is dying. But let me actually Okay. So it's smooth, but not as smooth as I want.
3:28:42So I'm going to change this to ramped up. The smoothness property is gonna disappear, but the but I can go to offset and let me bring back the playhead. I'm going to create a keyframe, uh, where it says offset, and I'm going to drag it where it says minus 100.
3:29:00And then I'm going to grab the plate head, do it just a little bit here, and then grab that one and make it 100. And now Content is dying.
3:29:12But let me actually It's a lot more, uh, like, a lot smoother. Okay? At least, uh, on my on my eyes.
3:29:18I don't know on your guys. But, um, just let me, uh, center the anchor point really quick to that text. Go back here, and let me play it again.
3:29:28Content is dying but let Okay. Maybe I can take those and even make it a little bit here. Basic content is dying but let me Okay.
3:29:37It's really really precise to the my words. So every element, element, every words, guys, you want to match it in the best way with the with the speaker.
3:29:49Okay? Everything needs to match so it looks 10 times better. So I'm gonna hide this.
3:29:54Okay? So it says we now have a basic content design, and we now only need to, um, let me activate the highlight.
3:30:03We just need to animate the highlight. Okay? So the highlight, look how we're gonna animate it.
3:30:09So I'm gonna bring the on the text design, I'm gonna click u to bring the keyframes again. And for the highlight, it's gonna be the same.
3:30:20So in order to animate that line, first, I want to edit that one a little bit more because it's kinda like I I wanted to be more, um, I don't know. How can we let me see.
3:30:35Because I wanna rotate it a little bit. Maybe we're gonna rotate it here. Rotation.
3:30:43Okay. Maybe something like this. Uh, maybe less.
3:30:49Alright. Perfect. Something like that.
3:30:52Maybe make it a bit like this, and then I also want to make it here.
3:31:00So when it says is dying, is it gonna do that for the text is dying? And I also wanna take it.
3:31:10Okay. I'm gonna grab it, holding shift, make it just a little bit below so it's an actual highlight to the word.
3:31:18And see how we're gonna animate it. So on the same keyframe as the text design, I'm going to open this thing here, and I'm going to add trim paths.
3:31:31So on trim path, I'm gonna go there. Okay?
3:31:36And I'm going to make a start or a keyframe on where it says end. So I'm gonna make a keyframe there.
3:31:44I'm gonna grab that to zero. Okay? Grab that to zero, and then I'm going to increase this thing here, somewhere here, and I'm going to increase that to 100.
3:31:59Perfect. So we got it right there.
3:32:03And now I can also ease this thing with f nine. And let me see how that looks. Content is dying.
3:32:11But let me actually Okay. So in that sense, I wanted it to be, like, faster at the beginning and then slow.
3:32:20So I'm gonna leave it right there.
3:32:22The content is dying. But let me Oof. Maybe not that fast.
3:32:28So we can take this one here. The content is dying, but let me actually tell you Okay. I think that looks pretty good.
3:32:35I think that looks pretty good. And, uh, on the shape, on the stroke, we can even do that like a round cap.
3:32:44What is this? Okay.
3:32:50Let's just leave it at this one. Okay? So butt cap.
3:32:54Alright. Perfect. So I can just hide that one.
3:32:57I can hide a highlight. And, guys, the hook is pretty much ready.
3:33:03Alright? I know I took, like, longer than usual.
3:33:06Um, I I know, but, um, it is what it is. Okay?
3:33:10So basic content is dying, but let me actually tell you why that is good news. Oh, we're missing one thing. Okay?
3:33:16We're missing the effects for the text and the highlight and everything here. Okay? So bear with me.
3:33:23Now basic content and it's dying in the highlight is a little bit separated. I want it to be more, like, you know, just more.
3:33:32I'll leave it here holding shift. Okay. Perfect.
3:33:36So basic content is dying, but let me actually tell you why that is
3:33:42And I want I want these things like the text is dying to also be parented.
3:33:52Like, the highlight I'm gonna I'm gonna click the highlight. I'm gonna parent the highlight to the text is dying, and then I'm gonna, uh, parent is dying to the original video.
3:34:02So we also have that little, uh, effect right there as you can see on the zoom out. Okay?
3:34:08So everything is parented. Basic content is dying, but let me actually tell you Okay. Awesome.
3:34:14And now take a look what we're gonna do with the effects. For the basic content okay.
3:34:20For the basic content, the first effect that I wanna show you guys, if I scroll up here or scroll down, go to effects, and then I'm going to look for the one that says drop shadow.
3:34:36Okay? So drop shadow is this one right here. And what I can do, I'm gonna just put it into the basic content.
3:34:46I'm going to scroll here so we can see it. Look what we're gonna do, okay, with that one. So on basic content, we can have a a shadow.
3:34:58So if I increase the softness of the shadow and the opacity of the shadow, it's gonna maybe you cannot see it, like, a lot, but we can see that we are creating, a little shadow for the text.
3:35:14Right? Now what I wanna do is I wanna create, like, a glow for the text.
3:35:19So I'm gonna make that white. You can leave it on on black if you wanted to, but I just wanna show you how to do the glow effect on text.
3:35:29So you can keep it like here or you can just increase the softness. Now if it is too much, you can decrease the opacity so it looks good.
3:35:39Okay? Awesome. I think that looks pretty good.
3:35:43Okay? Around 40. Okay.
3:35:45And then this, and there you go. If we deactivate it if we activate it, I think it looks pretty good.
3:35:53So maybe less than that and maybe, uh, less here. Okay. So maybe a little bit less, somewhere around 40.
3:36:02Awesome. And now look what I can do. I can just select that one, go to animation, and save the animation preset.
3:36:10And now I can also save this preset as basic glow shadow.
3:36:21Okay. Basic glow shadow on the tutorial folder. Save.
3:36:25And now we have another effect that we can drag and drop.
3:36:29So for example, basic. And I have created once before.
3:36:33Okay. Basic drop shadow, basic turbulent displace. The one that we just created is basic glow shadow.
3:36:40Remember, I have created these on the presets included in the premium assets. Okay?
3:36:46So don't get confused there. For you, it's just gonna be just this one is gonna appear. So I'm gonna drag and drop it into the is dying text.
3:36:56So I also apply it to that one, and there you go. Now another effect that I wanna show you is the turbulent, um, turbulent displays.
3:37:08Okay? Again, I have created one that says basic turbulent displays. I'm gonna show you how to do it.
3:37:12So I'm gonna drag and drop it to basic content and see what happens. Okay? It basically, um, disturbs or distorts the text.
3:37:21Now I'm going to decrease the size or the amount to, I don't know, somewhere around 15 and the size to something around maybe six or five.
3:37:39Maybe six. Okay? It's fine.
3:37:41Awesome. So see how this looks. Okay?
3:37:44See, like, the little, um, effect that it's doing for that. Okay?
3:37:50Now I maybe want to decrease the amount a little bit more to 10 or maybe 12 would be good.
3:37:59Okay. Awesome. That looks pretty good.
3:38:01And now what I wanna do because if I play the video okay. Basic content is dying.
3:38:09But let me actually this text is not moving. If we go to Pablo template, okay, and if I scroll this, look how the text looks like.
3:38:18So let me put this in full. Look at the text right now. Personal brands feel a little bit empty a little bit Okay.
3:38:26Sorry. That sometimes happens because, uh, this has a lot of effects, so after effects can lag a little bit and feel a little bit empty nowadays.
3:38:38You see how the text is moving a little bit with that little effect? That's done with the turbulent displace effect. So in order to do that, because we're not done we're not done yet.
3:38:51Okay? I'm gonna go to evolution to the stopwatch.
3:38:56I'm not gonna click it. I'm just gonna hold option and I'm gonna click that. It's gonna open this thing right here.
3:39:04Okay? Like an expression as you can see. On that expression, I'm just gonna type time and then this little star and then eight.
3:39:17Alright? And then I'm gonna click away and there you go.
3:39:21Now that this thing is gonna be, like, moving a little bit. So
3:39:27Basic content is dying, but let me actually tell you why that is good news.
3:39:32Okay. I think I we need to increase it because I'm not noticing that.
3:39:39You see content is dying, but let me actually tell you okay. It's not moving for some reason, so I think
3:39:46did we do it in the right let me just undo that really quick.
3:39:53So I think we need to do it here on the oh, on random seed. I think it's on random seed.
3:40:00So let's do it again. Oh, holding option, we click there.
3:40:04Oh, here it is. So time and then the little star and then the number eight.
3:40:11Okay. Basic content is dying, but let me actually There you go. Okay.
3:40:17It's it's it's not on evolution. It's on random sheet. Okay.
3:40:21Now it's moving or or just giving that little effect as you can see here.
3:40:26So let's do it again. Basic content is dying, but let me actually tell you why that it Now that's
3:40:33I increased the amount here, so I'm gonna just put it on 10. Okay.
3:40:39And put this on eight. And now
3:40:44is dying. But let me actually tell you why that is good. Okay.
3:40:48So you can find a
3:40:51I don't know. You can find a like, the the numbers that you like the most for me are those, so I'm gonna save it.
3:40:58And now what I'm gonna do is I'm gonna take this turbulent displace, and I'm going to go to animation, save animation preset, and just call it basic turbulent and, um, maybe effect because I already have the other name, so just do not get confused.
3:41:16Basic turbulent effect. Save it. And now I can go ahead and just minimize this.
3:41:24And I can apply that this like, the same effect to the text is dying and not only to the text, but also okay.
3:41:33I don't know why this is so difficult to scroll. So basic, um, turbulent effects.
3:41:41So I can drag, drop it into the highlight, and I can also drag.
3:41:47I know my my face is, like, not showing you guys, but basic turbulent effect into the text design, and now we have it for all of them.
3:41:56Now here is where After Effects is gonna start lagging because if we have the full resolution and if we start to add these effects, these are the heavy effects.
3:42:09So for now, we know how it looks. It looks pretty good, okay, with the keyframes and everything, but we are going to deactivate those from all the elements.
3:42:20So if I go to basic content, deactivate it from there, highlight, deactivate that one is, uh, okay.
3:42:30We already did for this one because, um, that way our After Effects is not gonna lag.
3:42:37Okay? At the end, before we render everything, we go back and activate everything again.
3:42:44Alright? It takes some time, yes, but it's just the best way to not get, um, the After Effects lagging. Okay?
3:42:51And another tip, if your After Effects is lagging, remember we can decrease the quality of that so it doesn't lag. Alright. So the hook has been edited.
3:43:00Let's take a look at that again. So I go here and click play. Basic content is dying, but let me actually tell you why that is good news.
3:43:09Alright. So another thing that I forgot to mention, guys, is when I was doing the brainstorming, what you wanna do here on the on the hook is you want to, um, like, don't don't make the hook.
3:43:26If you're gonna use a text hook. Don't make it too long or too confusing.
3:43:33Just, like, choose the the the right words so people can understand what the video is gonna be about. Okay?
3:43:40So I'm when I'm brainstorming, I'm I'm thinking about everything. That's why I thought about this hook, basic content is dying because it's simple to read, it's short, and it tells me like a problem that's going on with content nowadays.
3:43:54It's a this is like a problem that my audience can be identified with. So it's gonna catch the attention, and, hopefully, it's gonna make people, like, watch the video because I'm, like, I'm I'm interested in making people actually watch the video because I know that the message that I have is important for them.
3:44:13So if I care about my audience enough, I will take some time to brainstorm a good hook that I know is gonna be easy to understand for people.
3:44:25Okay? Those are my last thoughts on the hook.
3:44:30I know I took some time here. Remember, uh, good things actually take time to learn.
3:44:36So I wanna get into all the details here, and that's why this tutorial is taking a lot of time. But I hope you're enjoying it, and now I can see you in the next segment.
3:44:49Okay, guys. So welcome to this segment. And in this one, we already edited the hook, so we are gonna be editing segment two.
3:44:57Okay? Now we took some time with the hook because we were creating some presets, and I was explaining how to create presets, how to create effects, and stuff like that. But now, hopefully, this one is gonna be a little bit faster because we already know how to do some stuff.
3:45:12Okay? Perfect. So the first thing that we're gonna do is remember how we went and hit all the layers, okay, from all the other segments?
3:45:23Well, now we're gonna activate them again, but something that I forgot to do was to actually trim this shadow to where it is. Okay?
3:45:33So I'm gonna trim it right there. Okay? And now I'm going to activate all the layers and you see how shadow is above all the other layers.
3:45:42So we need to take it down and did happens whenever we create a new element after we hit all the other elements.
3:45:51Okay? So, yeah, that is going to happen for some reasons.
3:45:55So just, you know, completely we just need to drag and drop it to the bottom. And I'm gonna take basic content and the shadow.
3:46:04And since we already edited those, let me fit this. I'm going to hide those ones.
3:46:11Okay? And now I'm gonna go to from red, okay, which is the the starting layer of the second segment.
3:46:20Justin Wells all the way to curved line if I'm not mistaken. Yeah. All the way to curved line and I'm going to activate those and then select this again so it only leaves those layers right here.
3:46:35Okay? Again, remember, this is not necessary to do. It's just that I find it helpful so I can focus only on the segment that I'm editing.
3:46:45Alright. Perfect. So now, we're gonna take Justin Welch.
3:46:49Okay. And what I'm gonna do sorry if you hear the dogs barking in the background.
3:46:56But what I'm gonna do is I'm gonna take Justin Welch. I'm gonna scale it down a little bit by holding shift. Okay.
3:47:04And let me hold it back again. Okay.
3:47:09Perfect. So somewhere here, and I'm gonna center that one. Okay.
3:47:12Maybe take it down a little bit again. Alright. So I want Justin Wells to slide up.
3:47:18Okay? I want Justin Wells to slide up. So in order to do that, look what I can do.
3:47:24Okay? I can go ahead on the presets, and I can apply the slide in up effect.
3:47:33Okay? The one we created in the tutorial or whatever. Okay?
3:47:36Just this one. Drag and drop it to Justin Welch. But here is one thing, guys.
3:47:43I don't know why this happens. I don't know why this happens. But instead of just sliding up normally, it just goes crazy and look.
3:47:54Based on the LinkedIn just passes by just like that. And I don't know why this happens. It's so weird.
3:48:01I I have yet to find why this is the reason it happens. If someone knows, please leave it on the comment, and I will pin the comment so we all know how to fix this.
3:48:12Okay? Because I just couldn't find a way. Now I'm going to undo the the slide up, so I basically just removed it.
3:48:20Okay? With con command z. Remember, we that's how we undo things.
3:48:25And I'm just gonna do it manually, to be honest. Because look at this. If I drag and drop Justin Welch again to the timeline.
3:48:31Okay? This is I'm gonna hide the one that we already had. Okay.
3:48:36So this is Justin Welch. I take a slide in app. Alright?
3:48:40I put it on Justin Welch. Look what happens. It's just normal.
3:48:46It is this light up effect that we the preset that we previously created. I don't know why if I applied to this guy here to this Justin Wells, I I really don't know why it is it is going crazy in doing that thing.
3:49:03Like, we're just gonna leave it like that. Okay? To be honest, I'm just gonna delete this Justin Wells.
3:49:11I'm gonna add another one. Yeah. That's what I'm gonna do.
3:49:15Let me actually see where that one started. So that one starts here. K.
3:49:19So I'm gonna add a new one. Okay? I'm gonna trim it right there.
3:49:24Boom. Trim it. And, um, I'm going to delete the old one, and I'm going to apply the slide effect to the new one.
3:49:33And there you go. Okay? Just that easy.
3:49:37Okay? Just that easy. There you go.
3:49:39And now I'm gonna click you. Okay.
3:49:43And then I'm gonna take like the starting point is gonna be, you know, it's good because remember guys, we are gonna have an overlay here between this segment and this segment.
3:49:57We're gonna have an overlay. So that's why I'm not doing any out animations. Okay?
3:50:03I'm only doing in animations. What are in animations? In animations are these ones.
3:50:09The slide up, the typewriter, the highlight. And if we if we want to do an out animation, we would either slide down or with opacity just make the elements disappear.
3:50:23Okay? So since but since we're using an overlay, I'm I'm gonna show you how I'm gonna put an overlay here after whenever we are applying overlays and stuff like that.
3:50:34Since we are having an overlay, there is no need to do an out animation to those elements. If we wouldn't use an overlay, we would need to do somehow of an out animation to those elements.
3:50:48Keep this in mind because I see this is a common mistake from a lot of people, from a lot of video editors when they they just don't apply any out animations and they don't use an overlay.
3:51:00So all the elements disappeared all of the sudden, and that is a harsh cut that doesn't look pretty good. Okay?
3:51:08But, yeah, with that being said, that was just a quick note. We are using an overlay, so it's gonna change from here and Justin Welch is gonna appear. And I'm gonna make it here maybe.
3:51:20And since we are using the preset, I'm gonna drag this one and he's just gonna be here.
3:51:27I'm gonna actually take it down. So I scale it down maybe there and then drag it down.
3:51:35So he's gonna come from there and actually okay.
3:51:40So from here
3:51:42Based on the LinkedIn expert Justin Welch
3:51:45Okay. So maybe a little bit longer.
3:51:48Based on the LinkedIn expert Justin Welch.
3:51:51Okay. Awesome. So we're gonna leave it like here.
3:51:54I'm going to save that. And now, I still wanna do some, I don't know, like some changes to this guy, Justin Wells.
3:52:04And by the way, now that I take a look at that, I want to go to the shadow. I want to activate it. I want to click here again.
3:52:13And I wanna take the shadow and I wanna take it all the way here. Okay? Because I want the shadow to stay for Justin Welch sliding up.
3:52:24Okay? And now another thing I could do is bring the shadow in front of just or above Justin Welch, but that will look a little bit weird since Justin Welch is not gonna be very visible.
3:52:37So I'm just gonna take it down again. Okay. That looks pretty pretty good.
3:52:43Now, something that I wanna do guys and show you is how to add some texture, some texture to an icon, an image, a b roll, whatever you want to add any texture to.
3:52:56So in order to do that, let me explain what I mean. I wanna add some dots. Okay?
3:53:01I wanna add some dots to Justin Welch. But in order to do that, I'm going to import the dots first.
3:53:09So on file, and these dots, I think I'm gonna leave it on the description, but I I also think it's part of the premium assets, overlays, grids, dots.
3:53:20Okay. Dot gray black. This is the name.
3:53:22So I'm gonna open that one, and I'm gonna drag and drop it above Justin Welch. And now look at that image.
3:53:30So if we scroll down, it's a really big image. Okay? Because these these are some textures.
3:53:36So by by holding shift, I'm gonna make it a smaller. Okay. I'm gonna make it a smaller somewhere here.
3:53:44I'm gonna fit the screen again and take a look at how that looks. Looks pretty good.
3:53:50Right? So now I I just wanted to apply it to Justin Welch, not the entire video. So in order to do that, I'm going to go here.
3:54:02Okay. And I I will we will need to toggle the switches and the modes. Alright.
3:54:07Where it says track made. And on track made, I wanna track that to Justin Welch only.
3:54:14But look what's gonna happen. The dots were applied to Justin Welch, but Justin Welch became transparent. Since that happens, because that is just what happens whenever you apply a texture to an image or whatever, The image becomes transparent, and then the texture takes the shape of the image.
3:54:35Okay? So in order to fix that, what we need to do, let me undo everything with command z.
3:54:43Okay. And now I'm going to duplicate Justin Welch. I duplicate it.
3:54:49I take the dots and the and and the dot great black, and I track make it to the just the second Justin Welch, the duplicated one.
3:55:00And now we have Justin Welch with the dots, and it's not transparent. Okay? Perfect.
3:55:06So now I'm going to let me see because here. K.
3:55:12You wanna go to the keyframe here and then you wanna take the second Justin Welch and you wanna parent that one to the original Justin Welch.
3:55:25K. And you wanna parent the dots and grids to the duplicated Justin Welch.
3:55:32So now, when he comes up, everything is gonna come up.
3:55:38Based on the LinkedIn expert Justin Welch Oh, okay. Let me undo that because we don't wanna parent the the dots.
3:55:44Okay? Just never mind. Don't parent the dots because then that lord, like, weird thing is gonna happen.
3:55:53It's good news. Based on the LinkedIn expert Justin Weld Okay. It's happening again.
3:55:57I So don't know for what reason that's happening.
3:56:01It's like we are doing this light up, but for some reason, in the second Justin Welch, it's not working that way.
3:56:13Let me see that's so it's here, and then should everything should come here as we know it.
3:56:29So let me see how we can fix this, guys, because we don't want like, we want everything. So let me just undo everything.
3:56:38Okay? Undo. Undo.
3:56:41Undo. Undo. So Justin Welch, we remove.
3:56:45Okay. So we have normally the normal Justin Welch. Right?
3:56:48Okay. Perfect. So now we want to apply the dots and grids to Justin Welch.
3:56:54So I'm gonna just drag and drop it right there. I make it smaller. Okay.
3:57:00Make it smaller. Smaller, smaller, smaller.
3:57:03There you go. I then fit this. Okay.
3:57:10And perfect. Everything normal so far. Okay.
3:57:12I want to duplicate this. And then it's been duplicated with the same key frame. So both of them are sliding up at the same time.
3:57:23Okay. At the same time, they are sliding up at the same time. Perfect.
3:57:28Now, the dotting grids, we wanna track Maydad to the second Justin Welch. But once we do that okay.
3:57:38Okay. Now it's working. So see you guys.
3:57:41Based on the LinkedIn expert Justin Welch Like this stuff can get complicated sometimes, but, you know, it's totally fine.
3:57:50So oh, let me click the letter p again. And let me see if I parent that one to the Justin Welch.
3:58:02Okay. Then everything is gonna move together. I don't know why it didn't work.
3:58:06Based on the LinkedIn expert Justin Welch.
3:58:09Okay. Perfect. It's working perfectly right now.
3:58:12Alright. Awesome. So we're gonna go now into the background.
3:58:17Alright. That took some time, but guys, sometimes it is what it is.
3:58:22Right? Sometimes I I even get confused. So you you gotta be patient with after effects.
3:58:26Okay? You gotta be patient. So option, and then I'm gonna trim the dots and grids because they are gonna start from here, and then they are gonna end here.
3:58:34Okay? And the same for Justin Welch, one and two.
3:58:38So option and then we trim that. Okay. Awesome.
3:58:43Now we're gonna work here. And what we wanna do is the frame is gonna start here and then it's gonna move here and then to just chop GPT and then it's gonna say it doesn't work. So look how cool we're gonna do that.
3:58:57We're gonna take the background and we're gonna work on the background now. So because we're just not gonna leave it red as it is. Okay?
3:59:08It's not gonna just be red, and that's it. Okay? We gotta do we gotta work on it at LadyB.
3:59:14Okay? Now the way we do that the way we do that is by creating an adjustment layer. We're gonna create two adjustment layers.
3:59:24One is gonna be called Vineth. Okay?
3:59:29And for Vineth adjustment layer, we are going to apply the Vineth effect.
3:59:35So CC VinET. VinET. And then we can control it here.
3:59:42Not too much. Maybe too much. Yeah.
3:59:46Okay. Let's do too much, but then decrease this one. Okay.
3:59:52Somewhere there. Perfect. And now the second thing we wanna do, we're gonna create another adjustment layer.
4:00:00Okay. And then see how we're creating these above the background, not above every element.
4:00:08We just want it to be above the red background. And then for that one, I'm gonna call it grain.
4:00:15Okay? You can also call it like background, so BG grain.
4:00:23Click away. And then for that one, what I'm gonna do is I'm going to let me see how I used to do this one.
4:00:31Okay. So look, we're gonna do the same. By selecting the adjustment layer, we're gonna click ellipse and then we're gonna create an ellipse of that one just like this one.
4:00:43Okay. We can maybe even move it around. So by clicking this, I'm just gonna move it around a little bit more.
4:00:52And what I'm gonna do now is I'm going to apply some noise alpha.
4:01:02Okay? Noise alpha to the the thing.
4:01:07Okay? And now I'm going to increase the amount of noise. But I I wanted to be in like in the border, not in the middle.
4:01:18So it's like the it's the same thing with the shadow. I wanna go to mask and I want to invert it. Okay?
4:01:26But I'm noticing that this is like there's a space here because I move it.
4:01:33So in order to undo that, I wanna go to transform and just reset it. Alright. Perfect.
4:01:39And then I wanna hide the transform properties because I wanna go to mask and then I want to feather the mask.
4:01:49Okay. Perfect. And now I can expand the mask.
4:01:56Okay. Now now we are talking. Right?
4:02:00Look how the background looks. It looks 10 times better. Right?
4:02:04Looks 10 times better. So that's what we wanna do, okay, with the background. So now what I wanna do let me see.
4:02:15Maybe we can decrease that vine a little bit more or the feather, we wanna do it a little bit more more mask expansion.
4:02:27And then it's the Vineth, the one that I wanna decrease a little bit more. No.
4:02:34There you go. Perfect. Okay.
4:02:38Cool. So the background is looking pretty solid. And now, we just create a bunch of things here.
4:02:44So the background, the the this thing. Okay.
4:02:48So command, the grain. You always wanna be trimming things as you create them.
4:02:54So you take this and you take this against option. Alright.
4:03:00Perfect. Now, what we wanna do is the movement.
4:03:04Now, we wanna create the movement of the segment or the scene. Okay? The animation.
4:03:10So I wanna take the plate head at the very beginning, and I'm gonna scroll down because look at the size of the background.
4:03:19Okay? So what I'm gonna do right there is I'm gonna move it to the corner a little bit more.
4:03:26Okay? I'm going to go here. By the way, I hope this is not like very overwhelming, guys.
4:03:33We're just, you know, we're just going through the the edit here. I know it's taking some time as well, but I told you guys it's gonna this tutorial is gonna take some time. Alright?
4:03:43You wanted to learn, here it is. Now, I wanna create a keyframe on position. For now, I think only position.
4:03:52Okay? Only on position, and I want to do the following.
4:03:58Okay? I want to okay.
4:04:03So the the animation is gonna be there for a while, so I'm gonna play it. Posting generic content like quick tips. Okay.
4:04:09Posting generic content like quick tips. This like, that's gonna be like the frame of the first thing, okay, of the first box. So I'm gonna create another keyframe because the background is not gonna move.
4:04:21Okay? It's just gonna be there animating the quick tips and the generic content text.
4:04:27Okay? But then it is going to move from here. So let me play it up.
4:04:34How to's or Okay. Then it's gonna move to how to's.
4:04:38So I need to do like this movement here. Okay? Boom.
4:04:43But let me show you one thing that I just didn't do.
4:04:50So I'm gonna go back here to the key frame. And before creating the next key frame, what I'm going to do is I'm going to take Justin Welch and all the other things.
4:05:02Okay? Well, the the curved line, not yet because we're gonna be editing that one alone. But all the way from Quick Tips to the all the or the text box all the way to Justin Welch because QuickTips is parented to the text box, so it's not necessary.
4:05:19I'm going to and this one is connected to so I'm not gonna do this one either.
4:05:29Justin Welch. Okay. So here, I'm gonna parent all of these elements to the red background.
4:05:37Okay? And now, what's gonna happen is if I move these. Okay?
4:05:43So I say like quick how tos or something like that.
4:05:46How tos or
4:05:48Okay. I say how tos. That's when I move the background.
4:05:52So I'm gonna move the background here. And look what happens. Everything moves with the background because everything is parented with the background.
4:06:01Okay? So that's how we do it. And then I say how tos or even chat.
4:06:09So let me see.
4:06:11Posting generic content like quick tips, how tos.
4:06:16Okay. How tos and then, um, I do another one.
4:06:22So how tos is gonna be like there for a while, so I make another one here
4:06:26and then another one. Even chat GPT generated content.
4:06:32Okay. Or even chat GPT generated content. So I'm gonna take it down again.
4:06:37Okay? And then I say it doesn't work anymore.
4:06:41Doesn't work anymore.
4:06:43Okay. So I'm gonna make this here a little bit back. You guys are gonna understand this in just a few seconds.
4:06:49Okay? We just gonna we just wanna make the movement of the frame here. Okay?
4:06:54The frame is gonna be like moving towards the right. That's what we're doing here with keyframes. So
4:07:00Doesn't work anymore.
4:07:02Doesn't work anymore. Okay? So I wanna make it slightly just move it to the right slightly.
4:07:11Okay? Perfect. Or it cannot be to the right, but rather to like, I'm gonna make it just move it down.
4:07:21So it's gonna say like it doesn't work anymore. Alright. Perfect.
4:07:25So we got that. And now, you guys are probably really, really confused at this point, but don't worry because it's totally normal.
4:07:35Okay? I know this segment is like a little bit complicated,
4:07:39but you guys are gonna understand. So, what we are doing is this. Posting generic content like quick tips, how to's, or even chat GPT generated content doesn't work anymore.
4:07:49Okay. Now that we create the other all the other text boxes, you guys are gonna see how this is gonna work.
4:07:57So let's go with the line. Okay?
4:08:00The line is gonna start from here.
4:08:03Okay? It's how
4:08:05Like this line is gonna move on this frame. Okay? She's gonna start from this text box and it's gonna move to like the next box.
4:08:15Okay? So quick tips. Let me reorganize that because the text box is not gonna be on that position.
4:08:23I'm gonna hide the curved line for now. I'm gonna grab the the text box here, and I'm gonna take generate content and put it here as well.
4:08:36Okay. Now, for generate content, let me see what color fits best. White.
4:08:44Okay. Maybe white. And for generic content, maybe we can do like a stroke.
4:08:51So I'm gonna do like a black stroke maybe. And then we're gonna increase the this.
4:09:01Oh, not too much. Okay. Let me see.
4:09:06Four. Not four. Maybe four is too much.
4:09:09So go back to generate content. Maybe we do it manually. Okay.
4:09:13Two. Perfect. So if I click there okay.
4:09:17Generate content. Perfect. I like how that looks.
4:09:19It's looking pretty solid. Everything's looking pretty solid. So, um, for the quick tips, okay, what I wanna do, so first well, let's focus first on on the generic content.
4:09:31So
4:09:32Posting generic content like quick tips.
4:09:36Okay. Quick tips. Posting generic content like quick tips.
4:09:40How? Alright. So before we actually animate those things, okay, what we're gonna do is create the next boxes.
4:09:46Okay? So the how to's and the ChatGeopardy generated content. Because I was going to animate that box, but then it's gonna be if I duplicate it, then it's gonna duplicate the keyframes as well, and I don't I don't wanna do that.
4:09:59So you guys wanna be intentional about that as well and think about that. So for now, I'm just gonna take the box and the text.
4:10:09So command, and I'm gonna duplicate them. Okay.
4:10:13I'm gonna take the box, the text box too, and I'm gonna move it here. And now I'm gonna text the text box, and and I'm gonna move it somewhere here because when the background moves
4:10:25Posting generic content like quick tips, how tos or if Okay. How tos.
4:10:33So how tos is gonna be here. So I want this text box. So go to text box two.
4:10:39Okay. And I wanna grab it and put it, like, somewhere here, right, in the middle. Okay.
4:10:46There you go. So it's in the middle. And the line is gonna connect these two.
4:10:52Okay? But then I am gonna do another text box right there. So select this one, command.
4:10:59Select this one, command d. Then take the text box, put it above here, and then move this here.
4:11:08And the third text box is gonna be this key frame here.
4:11:16So I'm gonna take the text box three. Okay. It's actually this one, and I'm gonna move it.
4:11:23Okay. I'm gonna move it here. And then I'm just gonna center that one.
4:11:30And now what's gonna happen is that it's gonna stay there for a while and then it's gonna go down. And the text that says, generic content, I'm gonna duplicate that one.
4:11:44I'm gonna bring it to the top.
4:11:47Alright. So I'm gonna bring it to the top. And if I scroll here, it's this text here.
4:11:54I'm just gonna drag it and put it here and center that one. Okay.
4:12:02So it's looking pretty solid. I know you guys might be overwhelmed, but I hope you're following alone. It's not really complicated.
4:12:08We're just playing our own with keyframes, with elements. We're just organizing the scene that we previously imagined.
4:12:15Okay? Maybe I imagine a complicated scene.
4:12:19I I'm not gonna lie. But anyways, I know you guys are doing good. Don't worry.
4:12:23If you need to take the video back and again, don't worry. Just go ahead and do that.
4:12:28So generate content, quick tips, and how to. So so quick tips, how to's. So we need to change the the the the text on that.
4:12:37So here it's gonna say so how tos. Okay.
4:12:44So how tos, maybe like that. Alright. Perfect.
4:12:46Looks good. And then what is the other one? Like chat GPT.
4:12:50Right? So I'm gonna I'm gonna put chat GPT here. So chat GPT.
4:12:58And the thing is that whenever we duplicated these these text boxes and and whenever we duplicated them, the initial text box was already parented to the background.
4:13:10Okay? And the text as well. Alright?
4:13:14So we that's why we that's why they stay. Okay?
4:13:18Right there attached to the background. Okay? Not to the screen, but attached to the background.
4:13:24And that's how we are given these like three d scene even though we are not really using a three d camera, if that makes sense. Okay?
4:13:33So let me do it again. Posting generic content like quick tips, how to's or even chat DBT generated content doesn't work. Okay.
4:13:41Or even chat DBT generated content.
4:13:47Free content like quick tips, how to's or even chat dbt generated content.
4:13:53Tues or even Okay. This is the one that I need to take here. Or even chat dbt generated content doesn't work anymore.
4:14:01Okay. And then this text, the final one needs to say something around the lines of doesn't work and then anymore.
4:14:17Okay. Doesn't work anymore. Maybe a point.
4:14:21Perfect. Okay. So that doesn't work anymore.
4:14:25Center the anchor point. And I think we are we just need to start adding the animations for everything.
4:14:34Okay? So hear me out.
4:14:37Now we're gonna go to generate content. Okay? We're gonna go to generate content.
4:14:42And well, before I actually animate everything, I'm just gonna pause this recording and then start a new one because I don't wanna make this too long, and I also need to take a break.
4:14:53So I'm gonna pause this one, and then I'm gonna continue just in a few minutes here. Okay, guys. So I was checking the previous recording, and I just noticed that the microphone was not, like, was not working.
4:15:06But, you know, I'm just gonna leave it like that because thank God I had the microphone, I think, on my headphones or the MacBook. I we were on the like, we now can go ahead and animate everything.
4:15:19Right? So I'm gonna start with the text that says generate content.
4:15:25Okay? So generate content. And as we can see, we can go ahead and add if I scroll here, we created a preset.
4:15:35Okay? Did did I show this?
4:15:41I think I didn't show this to you guys. Let me see. So, yeah, I didn't show this to you.
4:15:48So I'm gonna go back really quick to the text that says is dying. Okay. And I'm going to toggle switches and modes, and I'm gonna bring it here to the timeline because because because because or well, I don't even need to do that.
4:16:06So I'm going to come come here to where it says range selector. Okay.
4:16:15And or, actually, not range selector, but I'm gonna go to animator one, and we are gonna create a preset of that as well.
4:16:25I forgot to do this on the previous segment. So I'm going to just take that. Okay?
4:16:31And I'm gonna go to animation, and I'm gonna save the animation preset. And on tutorial, I can even create a new folder, okay, um, that says text presets.
4:16:44So these are especially for text. Okay? So I'm gonna create that and I can create the one that says smooth typewriter.
4:16:55Typewriter. Perfect. We save it.
4:17:00Okay. We now can go ahead and hide everything again. Okay.
4:17:05Uh, and then go to where it says where is the text? So generate content.
4:17:12Okay. Awesome. Now we can go to generic content and here at the very beginning or not at the beginning let me see when that starts posting generic content okay yeah so at the very beginning we can go and I can search for smooth typewriter, and here it is.
4:17:31User presets, text presets. Okay?
4:17:34I I already have it. So but I created it again here on tutorial so you guys could see. So I'm gonna drag and drop that one towards it where it says generate content.
4:17:45Remember that if you bought the premium assets, you already have the smooth typewriter effect. So I'm I drag and drop it here. I click u.
4:17:54Okay, and I bring the keyframes because I wanna adjust that. Okay? Posting generic content like Okay.
4:18:01Maybe I wanna do it a little bit longer.
4:18:05Posting generic content like quick. Okay. Maybe a little bit more.
4:18:10Posting generic content like quick. Okay. Perfect.
4:18:13We're gonna leave it like that. We're gonna save, and we already animated the first element. Now I want to show, like, the quick tips.
4:18:23I wanna edit that box and animate it. The way I'm gonna do it is by okay.
4:18:32How can we do this? Maybe we can take it and make it appear from behind.
4:18:38Um, how can we do this? Maybe behind with a fade in so we can do a fade in here.
4:18:46Yeah. Let's do a fade in so I show you guys something. We're gonna take the text box and the we're gonna hold command and quick tips, and we're gonna put those below Justin Welch.
4:19:00Alright. So once we do that, we wanna take them and let me see.
4:19:08Thing generate content like okay. Like, quick tips. So somewhere here is going to appear, the quick tips text box.
4:19:17So I'm gonna take it. I'm gonna click I'm gonna just go to transform options.
4:19:22So I'm gonna hide the generate content one, and I'm gonna open I'm gonna hide the so this one here and transform of the text box.
4:19:31Okay? And I'm gonna do two things. I'm gonna create a keyframe on position and on opacity.
4:19:40So those are gonna be the keyframes. Okay? And I'm gonna move them because that's gonna be the final position of the textbooks.
4:19:49Then what I'm gonna do, I'm gonna bring back the position. Okay.
4:19:54So position y.
4:19:59Okay. So it's here. Alright.
4:20:02Perfect. So I'm gonna bring the position down.
4:20:05Okay. Here. Somewhere here.
4:20:08Alright. Yeah. Somewhere here.
4:20:10And then the opacity down to zero. Okay? But look what happens here.
4:20:15Quick tips is parented to the text box, but and and it will follow it Quick tips will follow the position and everything.
4:20:25Okay? As we can see here, it's gonna follow the position. Right?
4:20:30But what Quick tips doesn't do is it does not follow the opacity. Okay? It does not follow the opacity.
4:20:38So we need to click the t key, which to bring opacity here, and we need to create a keyframe, bring it back down to zero, and then another go here and create another keyframe for that one and bring it back to a 100.
4:20:56Alright. Just like the same length as the property here.
4:21:01Okay? Now we're gonna take, actually, opacity, both opacity and this one here.
4:21:06Oh, no. Command z. So I'm gonna take so I'm gonna click this one and holding shift, I'm gonna click this one as well, and I'm gonna bring those back a little bit.
4:21:17Okay? And I'm gonna bring this back a little bit. The reason why is because every time we are animating, like, an element with opacity and position, almost all the time, you want to bring the opacity keyframe a little bit earlier to or before the one off position.
4:21:39Okay? So it's just a a good practice on video editing. Uh, so quick tips.
4:21:44Alright. It comes down right there. So now what we can do is we're gonna ease all the keyframes with f nine.
4:21:53Alright. Perfect. So we ease everything.
4:21:57By the way, this is my first time, like, doing a tutorial on after Effects. So whenever I'm editing, like, I'm doing everything fast and I know what I'm editing. But, guys, when you do your first tutorial, like, and explaining, it's a whole skill.
4:22:10Right? So that's why you sometimes see me, like, you know, being a little bit confused on what to do because you gotta be very careful when you are recording a tutorial on how you're doing things so you don't mess everything up.
4:22:23Okay? So that's that is just a note for whenever you are editing for a tutorial or creating your own tutorial, which I highly suggest doing as a video editor.
4:22:35Okay. Perfect. So then, like, quick tips, how to okay.
4:22:40Quick tips. So I'm gonna bring all these keyframes a little bit here. And what I'm gonna do, I need to do it, like, one by one, but I'm gonna only do it for position where I'm gonna take those.
4:22:51I'm gonna open the graph editor and then do this here.
4:22:57And then let me see how that looks. Content like quick tips, how to Okay. For me, I don't know why it seems like a little bit fast.
4:23:06Okay. So I'm gonna take all of these three, move it here. All of these three and move it here.
4:23:13In generic content like quick tips, how to Okay. Perfect. So let me see.
4:23:18In Welsh. Posting generic content like quick tips, how to Okay. Perfect.
4:23:22It's looking pretty solid. So quick tips. Okay.
4:23:27Generate content like quick tips, and it's appearing, like, behind Justin Welch, which is pretty good pretty good. And then we do a how tos.
4:23:37Okay. And then chat dbt. I think those text boxes can be right there.
4:23:46Okay? What I'm gonna do now is I'm gonna work on the actual. So if I go to this keyframe, I don't I'm gonna work on the actual.
4:23:55I'm gonna hide everything here. Quick tips. And this one as well, the background.
4:24:01Because I wanna bring the curved line. Where is the curved line? Where is the curved line?
4:24:05Here it is. Okay. We got it.
4:24:08Um, now we're gonna move. Okay. Red background, I'm gonna activate all the keyframes with you, which is on position keyframes, and that is gonna move here.
4:24:18Okay. So this is where I want the line to be. So the line is not parented to the background just yet.
4:24:25Okay? Because we only wanna parent things once we know what's gonna be the position of those things.
4:24:31So I'm gonna make it smaller a little bit, and then the line is gonna connect those two. Okay?
4:24:37Just like that. So find the right position. Once you are on the right position, then here is where we go ahead and parent the thing to the actual background.
4:24:47So now, look, it's gonna stay there.
4:24:52Okay? It's gonna stay there. Then I don't want the line to be sit, like, from the beginning.
4:24:58Right? I don't want the line to be there. So look what I'm gonna do.
4:25:03I'm going to locate the first keyframe of the actual background. I'm gonna go to the curved line and I'm going to open its properties.
4:25:13I'm going to add a okay. I'm gonna add a trim path and just like we did previously with the highlight on the hook, the same works for this one.
4:25:27So I'm gonna go to trim path and I'm gonna create a keyframe right there, right on the keyframe here. I'm gonna create a keyframe or on end, I'm gonna bring it back to zero, I'm going to increase this here or just move it to the next keyframe or maybe somewhere here.
4:25:47Okay. It could be somewhere here. And then I'm gonna bring this back to 100.
4:25:54And then I can ease those with f nine. And now look at this.
4:26:02Posting generic content like quick tips, how tos, or even Okay. Perfect. So now we have the line
4:26:09an animate an animated line. Okay? Awesome.
4:26:14Now something that I'm a little bit uncomfortable with is these keyframes. I need to ease those keyframes, so I'm gonna f nine all of them. Okay?
4:26:23So f nine, and now we're gonna start to play around with those.
4:26:29Okay? So it's gonna be a lit a bit a bit smoother. Okay?
4:26:33The these transitions here is from chop GPT and then doesn't work anymore. Okay? So before we actually go ahead and and, um, edit the neck the next text boxes and we add more lines, I want to work on how the the background is gonna look like, the movement.
4:26:52Okay? So let's actually take a look at that.
4:26:54Posting generic content like quick tips, how to's, or even chat dbt generated content.
4:27:00Okay. So from here, okay, I noticed that I'm just gonna bring this key frame here.
4:27:07I noted that this can be in every content like quick tips, how tos, or Okay. So right there. Okay.
4:27:15How tos, that's the one that I wanna work on. So I'm gonna select these two, go to graph editor, and then move this one a little bit here, and then move this one a little bit here.
4:27:26Okay? Now the problem is gonna be here, okay, as I can see because I also want to smoothen the flow of these two.
4:27:37Okay? But what I'm noticing, since we're not using a three d camera, with a three d camera, this would be, um, I think, a lot better, but we are not gonna go into three d cameras just yet. There's gonna be, like, a weird little pause right here, but that's totally fine.
4:27:54Okay? That's totally fine. Now I want to do the same for these ones where I do this here and I do this here.
4:28:04We are just easing these a little bit more, and now let's take a look at how that looks.
4:28:10Posting generated content like quick tips, how tos, or even chat dbt generated con Okay. So this one needs to be faster.
4:28:18Right? Quick tips, how tos, or I like the transition from quick tips to how tos. However, it's a little bit harsh at the end, and I want it to be less harsh.
4:28:31So I'm gonna take those two, and I'm gonna increase this and increase this one here.
4:28:40Okay? Now let's see how that looks.
4:28:44Posting generic content like quick tips, how to's. Okay. It's a little bit fast
4:28:49right there, so I'm gonna take this one here. Okay.
4:28:54Let's see how it'll posting generic content like quick tips, how to's, or even
4:28:59Okay. Sometimes, um, it's gonna get laggy after effects, so just bear with me.
4:29:06I don't I cannot do that very fast because then it's gonna look a little bit weird.
4:29:13Quick tips, how tos, or even posting generic content like quick tips, how tos, or even You see it's a little bit fast
4:29:22this transition right here so I'm gonna move it somewhere here. Okay. Let's see how that looks.
4:29:30Like quick tips, how to's or even Okay. Perfect. So I think I like that one.
4:29:36Now it's gonna get lag a little bit. I'm gonna decrease the yeah.
4:29:41I'm gonna decrease here the the the quality of the of the composition a little bit. Posting generic content like quick tips, how to's, or even chat dbt.
4:29:51Okay. So how tos. Tips, how tos, or
4:29:55Or even and then I can move this one a little bit more here.
4:30:00Quick tips, how tos, or even chat dbt gen Alright. Perfect. So
4:30:06I can take these two, and sorry if you hear the dogs barking. It's just my neighbors' dogs.
4:30:13They they bark as normal dogs. Um, Yeah. It is what it is.
4:30:18So if you don't hear that, that's amazing. Oh, what did I do here?
4:30:25I did something here. What did I do here? Let me go back.
4:30:30I don't know. Okay. So let me take those.
4:30:37What is this? Oh, there we go. I don't I don't I don't know why did I do that.
4:30:43There. So, anyways, I'm gonna take these two, and I'm going to do the same.
4:30:49So I'm gonna take it here and maybe take this one here, and let me play that. Or even chat dbt generated Okay.
4:30:59Big tips, how tos, or even chat dbt I want that one to be a little bit faster. Okay.
4:31:06So I'm gonna take it here, and it's gonna be just a little bit faster. So somewhere here.
4:31:16Okay. Bro, the dogs are barking heavy right now. Or even chat dbt generated content.
4:31:23Okay. So make this one here.
4:31:27Or even chat dbt
4:31:29tips, how tos, or even chat dbt Sometimes these keyframe things, uh, can get a little bit tricky where you're gonna spend some time trying to find the right flow. Okay? Because you wanna find the the right flow.
4:31:42So just like I'm going back and forth here, it's because I wanna find the right flow. Okay? Posting generic content like quick tips, how tos, or even chat That was a little bit faster.
4:31:53Generic content like quick tips, how tos, or even That was a little bit faster. Like, I I still don't I'm I'm still not happy with it at all.
4:32:03So I'm just gonna go. It's because you know you know what I think it is? It's the actual it's like the messaging.
4:32:12Right? So when I was brainstorming, I thought this was going to be a smooth movement, but as I'm noticing that it it's not really a smooth movement.
4:32:21Okay? So what I'm gonna do is, um, instead of doing the third movement, okay, so I'm gonna I'm gonna just lift these the plate head here here.
4:32:36Okay? And I'm going to delete this. Okay?
4:32:40Just delete it. Don't worry. And now I'm gonna grab the second box, which is not the second, but the third one, and I'm gonna bring it here.
4:32:52Okay. And I'm going to center that one. Okay.
4:32:58And then then I can do the the text that says doesn't work anymore.
4:33:10We can work on this one, uh, later on. But for now, we're just gonna leave it in a way that we go from Posting generic content like quick tips, how tos, or even chat.
4:33:22You see, we're we can make now this, like, a little bit bigger here. Like quick tips, how tos, or And then and I can make even move it here. Content like quick tips, how tos, or even So you can move stuff as you as we go.
4:33:39Okay? You can change your mind, and instead of doing like this animation, you can change it a little bit where it's just a bit smoother. Okay?
4:33:49Perfect. So Content like quick tips, how tos, or even chat Alright.
4:33:55Maybe a little bit faster. Like quick tips, how tos, or even chat dbt generated content.
4:34:01Okay. And now what we can do is we can do basically the same fade in that we did, um, for the quick tips.
4:34:12You remember the the fade in? Okay. We can do the same for the chat dbt.
4:34:18Or even chat.
4:34:19Okay. So chat dbt can start from here. So let's go to chat dbt, which is text three, and I I'm going to open the okay.
4:34:31So transform. I'm I I need to open everything. Transform, uh, position, and opacity.
4:34:39Okay. And then I can move that one. So those two, I can just move them somewhere here.
4:34:45Alright. And then I can bring the position down and then the opacity down.
4:34:54And then for chat GPT, I'm gonna click t, and I'm gonna create a opacity, move it somewhere here, and then decrease it to zero.
4:35:05I'm gonna ease those with f nine, and I'm gonna ease these two with f nine as well. Alright?
4:35:12Okay. Perfect. So now we have this, the chativity thing.
4:35:16Right? Remember how I set, like, to put the opacity at the same time here just before the position here.
4:35:27And for only for these ones, I'm just gonna go and do this here. So it looks pretty good. Pretty good.
4:35:36Maybe a little bit more. Yeah. Like that.
4:35:40There you go. Perfect. So or even chat dbt generated con Okay.
4:35:45Now it's a little bit fast, so I can just make them okay. Select everything. Move them a little bit more.
4:35:53Or even chat dbt generated And then I can make this here.
4:35:59To use or even chat GPT generated content doesn't
4:36:07Okay. Now
4:36:10what I can do? Let me see. Posting generic content like quick tips, how tos, or even chat dbt generated content.
4:36:18Alright.
4:36:18So here where where where I say chat dbt generated content, I can go back. I can create a key frame for the red background.
4:36:26So let me just click here, keyframe.
4:36:30Okay. Command and I wanted to just make a normal keyframe because we're gonna use in a little bit later. I want to move so here's the thing guys, with animations, we don't want them to feel static, too much static.
4:36:46Okay? They can do that, but we always want something like moving or some motion within the video so it doesn't look like a picture, if that makes sense.
4:36:56Okay? So you wanna keep that in mind, and, uh, we show quick tips.
4:37:00So you see how I'm showing generic content then quick tips. And as soon as quick tips is sending, I'm already creating some motion with the line with the background movement. I show the how to's and then right here, I'm gonna show chattypiti.
4:37:14Chattypiti is gonna come up, but the how to and the line, are, like, very static. Everything feels a little bit static. So I'm gonna just make a small movement to the background like this.
4:37:26Okay? And I'm going to ease those with f nine.
4:37:32So now
4:37:34Use or even chat dbt generated con Looks better. Right?
4:37:40Like quick tips, how tos, or even Then the how tos is a little bit slow, so I'm gonna make it faster.
4:37:47Content like quick tips, how tos, or even chat GPT generated con
4:37:52How to chat dbt generated content. Okay. Now I'm noticing a problem where there is a weird pause right here between this and this.
4:38:04Now take a look on how take a look on how we can solve that problem, and here is where I want to present you guys new objects.
4:38:14Okay? So I know this this has been a little bit messy, but, guys, bear with me.
4:38:20Okay? I think we're doing a good job so far, by the way. Like, me sitting here and literally showing everything it takes to edit a video and the little mistakes that you bumped into, I could, like, cut this part and start recording another, like, video explaining, like, how to do it and make it faster and everything, but I just wanna talk here.
4:38:44I just wanna show stuff. And as I'm editing, I I I'm noticing the mistake, so I'm gonna I'm gonna create a new project for that mistake, and so you can use the same solution for your edits.
4:38:57So I'm gonna create a new null object. Oh, null object.
4:39:02What that is, bro? I don't know. Don't worry.
4:39:05It's it's it's very simple. The null object is gonna help me like, it's just a null object. It's it's nothing.
4:39:11Okay? It's empty. But it's gonna help me with the background here.
4:39:15So I'm gonna delete these keyframes I previously created. Delete.
4:39:21And look what I'm gonna do. I'm going to parent the background.
4:39:30So instead of dragging this because we have a lot of elements, you can just go here. I'm going to parent the background to the null object. Awesome.
4:39:40And then right here. Okay.
4:39:44Right where where this thing is gonna end. So somewhere here. Okay.
4:39:49Let me see. Then, like, quick tips, how tos, or even that is a little bit slow. So like quick tips, how tos, or even and the line is a little bit slow as well.
4:40:01So let me click you. Bring this here.
4:40:06Like, tips, how tos, or even
4:40:09okay. Perfect. So quick tips, how tos.
4:40:13Okay. Quick tips and how tos. Um, what I'm gonna do is before, like, this thing ends, I'm gonna bring like, I'm gonna create on the null object on position.
4:40:27I'm gonna click the the the letter p. I'm gonna create a keyframe, and I'm gonna take this here.
4:40:36Okay? And I'm gonna create another keyframe, but on the null object, I'm gonna take it down. Okay?
4:40:43Like the movement I wanted to do on the background. Right? And I'm gonna ease those in with f nine.
4:40:50And I'm also gonna go to the graph editor and even ease it in a little bit more. K? Little bit more.
4:41:01So that's when we can, like, do this movement here and then it's gonna be a lot smoother to do the next movement because I'm playing around with these keyframes here.
4:41:15Okay? But look at this keyframe. This keyframe is ending here and I can even make it a little bit longer, not select both of them, but just one.
4:41:24Uh, I can make this, uh, faster if I wanted to. Let's see how that looks.
4:41:31But this ends here. Right? It ends right there, but the null object is starting before that one.
4:41:39That's why I'm using and creating because I couldn't create a keyframe starting before this one on the same background because it wouldn't work. Okay?
4:41:50It would it would detect that keyframe before this one. It would be kinda like a mess, but with the null object, it doesn't matter because the null object is another element.
4:41:59Now the null since the background is parented to the null object is going to follow the null object movement and this is how you can create a smooth transitions with null objects or, yeah, smooth smooth movements without using three d cameras, but actually creating the movement that you want.
4:42:23So let's take a look at that.
4:42:25Posting generic content like Let's actually make this peak. Posting generic content like quick tips, how tos, or even chat dbt generated con You see?
4:42:37It's it's a lot better. We could have even done it with the with the other movement to the right as we were saying. But, anyways, okay, I I you know, it it's it it is what it is.
4:42:50Okay? So, um, we can even make that like, I can even move that and maybe not too much, but I can bring it down more even more.
4:43:03K? So let's see. How tos or even chat GPT generating.
4:43:08Oh,
4:43:09now we're now we are like talking. Right?
4:43:13Now we are completely talking right here.
4:43:19Tips, how to's or That movement is still is still, like, fast. Posting generated content like quick tips, how tos, or even chat dbt generated con I like it. I definitely like it, bro.
4:43:32How tos, or even chat dbt generated content. That
4:43:37and then we can do a new one for the background. Not not on the null object, but on the background, we can create a new one that says doesn't work anymore. So
4:43:48It generated content.
4:43:50So somewhere here somewhere here, actually, I can create another keyframe. Uh, I'm gonna hold command and just do a normal one because we need to reset it.
4:44:02And then I'm gonna drag the background. Okay. I'm gonna drag it, like, somewhere.
4:44:14Where do we want to do that? So okay.
4:44:17Somewhere here. So we still want to these things to be here. Don't worry.
4:44:21It's totally fine. Um, and then we wanna ease in those. So I'm gonna ease in with f nine.
4:44:30Go to the graph editor. Edit that one.
4:44:36Maybe someone someone some something like that. Okay.
4:44:44How tos or even chat dbt generated content doesn't work anymore. What?
4:44:49Okay. Awesome. So it doesn't work anymore.
4:44:52Alright.
4:44:53Let me this one here. Dbt generated content doesn't work anymore. What's
4:44:58Okay. Maybe less. Maybe here.
4:45:01Alright. So we got it, guys. Um, command s.
4:45:05And look how much time it took us to find the right work like, the the right flow for this little scene. Right? How to start DVT and then doesn't work anymore.
4:45:16Now what I'm gonna do is add more lines, and then for these, uh, text box that says, uh, how tos, look what I'm gonna do.
4:45:25Tips, how so, like, from the starting of the curved line. Okay? So from here, maybe a little bit more.
4:45:33Like, right where when it's going to appear, I'm gonna do the smooth typewriter to the how to's.
4:45:42Okay? So I'm gonna drag and drop into the how tos and look at that.
4:45:49It's how tos or if Oh, nice.
4:45:53Even chat dbt generated content.
4:45:57And then I'm gonna do the same, but I'm gonna I need to connect I need to connect those two.
4:46:03So here, how to's so from here, I I need to create another line.
4:46:11So I'm gonna grab the I'm gonna don't don't select anything here. So I'm gonna lock these dots.
4:46:19I'm not going to select anything, and I'm gonna grab the pen tool and create a thing from here to here. It's gonna be a big line, but anyways, don't worry.
4:46:32We're just gonna make it smaller.
4:46:36And then we're gonna do it like the dashed. So I'm gonna call it just vertical line for now.
4:46:44Vertical line. And then I'm gonna add, like, the I could have just copy and paste this one, but this one is curved line, and this one is gonna be, like, straight.
4:46:55So, why do we have two shapes? Stroke, and then we're gonna add a dash and a round cap and decrease the stroke a little bit Make the distance a little bit bigger.
4:47:27Select here. Select here. Okay.
4:47:29I like those dashes are good. Perfect. And now I wanna animate that.
4:47:35So we go to trim path. We go to add trim paths.
4:47:41And then on trim paths, we wanna do a key frame on end zero.
4:47:49And then right here, it's gonna be at a 100. But whenever it starts here, okay, it's gonna be parented to the red background.
4:48:07Red background. Okay.
4:48:10I hope that was not really confusing, but you guys get the point. Perfect.
4:48:15So How tos or even chat DBT generated.
4:48:18Okay. Now that vertical line is gonna be below the text boxes.
4:48:25So at least the second one and the third one. So here.
4:48:29K? And then we're gonna hide that, and we're gonna hide everything else.
4:48:36And then we just do this. Tips, how tos, or even chat dbt generated content. Alright.
4:48:43Awesome. Quick tips, how to's, or even chat dbt generated content doesn't work anymore. What's
4:48:51Okay. I like it. I like it.
4:48:53Now for the null object, I want to maybe do this here. And then for the background, do this here so it it's a better movement.
4:49:02So let's see how those How tos or even chat dbt generated content doesn't work anymore. What Okay. Maybe not so early.
4:49:11Alright. And then we we just need it says, like to generate a content. Like, here, we want to go with a smooth typewriter two d doesn't work anymore.
4:49:24So smooth typewriter, drag and drop it here, and then click you because I want this one to be not so fast.
4:49:37Content doesn't work anymore.
4:49:39You see, it's pretty fast for the thing. So just gonna just gonna do it here and do it here.
4:49:47The content doesn't work anymore. What's Okay.
4:49:51Awesome. So we have the scene, okay, or the segment ready. Okay?
4:49:56So I know that took some time, guys. Uh, I know that it takes some time, but it is what it is. Okay?
4:50:02I I I like the progress. I I feel like we're making some good and huge progress so far. Again, at the very like, if you're a beginner, it this is gonna feel overwhelming, but as you see how to do things, you can implement that to your own edits.
4:50:17You can have your own creativity. And you here, we're just piecing some things together, and I'm trying to do it in a way where I'm where I'm teaching you guys, like, all the stuff that I know about all After Effects. So I'm going to just show you how the everything is looking like.
4:50:34Basic content is dying, but let me actually tell you why that is good news. Based on the LinkedIn expert Justin Welch, posting generic content like quick tips, how to's, or even chat dbt generated content doesn't work anymore. What's work?
4:50:48Okay. Awesome. I I like it, to be honest.
4:50:52I like it a lot. Now, um, we're gonna on the next, um, segments, we're just gonna be editing this little text, and then, uh, we're gonna be editing this animation as well with three d cameras, which is gonna be really, really cool.
4:51:07So I will see you on the next one.
4:51:12Okay, guys. So welcome to this segment. And in this one, we are gonna be editing, as you can see on, you know, little drawing here.
4:51:20We already edited this one in the hook. Took took some time. I'm not gonna lie, but I think we're learning some good stuff here.
4:51:28Now we're gonna edit this segment here. It's just simple with some simple words, and this one is gonna be important because we're gonna be learning three d cameras. Okay?
4:51:38I wanna show you, like, how to use three d cameras and how we can make, like, cool animations using those as well. So, um, something that I noticed, guys, is that I just need to make this null object.
4:51:52Okay? I just need to trim it and I need to trim the, um, the vertical the vertical line as well.
4:52:01The same here. Forgot to do that, uh, on the previous segment. And something that I forgot to do on the previous segment is to apply some effects to these generic content, to the box, to Justin Welch.
4:52:15Okay? So we're gonna do that really quick. Okay?
4:52:18The way we do it is the same. Okay?
4:52:20So I'm gonna, uh, try to search for drop, um, shadow, but we had, a basic.
4:52:28Okay. I have a basic drop shadow here, but we also have the the glow shadow that we created.
4:52:35So the basic glow shadow, I'm going to apply it to the generic content. Okay.
4:52:41So that's right there. Okay? Now we can do it wide.
4:52:45We can do it, um, we could do it even here as well.
4:52:52Okay? So maybe I'm gonna just leave it like that. And I could also do, like, the turbulent turbulent.
4:53:02So so we have the basic turbulent, um, displays basic turbulent effect.
4:53:09I'm gonna drag and drop it to the generated content. Okay? I could increase it a little bit, um, here if I wanted to just to make more of a of an effect for that text right there, but I'm going to leave it as it is.
4:53:28So somewhere like this. K. You can play around with that.
4:53:31And I'm gonna also drag and drop that to the text boxes.
4:53:37Okay? So the first text box, I'm gonna do some turbulence on this place. Okay.
4:53:42Let me fit this again. For the and for Justin Welch as well. So Justin Welch, some basic, and for Justin Welch two, and for, uh, for the dot grids maybe as well.
4:53:58Okay? So let me see how that looks.
4:54:02Posting generic content K. Like quick tips, how
4:54:08Let me do it again, but from here, just to see how Justin Welch looks.
4:54:13Based on the LinkedIn expert Justin Welch, posting generic content like quick tips.
4:54:18Okay. It looks pretty pretty cool. I don't know if you were able to notice, but it it looks pretty pretty cool on on Justin Welch.
4:54:27I'm just going to increase the amount a little bit to, like, 14. Okay.
4:54:34And the same here. So 14 and the same here.
4:54:3814. Okay. It's this one is locked, so I'm gonna unlock it.
4:54:42And oh, okay. I couldn't. That's why.
4:54:46Alright. So 14. Okay.
4:54:50Let me see. Based on the LinkedIn expert Justin Welch, posting generic content like quick tips. Okay.
4:54:57I like it pretty much. So now I'm just gonna also do like, I applied the the triple in this place.
4:55:05I use it a lot for, like, for for almost a lot of elements.
4:55:12I I I wouldn't suggest overusing it.
4:55:16Okay? Don't overuse it, but it's a really cool effect that you can use on your animations just to, you know, just to give it more life. Um, in fact, I want to show you guys now that we're talking here about let me let me put this one to the text box two and the text box three.
4:55:34Now that we are talking here about on the vertical line. About effects, I want to show you a list that I created.
4:55:42Okay? So, uh, I created this list on Notion, and, basically, these are Adobe Premiere and After Effects' best effects. So vignette effect, gaussian blur, grid, crop, flip, unsharp mask, basic three d lens distortion.
4:55:59All of these, like, are are the ones that, you know, I like the the most.
4:56:06There are more than this. For sure, there are more than this. And in this list, I also, like, did or created, like, some useful tips and shortcuts.
4:56:16Okay? So on Premiere Pro, I didn't put many on After Effects.
4:56:20We have some shortcuts here. I forgot to mention this at the very beginning, but anyways, I I we also have some tips.
4:56:27So for Premiere Pro, we have some tips right there and for After Effects, we also have some tips. I'm gonna leave this on the description.
4:56:36Okay? Because there are ways to animate text, there are ways to animate numbers that I'm I am not sure if I'm gonna mention here on the tutorial so I'm gonna just leave that list so you guys can have it.
4:56:50In case you're wondering like what are the best effects that I can use and all that stuff, this is the list for that. Alright.
4:56:59Perfect. So as we are going here, there's another one for this one.
4:57:05Okay. So basic turbulent displace for that doesn't work anymore. And, also, the glow.
4:57:11So, basically, I can go to generic content, copy, and paste that to this one.
4:57:20Paste. Drop shadow. Okay.
4:57:23Awesome. So this will you guys are gonna see whenever we render this, it's gonna look pretty solid.
4:57:30Okay. It's gonna look pretty solid. So everything is on point right now.
4:57:36We're just gonna leave it like that, and we can continue here. Okay?
4:57:40We can continue. Let me just save this. Again, I forgot to do that on the previous segment, but, anyways, we now can go ahead and continue.
4:57:47Now take a look at this. I've done a zoom out here, and then we haven't done any zoom ins or zoom outs to the original video, to the footage.
4:57:58So what we can do is we can do a zoom in, small zoom in whenever I say the word essence, essence, okay, for this segment.
4:58:08But before we actually go ahead and start working on that segment, let me go from the shadow to the okay.
4:58:15Let me deactivate this. Let me go from the shadow to the null objects, so holding shift.
4:58:24Let me hide all of those, so toggle switches and modes.
4:58:31Go here and hide pretty much everything. Okay. And then I'm going to select essence all the way to the gem, so holding shift, and I'm gonna bring those up.
4:58:46Okay. Just before I hide everything just before I hide everything, um, I'm noticing that I wanna do, like, the same VinET and noise effect to this background.
4:58:59Okay? So we are going to recycle this vineyard and this grain.
4:59:08So I'm gonna select grain first and then command and then vineyard. I'm going to duplicate them. Okay?
4:59:15And I'm going to move them right okay. This is gonna get tricky.
4:59:22Right on this one here. And I'm gonna go back and align those with the segment that we are gonna be working on, and then align those here.
4:59:35Okay. Awesome. So, uh, we now have, as you can see, the little grainy effect and the vineyard.
4:59:42Alright? Perfect. So with that, um, since I duplicated them, I just need to unshy them.
4:59:50Alright. And then I can if I'm not mistaken, we can shine everything right now.
4:59:56So we only have the this text. We're gonna be animating, and then we have the other background and the other elements for the next segment.
5:00:07Okay. Awesome. So let's go ahead and work on that little text.
5:00:11So there's gonna be an overlay here. Okay. Boom.
5:00:13Overlay, and then we have this. So, uh, let me play that. What's working right now is essence.
5:00:20Now Okay. So I'm noticing that where I say essence, I can do a zoom in. Now is
5:00:27Okay. Working right now is
5:00:30Okay. Essence. Alright.
5:00:32Perfect. So somewhere here, I can go ahead, and I have created a preset which is called a small zoom in.
5:00:42Okay? So I'm just gonna drag and drop that one here, and I'm going to drag and drop that one to the rotoscope version.
5:00:51Remember to do the same zoom ins and zoom outs to the rotoscope version. Okay?
5:00:57I'm gonna click u and u so I can see those keyframes, and now I can adjust it accordingly.
5:01:03In right now is essence. Now let me act Okay. As you can see, we can move them
5:01:09a little bit. Right now is essence. Now let me actually tell you okay.
5:01:14I think it's pretty good that way. So we're just gonna leave it like that. And now we want to animate the word essence, which guess what?
5:01:22I'm gonna use the typewriter effect. Okay? So smooth typewriter, the one that we just created before.
5:01:30The plate head is here, so it's gonna be applied right there. It's essence. Now let me Okay.
5:01:35I think the timing is pretty, pretty solid. I like it. So essence but the only thing is that this essence text is not parented to the original video, so it's not scaling proper properly.
5:01:52Okay? So I'm gonna go to the very last keyframe because this is the size that I want for this text at this point in time. So I'm gonna grab the grab it and just parent that one to the video.
5:02:07And as you can see now, I'm doing the small zoom in, but the text is following along. Okay?
5:02:15Boom. It follows. Perfect.
5:02:18And it it looks pretty good because it it it almost seems as as if the text is like, stick to the background. Right? Or is part of the background as you guys can see.
5:02:29Awesome. Now, um, with that, I also wanna make this text, um, bolder.
5:02:35Okay. And I also want to apply some effects to this text. So where is the glow?
5:02:42Basic glow. Basic shadow glow.
5:02:46Basic glow. Okay.
5:02:48This one. Alright. Perfect.
5:02:51Looks pretty good. And then why not some turbulence this place? Turbulent effect to that one.
5:03:01Alright. Perfect. Uh, increase it to 14, and it looks way better.
5:03:10Okay. Awesome. Now, uh, with that, I'm gonna save that, and we can move on to the the the three d cameras.
5:03:19Okay. This is the segment that we want to start working on. So for this one, look what I'm gonna do.
5:03:25We already used the background, a normal solid background. Right? So I wanna change things a little bit here.
5:03:32So I'm going to duplicate the background and I'm gonna create a grid for the background. So look. Just grid and it's this grid here.
5:03:42Drag and drop it to the duplicated background. We create some grids. We change here where it says the size form, uh, or the size from with and hide sliders.
5:03:55We then can move them as we want, like the size that we want, maybe like that.
5:04:10Yeah. I think this is pretty solid. We could even make them bigger.
5:04:17Oh, no. Actually, I like the okay.
5:04:20I like the size, and I can decrease the opacity.
5:04:27I don't know. Somewhere like 25 maybe.
5:04:31You can play around with this as you wish, but we now have, as you can see, a grid background.
5:04:38That's how we create a grid background, guys. And we can even we can even apply some turbulent turbulent displace turbulent basic turbulent effect to either the we can apply this to anything, but for now, we're just gonna apply it to the grids.
5:04:59So the grids are gonna have that little movement, and I can increase that so it it's more noticeable.
5:05:08Maybe at six. Okay.
5:05:12Seven and fourteen. Let me see if that is no noticeable.
5:05:16When you overcome a challenge or you solve a problem Okay. We can see the turbulent displace.
5:05:23We can even do that to the crane.
5:05:35When you overcome a challenge or you solve a problem in your life, you gain genuine expertise and Right now, we just
5:05:43almost only see it on the grids, but even we like, we can increase that on the grids. So if I if you increase here the size okay.
5:05:55We can decrease this and increase the size. So I think it's gonna be better.
5:06:03When you overcome a challenge or you solve For the grid. Okay. But, anyways, for now, we're not really working on the effects, so I'm just gonna deactivate them.
5:06:12Okay. I'm not gonna deactivate the grid. And then for this text, remember, we want to deactivate the effects so After Effects is not laggy.
5:06:21Don't worry. We're gonna reactivate everything at the end.
5:06:24Okay? I think I didn't deactivate the effects for Justin Wells and those guys, but we're just gonna leave it like that.
5:06:32Okay. Awesome. Now let's get into the good stuff.
5:06:34Three d cameras. So, basically, for this segment, we want, um, the profile picture is gonna move move from zero to one k.
5:06:43The icons will represent how I did that and then another three d camera showing the XB and the insides. So let's work on that. Uh, the first thing I wanna work on is the zero.
5:06:57So I want to make that smaller and the r the I wanna center the anchor point.
5:07:05Go back and maybe it could start somewhere here.
5:07:11Alright.
5:07:13Maybe make it a smaller zero and then the one the same for the one k.
5:07:18So I'll select the one k, make it smaller, and it's gonna be somewhere here.
5:07:28K? Definitely, definitely playing Call of Duty is way easier than this is, but this can build, um, this can build a life for us, the life that you want, guys.
5:07:40We start with a small scale, and you improve. You can make some money.
5:07:45You work with clients. You can then even scale far farther. Just like me, I created the products.
5:07:51As you can see, the info products, and, uh, you can create another stream of income.
5:07:56So life is literally a video game where you just need to learn some stuff by investing time in tutorials like this, and then you can get good and you can get paid and you can work from home.
5:08:09And, bro, it's it's pretty cool. It's pretty cool, to be honest. That's the reason why I'm doing this because I wish I had like this tutorial when I started.
5:08:18So let me go back and grab the line. Yeah. Just some thoughts from myself right there.
5:08:25So I want to move the line. And now let me see. Because this line, we can put it here, but I want my profile picture to move alongside the line.
5:08:39Okay. So I can make this profile picture even smaller. Oh, what did I do there?
5:08:48Just command z. You know, you gotta be careful with these things because they it's again, it's a little bit complicated. Um, just gonna take Capcut and Gumroad and move those guys a little bit here.
5:09:02Okay? Because yeah, then the line gonna grab it again.
5:09:08You see, why is Gumroad, like, so I don't I'm gonna just hide Gumroad, to be honest. Grab the line.
5:09:17Oh, now I'm grabbing the okay. Select it here. Bro, what is going on?
5:09:23I just want to can I lock these things? I'm gonna lock the Vineth, the background, everything. I'm gonna lock everything because that can happen where you just wanna drag one thing, but everything else follows.
5:09:35And I want to make that okay. Be careful with this one, with the line because the line is a little bit tricky.
5:09:44If I hold shift, you can see. Right? It's it's a mess.
5:09:48So I don't wanna hold shift. I just wanna, um, literally just make it bigger.
5:09:53Like here. Okay.
5:09:58Awesome. Yeah. That's all I wanted to do.
5:10:00Thank you. And then I'm gonna take the profile picture, and we're gonna animate it this way.
5:10:11But okay. Because I could have animated this, like, here, but it's better to go from here to this.
5:10:23And then these icons are just gonna slide up. So let's just start with these little icons for now. So let me reactivate Gumroad, go to CapCut, and what I wanna do is I wanna show them here.
5:10:36Boom. And I can even make them smaller in a sense where I'm just like, as as this picture is, like, going through this line, these icons are going to appear one by one like this.
5:10:52Boom. Boom. Boom.
5:10:53Boom. So this one is gonna stay in this little square. The Instagram reels, I'm gonna make it smaller because it will also go to this little square right here.
5:11:07YouTube, we gotta do the same that one. So here and then Gumroad.
5:11:15I don't know why it's so big, Gumroad, but anyways, put it on this little square right here. Okay.
5:11:25So they're gonna slide up, and the way we do that is by look what I'm gonna do.
5:11:31Okay? Uh, in order to do them all at once, okay, I'm gonna select all of them. All of them.
5:11:40I'm gonna click p. I'm gonna create a key frame on p for every one of those because that's the final position I want them to be. I'm gonna move here.
5:11:54Somewhere here. Okay? And then I'm going to create another keyframe.
5:12:02Okay? I'm just gonna drag everyone. I'm gonna hold shift.
5:12:07K? So I can drag them, like, horizontally. Just gonna drag them out of the frame.
5:12:16That's it. Okay. That's it.
5:12:18Now these objects are gonna be all of the all of the objects on the scene are gonna be three d objects, but we are just positioning everything right now. So we'd like, we don't need the three d objects or activate the three d option just yet.
5:12:36Okay? We're just going to, uh, animate everything normally, and then once we play around with the three d cameras, that's when we convert everything to three d.
5:12:47And if we need to make some adjustments, we will make some adjustments. Perfect. So, uh, we do it here.
5:12:55Okay. The window is closed. I thought it was opened.
5:12:58But we do this here where When you overcome a challenge or you solve a problem in your life, you
5:13:05Okay. So yeah. Somewhere here.
5:13:07But, obviously, not all of them are gonna appear at the same time, and they are very slow as you could see. Okay. Capcut is gonna be the first one to show up, then, uh, Instagram.
5:13:19Okay. Then oh, by the way, before I do that before I do that, I think I can grab them all and I'm gonna f nine them.
5:13:31Let me see if I can go to the graph editor and just select everything and then make it like this.
5:13:42Okay. And then make this one like this.
5:13:49And then if I go here When you overcome a challenge or you solve a problem in your Okay. Awesome. So we can do it all at once.
5:13:58You see, we could also have, like, applied the sliding up effect, but or preset. You can also do that.
5:14:06But, you know, sometimes when when I'm working with several icons, I just prefer to do it this way. And then I just grab them, you know, this way, this way, this way,
5:14:18somewhere like this. Let me see. When you overcome a challenge or you solve a problem in your life.
5:14:25Okay, maybe we need to do this here, do this here, maybe a little bit slower.
5:14:33When you overcome a challenge or you solve a problem in your life
5:14:39Okay. I think I like it. Think I like it that way.
5:14:44Maybe I can even do it here.
5:14:50When you overcome a challenge or you solve a problem in your life, you When you overcome a challenge or you solve a when you overcome a challenge or you solve a problem in your life, you Okay.
5:15:10Awesome. I like how it looks. I'm just, you know, playing around with it.
5:15:14And now, guys, what we can do is we can play around with the
5:15:18profile my profile picture and the line. Okay?
5:15:22So the profile picture is gonna go from there. So I can hide everything, by the way, here. So don't select anything.
5:15:29Click p. It's gonna bring the position for everything. Just click p again.
5:15:34There you go. Now I'm gonna grab Pablo, and I'm gonna click p on Pablo, and I'm gonna create a position.
5:15:42That is gonna be the initial position, and then I'm gonna go here. And I really wanna know where the other thing ends. Okay.
5:15:52So what? No. It's not necessary.
5:15:54So I'm just gonna grab Pablo and move it here. K? So Pablo is gonna move there.
5:16:03And then, obviously, I want to ease this in, and this one is gonna move a little bit differently where it's gonna be slow at the beginning, slow at the end, but in the middle, it's gonna, like here in the middle, it's gonna, like, move fast.
5:16:21Alright?
5:16:23So let's take a look at that. When you overcome a challenge or you solve a problem in your life, you Okay. See how
5:16:31Pablo is static at the very beginning and then it can it it moves. Right? So it I don't I don't really like to be it this way.
5:16:40Like, I want Pablo to be in motion before the animation even starts.
5:16:45So in order to do that, and sometimes you wanna do that, we will do it with a three d cameras you're gonna see, but I'm gonna just take this keyframe, and I'm gonna move it a little bit here before the animation starts. So whenever the animation or the segment starts, Pablo is gonna be already in some motion. Okay?
5:17:04So as you can see let me make this bigger.
5:17:07What that means. When you overcome a challenge or you solve a problem in your life, you
5:17:14Okay. Awesome. As you can see, maybe these people won't understand too much about this.
5:17:22Okay? Maybe people won't won't really understand, like, with what this is about.
5:17:29But, anyways, I'm just gonna leave it like that. Okay? Maybe maybe people, like it's a little bit, obviously, hard to understand that I went through CapCut, Reels, YouTube, and Gumbroad in order to, you know, uh, be able to how can I say this?
5:17:45Like, achieve that result, if that makes sense.
5:17:49But, you know, it's it's pretty good to have it there, so it's it's totally fine. Alright.
5:17:55Um, so we do this here, and now the line look what's gonna what I'm gonna do with the line. So the line, I'm going to open that one, and I'm gonna add a trim path. And it basically works the same where I wanted to, uh, just to create a keyframe here and bring it down to zero and then go here and bring this to a 100 and then ease those in with f nine.
5:18:27When you overcome a challenge or you solve a problem in your life and
5:18:32this needs to be, like, the same framing of the actual Pablo profile picture. So they kinda need to move in a similar way,
5:18:43and they all like, it also needs to start somewhere here. Okay. Let me see.
5:18:48Tell you what that means. When you overcome a challenge or you solve a problem in your life, you gain
5:18:54Okay. Perfect. So I'm moving from, uh, zero to one k.
5:19:00Okay. So I don't know. Like, I feel like everything is a little bit separated right now.
5:19:08Like, it's it's a little bit separated, but it's fine. We're just gonna leave it like that. Okay?
5:19:14Maybe what we could do here or what I mean by that is that the one the zero and one k, I really want them to be, like, closer to the line because that's the whole point, right, to represent that I'm going from zero to one k. So I'm gonna move that. Okay.
5:19:30I'm gonna move them here, and I'm gonna make them even smaller. Not not so small, not so small, but maybe smaller.
5:19:39And then somewhere here. But the one k okay.
5:19:45So the I think the zero is gonna be smaller than the one k, but here's the thing. I don't like, this is what I don't like. Right?
5:19:52Zero one so I'm just gonna undo that.
5:19:58Zero. Okay. I can make the I like it.
5:20:04So zero, one k. Okay.
5:20:08Maybe I can do the one k even just a little bit smaller. Let me undo that.
5:20:20Okay. Hold shift, smaller and then move it.
5:20:24This is what I mean. So I'm gonna go here because it's getting so position it's actually here.
5:20:36Why isn't the okay. So sometimes this won't work.
5:20:45Okay. There you go. One k.
5:20:49Maybe the one k is went a little bit smaller than I thought. Yeah. I'm taking some time here, but I really wanna just show you guys, like, how to do this the right way so the one k is not very small.
5:21:05Okay. Now the zero, we can take it just a little bit to the top.
5:21:12Just align it with the one k. Alright. There we go.
5:21:17Let's just leave it like that. I think I overcomplicated that. Guys, you don't wanna overcomplicate things.
5:21:22Don't worry. Now let's let's actually talk about three d cameras now because we are excited for that.
5:21:28So for three d cameras for three d cameras, what we wanna do is well, before we do that, let's let's animate these icons. I think that that would be more important.
5:21:38So for example, if I play here When you overcome a challenge or you solve a problem in your life, you you gain so somewhere here, the XP icon and the I'm gonna I'm gonna make them smaller.
5:21:55The gem icon also smaller. You guys are gonna see why because we're gonna be creating a camera. We're gonna be zooming in the camera so these icons would would be pretty visible.
5:22:06So I'm gonna I'm gonna take this icon, and it's gonna slide from here. Okay?
5:22:11It's gonna slide, and the gem is gonna slide there as well.
5:22:17Okay? It's right there. The XP, maybe I can take it to the very okay.
5:22:23Perfect. So I'm gonna take the SP and the gem. Okay?
5:22:28And I'm gonna bring the position. And, again, just like we would did before with the with the icons, I'm gonna create keyframes.
5:22:36So those are gonna be the final keyframes. And then I'm just gonna take them oh, let me undo that.
5:22:43Here. Okay? And then I can f nine those, and I can go back here, and then we can do what we did with the previous ones.
5:22:59Alright. Yep. Something like that.
5:23:00Perfect. So they are gonna appear Live. You gain genuine expertise and insights.
5:23:05Okay. So expertise is before insights. You gain genuine expertise.
5:23:13You gain genuine expertise and insights.
5:23:16Insights should be like here.
5:23:20Gain genuine expertise and Okay. Maybe here. You gain genuine expertise and in
5:23:27Expertise and insights. You gain genuine expertise and insights. Alright.
5:23:32Awesome. I just noticed that we can do the same for CapCut. I didn't I didn't do that where I didn't move the initial keyframe.
5:23:40So for cam cap cap cut gumroad and all those stuff, I'm gonna click p, and I'm gonna move these things here, okay, just a little bit so it looks just better.
5:23:52Everything is not coming, like, at the same time, but just one by one. You see?
5:23:57So, uh, let me click away, click p on everything, click p again and
5:24:03see how that looks. When you overcome a challenge or you solve a problem in your life, you gain genuine expertise and insights.
5:24:11Okay. Awesome. You guys are gonna see how this looks.
5:24:14Alright? By the way, you guys are gonna see how how it looks with the three d cameras and and pretty much everything. So, um, I'm gonna bring the, in this case, I'm gonna everything is animated.
5:24:26Right? Everything is animated as we want. So so so so we could even do some animation for the one k where it goes like, it start to go from I think we can do that, guys.
5:24:40By the way, this tutorial, again, is is is looking pretty long, but I want to show you how to animate a number.
5:24:49Okay? Because I think it's important for your video editing journey as well.
5:24:54So we're gonna take that number. We're gonna just type like, what we can do here is let me see.
5:25:07Let me see. Let me see. Let me see.
5:25:09Let me see. Let me see. Let me see.
5:25:11Because this is gonna look cool. It's gonna like, it's gonna look pretty good. Uh, let's animate the the one k.
5:25:19Don't worry. Let's animate it. K?
5:25:20So how do I we animate a one k? So this one k will go from zero or from some random number, and the number will start increasing until it says, like, one k.
5:25:31Right? That's the that's the animation we wanna do. So if we go to the notes, that's why I have these notes.
5:25:37They are so important. It says, animating numbers. Drag the slider control effect to the text.
5:25:43Go to text and grab source text pick whip to effects as I know this is confusing, but we're gonna do it so you're gonna see. So drag pick whip to effects, slider control slider, then on text, short text, add this expression, and then we add the expression.
5:26:00Okay. We're gonna add, like, also dollar signs and comas so we can actually do the $1,000 effect.
5:26:10So in order to do that, again, so it says drag this slider control effect to the task. So we are gonna drag the we're gonna go here to effects, and we're gonna find the the drag slider.
5:26:27Is it what was the name? Drag the slider control.
5:26:33Oh, slider. So slider slider control effect.
5:26:40Okay. So we are gonna drag that one to this text, okay, to the one k because that's the one we want to animate. And then it says, um, go to text and grab the source tech pick pick with to the effects.
5:26:53Okay. So go to text. Alright.
5:26:56Go to text. Alright. And then it says, on source text, we need to drag this pick whip, okay, to the effects, to the slider control slider.
5:27:08So I'm gonna do that. Boom. Okay.
5:27:12Perfect. Now, um, it says then on text, source text add this expression.
5:27:19So we need to add this expression. So I'm gonna copy. K.
5:27:24Command c. And then it says then on source text, on the expression.
5:27:32Okay. So we go here. We delete that, and we just copy and paste this.
5:27:40Okay. Perfect. So now we have a $0.
5:27:46But look what I'm gonna do now. Look what I'm gonna do now. I'm gonna go to the slider, and I'm gonna create a key frame on the slider control.
5:27:58Okay? Not on text. I'm a hide text.
5:28:00On effects, on the slider control, on the slider, I'm gonna create a keyframe.
5:28:05Okay? It's gonna be zero, but that is gonna go from zero to one k as the time goes by.
5:28:16So somewhere here. Uh, so here, I just type 1,000.
5:28:231,000. So as you can see, we are going from zero to 1,000, baby.
5:28:34K. So it looks pretty good. It looks amazing.
5:28:41So yeah. I like, we we can start from zero or we can start the first keyframe from whatever number we want. Okay?
5:28:50We can start up from whatever number we want. Why am I saying this? Why am I saying this?
5:28:55Because because sometimes these numbers can look like pretty like very fast.
5:29:03Let's actually take a look at how fast they look.
5:29:07When you overcome a challenge or you solve a problem in your life, you gain. Okay.
5:29:13So you see, we need to make this one a little bit more here, and then it's gonna start from yeah.
5:29:20It's gonna start from a $145 just because yeah.
5:29:26I don't want them to go so fast. And then what I can even do, I can ease these things. So f nine and then so f nine.
5:29:36And then if we take a look at that,
5:29:39when you overcome a challenge or you solve a problem in your life, you okay. So the reason why I'm I'm easing these things is because
5:29:48let me go back here. So I'm I'm gonna select them. I want the 1,000 to come up slowly.
5:29:55Okay? So very slow. Um, so in order to do that, I'm gonna go to the graph editor, and I I want to do this here.
5:30:05K. So it's gonna be slow.
5:30:10And there we go. So go here. Alright.
5:30:13And then means when you overcome a challenge or you solve a problem in your life, you get Okay. So I'll let it be here. And then I can even take this key from you, just put it somewhere here
5:30:25so the numbers don't look as fast. Tell you what that means. When you overcome a challenge or you solve a problem in your life, you gain.
5:30:34Okay. Awesome. I think that's pretty good.
5:30:36Actually, tell me what that means. When you overcome a challenge or you solve a prob I can even take it even farther, guys. So, the numbers are not as fast.
5:30:46Take a look at this. What that means. When you overcome a challenge or you solve a problem in your life Okay.
5:30:54Oh, I I keep clicking p. But Okay. Where were we?
5:30:59So on the text, click you.
5:31:05Okay. So here we were. I can take this one and maybe drag it a little bit here because as I get there, the 1,000 appears.
5:31:15Okay?
5:31:16Home a challenge or you solve a problem in your life, you gain genuine expertise and ins Okay. Awesome. So I'm gonna just pause this video really quick.
5:31:26Just gonna take a break, and then I'm gonna continue with the with the three d cameras because now everything is in place.
5:31:33Okay?
5:31:38Okay, guys. So just as a quick note, uh, when you feel ready, only when you feel ready, here's how I can help you. Okay?
5:31:45So beginners, you can join the free community. Okay?
5:31:48So beginners is people who are just learning the skill, you're loving the tutorial, you feel like you want to learn more, you feel like you want to be part of a community where people can give you feedback and you can ask questions to other people and stuff like that, you can join my free Discord community. Okay? It's called and I'm gonna just disable this.
5:32:07It's called Momentum Community, And as you can see, we have several chats for several things.
5:32:12Okay? So announcements, uh, whenever I upload something to YouTube, you can introduce yourself, the general chat, uh, edits review, so you send your video here and people can review it.
5:32:23You can ask questions. You will find job opportunities as well created by other people. Um, you can find challenges, and sometimes I do life calls.
5:32:32Okay? I used to do more life calls before, but now I can do, like, one one life call a month, okay, or something where I explain, um, the online ecosystem or I explain other stuff.
5:32:43And so you can join there and ask me questions. Uh, there will be also tools and websites so you can find tools for videos, for images, for music, for sound effects, icons, logos, fonts, text converter, all these things.
5:32:57Right? You can find tools and, um, then some, like, the the editing assets as well, the links to those.
5:33:03You can also find raw footage, uh, a raw footage folder that you can go and download some videos so you can practice. Right? And it's a free community.
5:33:12You again, you can join with the link on the description. The that's more for beginners. Okay?
5:33:17Now if you're a little bit more advanced where you practice more and you want to get personalized feedback from me, maybe you have a couple clients, uh, and you want to maybe you get a a couple clients, but you want to, like, improve your skills or build your own ecosystem or build a better service that you can charge more or just get more personalized feedback from me where we can sit on calls one on one, then you can book a call.
5:33:43Okay? But again, spots are limited. I don't take every call.
5:33:47I I you you'll find a form. Okay? With several questions.
5:33:51And depending on those questions, just go ahead and be honest because if you can afford a one on one, that's really fine. Just continue practice, continue getting, like, a couple more clients, continue your own journey. That's really fine.
5:34:03But if you have clients, if you can invest, you can fill the form. I will have the call with you just to see if we are a good fit together to work together and if I can help you so we can have the one on one call. Okay?
5:34:15You can also buy the online ecosystem course, which I'm gonna build after this tutorial. I'm gonna start working on that and you guys can also get that. Uh, and for coaches, so if you're a coach, alright, if you have a consultant or something and you're looking for a video editor, you're looking to do high quality edits, then I can help you in two things.
5:34:34I can help you build the online ecosystem, and I can help you get a good video editor, uh, for your brand. Okay?
5:34:42So you will have high quality edits with a video editor that understands your messaging, your brand, your vision. Okay?
5:34:50I have students who are really good and who understand my vision as well. So I can help one for you, and I can personally help you with building the online aka the resources.
5:35:02Remember here, the here's this is the online ecosystem where we have the values, we have the foundation, the implementation, we have your knowledge and all your things, your personal app, and then that's how you create a stuff that you can then sell.
5:35:16Okay? But we gotta be clear for our audience to understand all of this, and, uh, that's how I can help.
5:35:22So, yeah, that was just a quick note. We can continue with the tutorial.
5:35:30Okay. Perfect, guys. So let's actually continue with the three d cameras, and I'm going to look what I'm gonna do.
5:35:37Okay? I'm going to not select anything here. I'm going to right click here on this little space because it's getting crowded, and I'm gonna create a new camera.
5:35:51Boom. So camera one. Okay.
5:35:54It's just gonna be camera one. You just you don't really need to change anything, and we're gonna click okay.
5:36:02Okay. Camera and lights do not affect two d layers. Select a layer and choose layer three d.
5:36:08Okay. They are just, you know, just a small warning.
5:36:12Don't worry. And we're gonna make that camera the same length as the, obviously, the segment that we are working on. Make sure it's the same length.
5:36:24Okay? Because if not, we're gonna have some problems. Not problems, but it's gonna look weird.
5:36:30Um, Alright. So we have the camera.
5:36:34Nothing has changed. I'm gonna grab from these, um, so I'm gonna unlock these things.
5:36:41Unlock. Unlock. I'm gonna grab from here.
5:36:44Okay. Not the original background is not necessary, but from here, and I'm gonna grab all the way to the gem.
5:36:52Okay? So all the way to the gem. And I'm gonna convert those into three d objects.
5:37:00Okay? Awesome. Everything is normal.
5:37:04Okay? Now what I'm gonna do is I'm gonna go to the camera. I'm gonna right click the camera.
5:37:09I'm gonna I'm gonna create, um, where is it? So camera.
5:37:15Okay. I'm gonna go to camera. I'm gonna create an orbit null to the camera, and that null, it's also gonna be the same length as the segment.
5:37:26Same length here. Same length here.
5:37:30Okay. Awesome. So far so good.
5:37:33But now look what I'm gonna do. I'm going to go here to these options that we have here, and I'm going to actually oh, let me undo that.
5:37:46Wait. Wait. Wait.
5:37:47I did something there. You see? Yes.
5:37:50This thing, bro. Okay. After active camera.
5:37:53There you go. Okay? Now I want to this is what I wanna make.
5:37:58I want to make this a little bit bigger. Okay. So we can actually you you need to play around with this a little bit, guys, where you can see, and I'm going to just leave this one somewhere here.
5:38:14And we wanna try to look for the option that says I'm playing around with this. We wanna take a look at the option that says one view here because we're going to select two views.
5:38:30Okay? So one view is to the to the to the actual frame, like, how we're gonna see the animation.
5:38:38Okay? And the other so let me bring this back here. Okay?
5:38:43And the other view is where we can play around with the camera. Okay? We can play around with the camera.
5:38:50Now if yours doesn't look like this, just go to where it says here, okay, right next to to the left of the two views, and you like, here we have some options.
5:39:03Okay? We have front. We have left, so we can see the camera from the left from the top.
5:39:11Um, but right now, we're just gonna choose custom view one, and it's gonna look like this. Okay?
5:39:18Perfect. Now what I'm going to do is I'm gonna grab the orbit null, and I'm going to open by clicking b, I'm going to open the position.
5:39:30Okay? Is it the position? Is it the position or the or the scale?
5:39:35Okay. Anyways, I'm gonna select it and you see this thing here?
5:39:40Okay. These little arrows, those are the things that allow us, and we have a bunch of them.
5:39:47These are the things that allow us to do these things here. K?
5:39:53Move the like, move the the the camera in a way where we can see three things on a three d mode.
5:40:04Right? If I I'm just gonna undo that. If I do that for the y, I can I can, you know this is how we use three d cameras?
5:40:13I'm going to undo that. Uh, with, uh, with the z, we are not really scaling anything. We are just with the camera, we as you can see, we are moving through a space to actually give the look that we want.
5:40:27Alright? Now for this scene, what I wanna do is I wanna bring the I wanna make, like, a a a small zoom in.
5:40:36Right? I wanna make things, like, zoom in it slowly. So I'm gonna start from here.
5:40:42Okay? And since I'm playing with z, I need to open the property and okay.
5:40:51I'm I'm I'm actually gonna create a keyframe on position, so that is gonna be the position at the very beginning and then I'm gonna move it here and it's going to slowly go back.
5:41:06Okay? Slowly go back. Not too much to the point where is like we can see the the other background.
5:41:16Alright? Now if we want to avoid that, what we need to do is we need to go here and don't make these things three d nor the grain.
5:41:30Okay? Only if we want to avoid, um, that.
5:41:35Okay? Because we can go as long as we want here on this keyframe.
5:41:41We can go as long as we want, and it won't affect the background. Okay? Or we can go, um, small as we want, and we will affect like we you know, whatever.
5:41:54But in this case, I want the grids and I want the noise and I want everything to look like actual three d, so I'm going to make them three d. And I'm just gonna take on that keyframe. I haven't moved the plate head.
5:42:06I'm just gonna make it so it's not, like, it's not going out of frame if that makes sense.
5:42:14Okay? So this is just gonna be a small movement as you can see.
5:42:19Okay? And I'm gonna ease in those keyframes with f nine. Alright?
5:42:24And we're just gonna have that small small movement.
5:42:30Okay? I'm gonna take them here. By the way, again, if you hear any background noises, it's my family.
5:42:36So if if I go here, um, and then I can make that a little bit like this.
5:42:44Alright. And so it's gonna be a smooth one. And, again, I want these to be in motion before the animation even starts.
5:42:53So I'm gonna take this keyframe and just gonna make it like here. Okay? So you you guys start to see how it looks.
5:43:03Right? It's looking pretty solid. So if I don't click anything
5:43:07me actually tell you what that means. When you overcome a challenge or you solve a problem in your life, you tell you what that means.
5:43:16When you overcome a challenge or you solve a problem in your life, you
5:43:21Okay. Awesome. I'm gonna take that one here because I want everything to be When you overcome a challenge or you solve a problem in your life, you get I want everything to be in motion.
5:43:32Okay? What that means. When you overcome a challenge or you solve a problem in your Now one thing that I'm noticing is that the numbers are really on, like, here.
5:43:42Okay? I wanted to be I want them to be more on the center. So since the numbers don't have keyframes, I can just go ahead and move them.
5:43:51Okay? So move, um, this x here.
5:43:56I can move it. Okay. Somewhere here.
5:43:59Maybe. That's fine. And then I can take one k, and I can also move the x
5:44:05somewhere here. Alright? So let me see how that looks.
5:44:09Tell you what that means. When you overcome a challenge or you solve a problem in your life, you gain
5:44:15Alright. Awesome. And now I can make this one even even here, even farther, and this one here.
5:44:22And take a look what I'm gonna do. I'm gonna grab this one here, and I'm going to even make it I'm gonna zoom it in a little bit more, like, even more.
5:44:33Okay? Because remember, it's not gonna start from there. It's gonna start I can move it here where I can position the plate head to the very beginning of the of the segment, and then I can play around with this so I don't I don't cut my profile photo.
5:44:49I I wanted to be on a position where I like, and now it's gonna have some motion as we enter the segment. Tell you what that means. When you overcome a challenge or you solve a problem in your life, you.
5:45:01Okay. Awesome. So I like that.
5:45:04I really like I really like it. So now, um, we can go into the next scene. Alright?
5:45:11So the next scene, take a look at this. Or you solve a problem in your life. Here.
5:45:17Here is where I want the other, like, camera to start.
5:45:23Why am I saying the other camera? Because I'm gonna go ahead and create another camera.
5:45:28Alright? So I'm gonna right click, new, another camera.
5:45:32It's gonna be camera dot two, and then okay. And then I also create the same orbit null for that one.
5:45:42Before I trim those here and here, I want to play around with the position first. Okay?
5:45:48I want to play around with the position. So I'm going to open p.
5:45:54Okay? And I want this to be let let's play around with that one.
5:46:00So for this one, I wanted to zoom in. So it's gonna zoom in a lot, and then I'm gonna play around with x, but not too much.
5:46:15Oh, okay. So it's gonna go from okay.
5:46:19So this one, I have an idea. It's gonna go from, like, below to above, and it's gonna show the other icons.
5:46:26Okay? So for example, we're talking about one k there, so I'm gonna go from, like, somewhere here.
5:46:35I'm gonna create a keyframe on position, and then I'm gonna move it somewhere here, and I'm gonna grab that and move it to the top where we can still see my picture, the one k, and the, like, you know, experience and all these things.
5:46:55Now for those two things, okay, I'm noticing that they are I want them to be more on the center.
5:47:04So since they have keyframes I need to be careful with that so I'm gonna I'm gonna open the the p property so the position properties for the keyframes on this one and I'm going to like, select it and then holding x, I'm gonna move it a little bit more to the center.
5:47:27Okay? And then I'm gonna do the same for the gem icon where I just bring the p. I'm gonna move this here a little bit.
5:47:37Okay. I'm gonna go to the actual keyframe and I'm gonna move that one.
5:47:44Right. So holding shift here.
5:47:48Okay. Awesome. Now we've moved them the right way.
5:47:52We can hide them again, and we can go now to like, the the the thing here.
5:48:01I can f nine this. So f nine.
5:48:05And let's let me see how that looks. So we're gonna have here's the thing. Okay?
5:48:10The reason why we don't see the first camera is because we want this camera to start right here. Okay? The camera too.
5:48:17So I'm gonna trim it with option and then key and then option, the other key. And so you see how now we have the first camera.
5:48:27Okay? And this is the first scene and then the second one.
5:48:34Okay. You guys are just you guys are starting to get the the the point here, right, that we're trying to make. So I'm gonna trim those here at the end as well.
5:48:44So trim it. Trim this one. And now we can play around with those key frames as well.
5:48:53So I'm gonna play around with these key frames where I'm going to open the graph, and I want to do something like this.
5:49:02Right? So now I can also, before this camera starts, I can play around with the keyframes. The key here's the thing.
5:49:12The key point with keyframes and making smooth animations and three d cameras and movements is by positioning the keyframes the right way even when the the the segment or the animation or the or the camera starts.
5:49:28Okay? I'm not I'm not positioning the keyframe right at the beginning because if not, it's gonna look static first and then another one.
5:49:36Okay. Even though I could do it if you wanted to, I think it's it's just a better flow to do it in a way where it just starts way before the thing.
5:49:48Okay? So, for example, let's take a look at the whole animation just to see how it looks. Alright?
5:49:56So I'm just gonna bring back the one view,
5:50:01and I'm gonna click here, and let's see. Now let me actually tell you what that means. When you overcome a challenge or you solve a problem in your life, you gain genuine expertise and insights.
5:50:12But Okay. Pretty good. I like it.
5:50:15I like it. So let me see. When you overcome a challenge or you solve a problem in your life, you gain genuine expertise and insights.
5:50:24Okay. So this one maybe is okay.
5:50:29So you see how here is slow, but then it's kinda, like, fast. Right?
5:50:35It's kinda, like, becoming fast. We can play even
5:50:40more with those things. Okay? So for example, you solve a problem in your life, you gain genuine expertise and insights.
5:50:48But Okay. Awesome. I think I like it more like that.
5:50:53These icons, I can see them, so I'm gonna even take that farther away where I don't see the the the icons and I just see problem in your life.
5:51:04You gain genuine expertise and insights. Okay. Awesome.
5:51:08And for this camera null, I'm gonna click you, and for some reason, I want to take this even farther where
5:51:16means. When you overcome a challenge or you solve a problem in your life, you gain genuine expertise and insights. But Okay.
5:51:24Awesome. So, um, I also think the the these little icons are coming too fast.
5:51:32So I'm gonna go to x. I'm gonna click b, and I am going to make that I'm gonna make like, just move it a little bit.
5:51:42Okay. And move this one a little bit. So let me see.
5:51:46In your life, you gain genuine expert.
5:51:48Okay. So here.
5:51:51In your life, you gain genuine expertise and insights. But Okay. Awesome.
5:51:56Now it looks a little bit better. Let me do the same for this one. Expertise and insights.
5:52:04So here. Your life, you gain genuine expertise and ins Okay. Maybe not too much.
5:52:11Your life. You gain genuine expertise and insights. Okay.
5:52:16It's over here. Life. You gain genuine expertise and insights.
5:52:20But
5:52:21Okay. Awesome. So we got it, guys.
5:52:23We got the three d cameras. I'm gonna click p on everything. So I hide everything.
5:52:29And, um, we have pretty much the scene. Okay? It's completed.
5:52:33Um, we have the zoom out and then the zoom in. Okay? That's how we play around with three d cameras.
5:52:40That's how you can make one animation. You can keep the motion. See how we are keeping the motion in everything.
5:52:46The picture is moving. The icons are coming into the screen. The number is increasing.
5:52:51The line is also following the path of the profile picture, the camera is zooming out. Okay? Nothing seems like a picture and just before these things are gonna finish like the the the profile picture and the Gumroad icon, I I like, I put another camera right there so it keeps the motion and it makes this the zoom in here because I want to emphasize that I that I that we get experience and insights.
5:53:22Okay? This is how you wanna play around with your edits in a way that it's understandable, it looks cool, it it's with flow, um, and we really, like it.
5:53:32So by now, we literally, literally, literally just need to, um, go ahead and add some effects.
5:53:42Okay? So as you guessed, honestly, I'm just gonna go and, like, bring everything here, and I'm gonna go to, like, the text box, for example.
5:53:55And I'm gonna copy this turbulent displace, just command c, and then I'm gonna hide everything again. And I'm gonna go to, um, zero zero k.
5:54:07Well, first, let's do it with the Pablo. So on Pablo, I'm just gonna, uh, paste the turbulent displace. Capcom logo, gonna do the same.
5:54:16Instagram Reel is gonna do the same for the GIFTIF, for Gumroad, for the XP, for the gem, and cameras is not necessary to apply any effects.
5:54:27Then for the, um, actual zero and the other stuff, I'm gonna go well, I'm also gonna do the turbulent displace and also for the line. And now for the zero, I wanna do the glow.
5:54:43So basic glow shadow for zero and blacks basic glow shadow for one k.
5:54:51Alright. So they have some shadow. Um, I can even since they are, like, a little bit smaller, can even increase that or increase the opacity there.
5:55:07Okay. I think that looks pretty good. So now everything has effects, turbulent displays, glow.
5:55:14For example, another thing that we can do is the basic I have a preset here for basic basic drop shadow. So I'm gonna apply that to Pablo.
5:55:27I'm going to apply that to Capcut. Apply that to Instagram reels.
5:55:35Apply that to YouTube. Apply that to Gumroad.
5:55:41And it's just that you see this? It's like, um, you know, it's just some shadow that looks pretty good with the if I move here and I move this here.
5:55:55Look when I apply the shadow. It just looks better to the gem.
5:56:00Okay? It gives, like, that sense of three d and, you know, stuff like that.
5:56:06So fit. And now everything has effects. I would deactivate them, but, honestly, I'm not gonna do it right now because my after effects is not lagging too much, so I think it can handle it.
5:56:20If it starts lagging, then I would just deactivate the effects on everything, and then I would activate it again. But, guys, awesome.
5:56:28We are with, uh, done with this scene. Now we, uh, just need to animate some text here if I'm not mistaken. Okay.
5:56:36Then we are gonna go and animate this scene with another three d camera. Uh, it's just gonna zoom out. Okay.
5:56:43The XP is gonna go through the pass path, and then we are gonna have, like, the call to action, the Loom video.
5:56:52Alright. It's it's yeah. It's looking good.
5:56:55It's taking some time, I know, but I don't know how long this this tutorial is gonna be. It's gonna be really long. But, anyways, I'm loving the process, and we're almost finishing, so I will see you in the next segment.
5:57:11Okay, guys. So let's continue here with the next segment, um, and in this one, again, if we go back to the drawing, we're gonna be editing some text.
5:57:21Okay? And probably, we're gonna edit this, but I'm gonna do another video on this one.
5:57:27For now, we're just gonna edit we're just gonna go ahead and edit these text. Okay? So in order to do that in order to do that, I need to take the background or even from the where it says essence.
5:57:42Okay? And I need to go here. I'm gonna unhide everything first.
5:57:49So go to essence and then go to the gem. I'm gonna hide everything.
5:57:58And now, uh, look how, like, we have a lot of layers here, a lot of elements. That's why we're hiding everything. So when they and then I'm gonna click with you.
5:58:10Okay? And I'm going to unshine them all and then shine everything again.
5:58:18Oh, I didn't take the okay. I didn't take these, so I'm gonna hide those as well.
5:58:23Okay. Perfect. So now we're gonna be working on this text.
5:58:27Okay? As you can see, look at the frame of the video. Okay?
5:58:31It's not, uh, on its frame. Okay?
5:58:34So we gotta fix that, um, or what we can do let me see what we can do here.
5:58:42So we
5:58:46start from here. Okay. Let me play this.
5:58:48And insights. But it is only when people see that you overcome a challenge.
5:58:53Oh, okay. So I already know what to do here. So look what I'm gonna do.
5:58:58Okay? These this video, okay, both of them, we did a zoom in here.
5:59:07Right? But we never zoom it out. We never zoom it out.
5:59:11So I'm going to create like, I'm going I'm I'm gonna go and reset those two.
5:59:21Okay? So for example, I'm gonna select this one here, and I'm gonna reset it. Okay?
5:59:26I'm going to select this one here and I'm going to reset it. Alright? So but look what's gonna happen here.
5:59:34Okay? Since I resetted those, okay, it it takes the video and does this.
5:59:42Okay. So I do the zoom in and then it's a little bit weird. Right?
5:59:46So before actually resetting everything, I need to create, like, some keyframes here.
5:59:56Okay? So I create those keyframes. So the video is gonna stay on the same Position.
6:00:00And now after I create those, I can reset. Okay? And then I can select this one and reset.
6:00:07Remember, this is the rotoscope version, so we have to do the same for both of them. And now we have this animation with this animation here.
6:00:17And here, what I can do is I can take both of them. I can go to, um, intro zoom in, intro zoom out.
6:00:27I'm gonna do a zoom out for those of for both of them. So here and here.
6:00:33And let's see how that looks. And insights. But it is only when people see that you see?
6:00:39Okay? We can we can do the same as we did on the intro, but after an animation.
6:00:45Right? And insights. But it is only when people So it gives the video, like, a better, uh, again, some motion, and the video is not as as static.
6:00:56Any insights. But it is only when people see that you overcome a challenge that they wanna solve. Okay.
6:01:03And then I wanna do a zoom in, um, again here.
6:01:08So look what I'm gonna do. I'm gonna grab the intro zoom in, put it here, intro zoom in, and put it here.
6:01:17And look at this. They wanna solve when they truly connect And then I want to move all of them somewhere here. Solve when they truly Okay.
6:01:29So maybe here. Solve when they truly connect with you. There is a Alright.
6:01:35Perfect. So awesome.
6:01:37That looks nice. We now need to work. Let me save this.
6:01:41Let me increase the brightness, my computer, everything. So we are going to start editing the text.
6:01:51Okay? So when they truly con We're gonna start editing the text, like, on this frame here.
6:01:58Okay? And then it says when they truly connect with you.
6:02:04So right on this frame, I'm gonna wrap them all. Okay? I'm gonna wrap them all, and I'm gonna parent that to the background.
6:02:12Okay? So we have that little, uh, zoom in that we've been talking about.
6:02:17Now we're gonna start with the when they. In here, I'm gonna choose, um, okay.
6:02:24Let me see what we can do here. When they truly connect. So when they, it's one sentence.
6:02:32Right? So look what I'm gonna do just to show you guys. Uh, we're gonna make it black x black, but it's not gonna be owners.
6:02:43It's gonna be owners owner x black. Okay.
6:02:48This one. So it's gonna say when they okay.
6:02:54And then truly connect when they truly connect. Okay.
6:03:00So truly and connect are gonna be two different words, but I'm just thinking about the type of fonts.
6:03:13Relation font, owner's font. Okay. Alright.
6:03:17So this one is gonna be actually relation relation okay.
6:03:26Relation bold, this one.
6:03:30And we're gonna make it a little bit bigger when they, uh, somewhere like this.
6:03:39Okay. Should we make it bold as well?
6:03:45Should we?
6:03:50Why isn't this scrolling?
6:03:56Is my mouse running out of battery or what is it?
6:04:03Let me see. I don't think so. It's kinda, but no.
6:04:08It still has some. So okay.
6:04:12We're gonna make it bold, so let me just grab it again. Make it bold.
6:04:17Okay. When they when they should we do it bold?
6:04:22Should we not? No. I'm just gonna leave it like that.
6:04:24And then truly connect is gonna be with the owners. And, uh, owners so I know why?
6:04:35Bro, why isn't this scrolling? I don't understand. There you go.
6:04:39Okay. We're gonna use this one. It's much better.
6:04:41So I'm gonna hide the effects. We're gonna go with owners narrow, and we're gonna go with black.
6:04:53Okay. No. Maybe not black.
6:04:56Um, let me hide this and hide and just choose. Instead of black, we're gonna go x black.
6:05:05Select it. Remember to select it. X black.
6:05:09Okay. When they and then the it's it's gonna say I'm gonna just delete this one, to be honest, and duplicate truly, and then just move it here, holding shift, and then just call that connect.
6:05:23Go to the beginning. Connect. There you go.
6:05:27Click here and then bring it somewhere here. Uh, truly, I guess, it's need it needs to go somewhere here.
6:05:37When they truly connect and then with you, I'm gonna delete it and just duplicate this one, bring it here, take it down, and then just type with you.
6:05:51And I think we have it. Okay.
6:05:56Now we just need to animate these things, um, truly connect.
6:06:02I'm going to parent, like, connect with truly.
6:06:09So if I move it okay. Perfect. The way I'm I'm the reason why I'm doing this separated is because truly is going to appear first and then connect after that one.
6:06:19Alright? Now let's hide those ones and this one, and let's work on where it says when they.
6:06:28Now for when they, we could use, like, the typewriter, but I wanna use a different one just to show you guys something. I'm gonna hide this. Gonna hide this.
6:06:36And then there is there are other ways to animate text. In this case, we're gonna animate, um, like, make them appear from below, and so we're gonna be playing around with position and opacity.
6:06:50But we're gonna do it in a different way. I'm gonna like, here where it says animate, I'm gonna add position. I'm going to add here below a property, and I'm going to add opacity.
6:07:06And I can even add another one, which is going to be blur.
6:07:12Alright? Now what this means is that we are gonna be, um, editing here the text, alright, in terms of position, so it's gonna come from below.
6:07:23We could even make it that it comes from here and from here. So, basically, the text is gonna move from there to the original position, okay, to the values of zero.
6:07:37You guys are gonna see. Opacity is gonna come from zero to 100 and then blur is gonna come from, I don't know, like, 18 or something like that.
6:07:48Don't worry, um, because we are not animating yet. We are just setting this stuff.
6:07:53Okay? These these little things. Look what I'm gonna do.
6:07:56I'm gonna open range selector. Okay?
6:08:00And I'm going to open advanced. Okay? Now I need to go to where I'm saying when they wanna solve here.
6:08:12So right here, I'm gonna I'm about to say when they. Right? Look at my face.
6:08:16Right? I'm about to say when they. So I'm going to create an offset keyframe and I'm gonna take it to minus 100.
6:08:30Okay. Then on shape, I'm gonna change it to ramp up.
6:08:37Okay. And then I think that's it.
6:08:41I'm just gonna move it here to where I'm say when they when they true Okay.
6:08:47So I say when they so so it's somewhere here. And there you go. I'm gonna take the offset to 100.
6:08:55So look at this. When they truly could You see?
6:09:00We just did an animation right there. Okay? And this is another way to animate the text.
6:09:06And, again, remember, we are playing with the position to the right, to the left. Okay?
6:09:11That's why that's why we position those right there. And we are playing around with the opacity and the blur, So that's why it look that way. It looks that way.
6:09:22There's no need to ease these keyframes because we're already doing so with the range selector and then let me see. When they truly okay.
6:09:34We could even ease these here. Here is where we ease those. So maybe 20 or 25 maybe.
6:09:46Okay. So we ease this animation right here.
6:09:50We don't do it by easing the key frames here. Okay? We just do it here.
6:09:54This is the only difference between text, uh, animating text this way, uh, so we can take a look at that. When they truly connect with you.
6:10:03Okay. Awesome. So I'm gonna just take it here.
6:10:06When they truly connect Okay. Perfect.
6:10:11Solve. When they truly connect with you. Okay.
6:10:14Awesome. So now when they Okay.
6:10:17So somewhere here, I say truly. Right? So we're done with the when they so we're truly.
6:10:25I'm going to just make it appear out of nowhere. So truly is gonna just appear.
6:10:32So in order to oh, in order to do that, let me just take this one here. So when they truly connect with you.
6:10:41Okay. Truly connect. There's not gonna be any animation or anything.
6:10:46Truly. And then connect is gonna appear here. So let me open connect and take this here.
6:10:54Connect with and then with you, it starts somewhere here. Look what I'm gonna do with with you.
6:11:01So with you is gonna have if we go to effects and presets, we scroll.
6:11:12I'm going to just search for the typewriter.
6:11:18Okay? We're gonna use the typewriter for that one.
6:11:23Smooth typewriter. Smooth typewriter. This one with you.
6:11:27So I'm gonna open here with you and bring everything a little bit back here, and this one is here.
6:11:37Okay. So let me see how that looks. It truly connect with you.
6:11:40There is a oh, okay. I need to activate it.
6:11:43I was like, where is it? It truly connect with you. There is a okay.
6:11:48I like it. So maybe here. Okay.
6:11:52And maybe faster. So look at the animation for the text. Solve when they truly connect with you.
6:12:00There is a system Okay. So I'm thinking about this, and I'm going to delete it, to be honest, because I it's like we cannot see it.
6:12:12Right? So I'd rather because it's pretty fast. When they truly connect with you.
6:12:18There is a no. It's actually fine. It's actually fine.
6:12:21Let's let's just leave it like that.
6:12:26When they truly connect with you. There is a system. Perfect.
6:12:29Yeah. Let's let's just leave it like that. And then we're gonna have, um, an animation.
6:12:35Right? So when they truly connect with you. By the way, I always forget, but let's apply some glow to those things.
6:12:44So basic glow shadow to when they and let's do the same for truly connect with you.
6:12:58We can hide this one. And, again, since we are using turbulence display displays for pretty much everything, we can apply that here as well.
6:13:08K? Remember, it's not necessary to apply this one to every single thing, but, um, you know, just do it for now.
6:13:16So I'm gonna deactivate, uh, the effects so, um, After Effect doesn't get laggy.
6:13:24And okay. And gonna save it.
6:13:28Now, uh, let's go ahead and record. Uh, I was thinking about pausing this video. Let me see that everything is going well.
6:13:35So okay. It seems like everything is going well. So let's continue with this video.
6:13:43Alright? Let's continue with this animation. Uh, and for this animation, look what I'm gonna do.
6:13:49Let me see if I remember correctly how to do this. Yeah. Okay.
6:13:53I remember correctly how to do this. So I'm gonna hide all of this. Okay?
6:13:58And I'm gonna click here, and I'm gonna bring the not the like, the last animation, animation, which is this one, all these elements.
6:14:06So I'm gonna go to blue background, hold shift, and the number three.
6:14:14And I'm gonna unshy those and then shied shied everything else.
6:14:20Uh, okay. Perfect. So for this one, we are gonna do the XP going through the path.
6:14:27Alright? And, um, we're gonna just work on the background for now because I want to show you, like, how to create a really cool background like the one I'm using on the template.
6:14:42Let me see if I can see it. Okay. Okay.
6:14:46This background. You see? So this background is like the with those lines.
6:14:51So we we know now how to do, like, um, a normal background, right, where you're using where you're just using, like, some noise, but it's a solid background like the like the one we did on the first animation, then we we learned how to do grid backgrounds, and now this is called Venetian back Venetian blind background, something like that.
6:15:17Okay? So we're gonna learn how to do that. So first, we want to duplicate the background.
6:15:22Okay? Basically, what you what we need to do is select the first background and go to layer and go to solid settings, and then I'm just gonna call this black background, and I'm gonna make it black.
6:15:36Alright? And then just hit new. Alright?
6:15:39Just like that. Then I'm going to, um, if we actually hide this one, you see that we just have a black background.
6:15:48Now I'm going to, again, bring it back into the second one. That's the one that I applied the gradient ramp. Okay?
6:15:57Gradient ramp. So where is it?
6:16:00Okay. Here it is. Perfect.
6:16:01Um, it's this one. So on this one is where we actually make the changes. So I take blue, and then, um, on the second one, check black.
6:16:11Okay? And then I can change let me just make it completely black. And then I can change these things where I'm gonna select the black and just scroll here a little bit.
6:16:28Scroll here. Okay. And then select this one here.
6:16:34Somewhere there. Alright. Perfect.
6:16:36And now we now are gonna, uh, look or search for Oh, let me go back.
6:16:43Venetian blinds. Um, I don't know.
6:16:48Either or. I don't remember, like, it maybe this one. Let's go.
6:16:52And then let me fit this and transition completion.
6:17:01Okay. There you go. Okay.
6:17:04There we have it. So transition completion, and then we make this, uh, the size that we want.
6:17:10So 18 is good. And then on transition completion, you can either maximize it or minimize it.
6:17:17If you maximize it a lot, then it's gonna be a lot. If you maximize it not too much, then it's gonna be as you want.
6:17:25So let's keep it at 20%, and let's see how that looks. It looks pretty, pretty good.
6:17:32Okay. I like it. And, yeah, we're I think we're just gonna leave it like that where we can see the line.
6:17:41That line is gonna be actually, it's gonna be white. Okay.
6:17:46So it's called path, and it's gonna have not the fill. Let me click cancel.
6:17:51It's a stroke. It's gonna be white. Okay?
6:17:54So it's gonna be better that way. Perfect. And now I can save this, and there you go.
6:17:59Okay? We just work on the background. It looks 10 times better, and I like how everything is looking.
6:18:07So with the background done, we now just need to animate everything else.
6:18:14So this XP thing is gonna go is gonna come from here, and it's gonna just go through the path. It's gonna be the path is gonna be below the XP icon so it looks better.
6:18:30Right? So it's gonna go like this, alright, to where it says original.
6:18:36Now I just wanna make that path a little bit smaller so it's not like a big line. And then somewhere like that.
6:18:50Okay. Somewhere like that. Then Pablo is gonna be above the path as well, uh, so which is just my profile picture.
6:18:58And, um, now we're gonna be animating alongside a path. Okay? So this is a little bit different than just animating normally with keyframes.
6:19:11We're actually gonna make this XP thing go through the path. Okay?
6:19:17I just need to refresh and and check, like, how how to actually do that because it's been a long time since I don't do it. So I'm just gonna double check really quick, and then we can continue here.
6:19:33Okay, guys. So now we're gonna again be animating this x b icon here, alright, through the line, but I was testing some stuff and I realized that with this line is not gonna work because we remember how we created this line first and then we made it smaller?
6:19:52Look what happens if we try to animate this XP icon on the line. Okay?
6:19:57So let me just quickly show you. I'm gonna go to the path. Okay?
6:20:01So it's this one. And what we need to do is we need to go on contents. K?
6:20:08We need to go on shape, and we need to, uh, open path. Click here in command c.
6:20:16Okay? So command c. And then we're gonna go to the XP icon.
6:20:22Okay? I'm gonna bring the position properties by clicking p, and I position the plate head whenever I want to start.
6:20:29So I want to start here and I'm gonna create a keyframe and then I'm gonna command v, so paste. But look what happens.
6:20:40The XP is animating alongside the path, okay, that we originally created before making this line, you know, before actually making making it smaller.
6:20:57So I'm just gonna undo everything, and I wanted to show you just for you guys to be aware of how that actually works.
6:21:05Okay? So I undo everything here.
6:21:09And in order to be able to do that, I will need to take the path and just delete it, and I'm gonna create a new one. Okay? So I'm gonna grab this thing here, these numbers, and I'm just gonna separate that.
6:21:22Okay? Just gonna put them anywhere there. And now I'm gonna don't select I'm not going to select anything.
6:21:30I'm just going to go here to the brush. Okay.
6:21:36And now I'm gonna create a point here, then I'm gonna create another one. I don't know.
6:21:43Like, maybe. Okay. Maybe make it a little bit, and then I'm gonna create another one here, okay, which is gonna be this thing as well.
6:21:55And I can move it here to where it says original, and then, uh, this one could be here.
6:22:03Okay. So it's gonna be a small path. Nothing too crazy.
6:22:08Um, maybe we can tweak it a little bit more where it's like this.
6:22:16Okay. Perfect. So, um, if I click away, let's see how that line looks like.
6:22:22Maybe here, it's a little bit exaggerated, so I'm just gonna tweak it a little bit in this one.
6:22:31I just wanna move one. How do I do it? Anyways, I'm just gonna call it path.
6:22:38We're gonna leave it like that. It's fine. I like it.
6:22:40So we're just gonna call it path. And this path, uh, we need to do it again where we go and we say, um, content, and we go to shape, and we go to stroke, and we add a dash.
6:22:54We make that bigger and then we round cap it.
6:23:00Okay.
6:23:06And then we take the stroke a little bit less 12. Alright.
6:23:12I like that path. Now I'm gonna go ahead and go to path, and now I'm gonna copy that.
6:23:19So command c, and then I'm gonna go to where it says XP. So I'm gonna grab this path and actually put it below everything here.
6:23:29So below the XP icon, I'm gonna hide it, go to XP, position the plate head where I want it, bring the p property, create a keyframe, and then command v. Awesome.
6:23:41And now as you can see, take a look at this. The XP is an like, it's gonna go through the path. K?
6:23:50And then end up actually there. Alright.
6:23:55Awesome. So now we are animating alongside a path.
6:24:00Okay? I'm gonna take this path and just option and then option.
6:24:08Okay. So we trim it, and now we can start animating pretty much everything.
6:24:13So I'm gonna take Pablo and put it above the XP icon. I'm going to I'm gonna start with Pablo, so I'm just going to center Pablo. I think it's centered.
6:24:24Okay. It seems like it's centered. Let me see.
6:24:28Okay. So I I am centered right there. Um, it's fine.
6:24:32So p is gonna start from there. Okay.
6:24:37So it's gonna start from there and go through the path. Um, actually, I can ease in those, so I'm gonna ease those in with f nine. Alright.
6:24:48And then, um, you see this little key frame right here? If we go to the graph, it's just a key frame that will, um, basically move or it's not like a real real key frame.
6:25:03It's just a point within within the the line. Okay?
6:25:09So, um, yeah, you can you can, like, learn more about key frames on other tutorials, guys. I I I'm not gonna go in-depth with key frames, but it's just allowed us to have If you there is a system to share your insights in a That little that little animation right there.
6:25:27So I'm gonna make it bigger. View. There is a system to share And remember the motion thing?
6:25:32So this this little keyframe just moves with the thing. So view.
6:25:37There is a system to share your insights and expertise in an original and honest way. I okay.
6:25:43Awesome. And now, uh, for the numbers, I just need to make them smaller, so number circle.
6:25:51Uh, it's gonna be smaller here, and then I'm gonna move it. And it's gonna start, like, from point one, and then, like, point one is gonna start from here.
6:26:05Let me see if the XP is not, like okay. The x p is going from there.
6:26:11It's totally fine. Uh, point two is gonna be somewhere here. So I'm gonna grab point two, make it smaller.
6:26:21Okay. And I can even make this here.
6:26:26And then take point two and put it somewhere here. Maybe make it just a bit bigger.
6:26:33Then I wanna take the number two and just make it a smaller a little bit and then move it to the right.
6:26:46Okay. And then we're gonna take, um, number three. So number three.
6:26:53Number three goes here. Obviously, smaller. Okay.
6:27:00Obviously, smaller. And then number three also needs to be a little bit smaller, and then just move it here.
6:27:08Oh, it's actually here. Okay. So a little bit more, just a tiny bit.
6:27:16Alright. Perfect. So now the XP thing is gonna move alongside that path.
6:27:24Okay? So maybe number three is not where I want it to be.
6:27:31So I'm gonna just move it away a little bit. Okay. Because this is I'm saying that this there's a system.
6:27:39Right? Um, there's a system where you can share your, you know, your insights and all this stuff.
6:27:48And so I'm talking about the online ecosystem. So one, two, three, and then the word original can be centered, and then I can take it somewhere here.
6:28:01And then it says okay.
6:28:06So somewhere here. So I'm gonna do the typewriter effect. Typewriter.
6:28:14It's not bringing it. Where is it? So okay.
6:28:16There we go. Typewriter. Smooth typewriter.
6:28:21Just gonna put it to the original text. And let me see.
6:28:27In an original and honest Okay. Awesome. Looks pretty good.
6:28:30So I'm gonna bring the key frames to the original one. Remember clicking you, and then an expertise in an original and honest way.
6:28:41I okay. Awesome.
6:28:44I like it. Now what we're gonna do is we're gonna create the three d camera for this one. Okay?
6:28:50So remember, uh, here I have or I I have a node that says XP icon moves along the path and camera zooms out. So in order to do that, I'm gonna fit this again here, and I'm gonna create a a camera.
6:29:06Just gonna call call it camera camera, camera camera three and bring it, uh, to the top.
6:29:14Okay? And then I'm gonna right click and then camera create an orbit null. And then for the orbit null, um, we wanna bring the two views.
6:29:24And then, uh, I'm gonna bring position. Okay?
6:29:29And here is where we start playing around with the camera. Okay. So something I just forgot to do is to make the okay.
6:29:42So make the icon so the path.
6:29:46Alright. Path, um, icon Pablo, original text, number, number, number, and then all the way to the three.
6:29:59We're gonna make it three d. Awesome. So now we're talking.
6:30:03Perfect. I'm just gonna hide that. And now I'm gonna bring this, like, the position, and I'm gonna create a keyframe.
6:30:13And now I can go ahead and, like, make this here.
6:30:21It's gonna start from here. Okay. It's gonna start from here.
6:30:26Uh, so a key frame, and then as it goes on, it's going to okay.
6:30:35So let's actually do something. I forgot to do something. Let me undo everything.
6:30:39Undo. Undo. Undo.
6:30:42Undo. Undo. And undo here.
6:30:46Okay. And undo again. And I'm gonna create a key frame, but I'm gonna move it here.
6:30:52Okay? Because that that's gonna be the end position. But for the initial position, now let's go ahead and do that again.
6:30:59Okay? It's just a good practice to do it that way. Alright.
6:31:06Cool. Somewhere there. Okay.
6:31:07Somewhere there. And now what this is gonna do is just gonna like, the XP thing is gonna move alongside a path, XP, and then it's gonna say original, and everything is gonna look like, wow.
6:31:20You know? So I can ease in ease these keyframes. F nine.
6:31:28Okay. F nine. Play around with the graph.
6:31:32So it's gonna start, like, slow, then a little bit fast, and then it's gonna be it's gonna end slowly.
6:31:42Alright. So we save and we take a look at this. Connect with you.
6:31:48There is a system to share your insights and expertise in an original and honest Okay. It's a little bit slow.
6:31:57So I want actually to I want to have the frame like static. Oh, what did I do?
6:32:02I want the frame to be static first and then it's gonna move. Right? So let's take a look at that.
6:32:07There is a system to share your insights and expertise in an original and honest way. I call it the. Okay.
6:32:14Awesome. So There is a system to share your insights and expertise in an original Maybe here.
6:32:21There is a system to share your insights and expertise in an original and honest way. I Okay. Awesome.
6:32:27I like it. I love it. So, uh, we're just gonna leave it like that.
6:32:30I'm gonna select camera. I'm gonna select, um, the orbit node, and I'm gonna option and trim those as well.
6:32:39Option trim. Okay.
6:32:42Perfect. And then I'm going to return this back to one view.
6:32:49And we are gonna continue with the next segment, but but but but but before we do that, um, let's apply some effects to these things. So the turbulent displace turbo turbulent basic turbulent displace effect, um, to the path.
6:33:09Okay. And now I'm just gonna copy. So command c, paste it to the icon, paste it to Pablo, paste it to the word original, and, uh, I can actually select everything here.
6:33:23So the numbers and paste it to the numbers. Okay? Every single number, it's been paste to that.
6:33:30And then, uh, the same for shadows. So shadows, uh, basic shadow basic drop shadow, um, gonna put it to gonna put it to the XP icon.
6:33:48Okay. XP icon. And I'm gonna copy and then put it from Pablo to okay, to this one, this one, this one, and then just copy those.
6:34:02Okay. Perfect. So we are doing some, as you can see, some drop shadow here, drop shadow on everything.
6:34:10And then for original, basic shadow glow to the original text.
6:34:16Okay. And we can even increase that a little bit more.
6:34:22Increase this a little bit more, less, more. Okay. Original, then the XP, and we can bring this to full so we actually see the quality right there.
6:34:37Okay. Awesome. Perfect.
6:34:40I love it, bro. I love how this is looking like and, uh, with the background and everything.
6:34:45It looks high quality. This is what I mean by actually taking the time to build everything. Okay?
6:34:51And remember, like, we can take these things. I'm gonna just deactivate the I'm gonna deactivate the effects on on everything.
6:35:01So path, deactivate it. There's gotta be a way to deactivate this in in every like, everything, but I'm just gonna leave it like that.
6:35:10Okay? For now, just do that. Okay?
6:35:13And now we can move to the next segment, but but you guys understand what I'm what I mean by doing everything, like, clean, not not using a lot of colors, not using a lot of stuff.
6:35:24So if we come from here, look look how the video is looking like so far. Overcome a challenge that they wanna solve when they truly connect with you.
6:35:34There is a system to share your insights and expertise in an original and honest way. I call it the online ecosystem and I Awesome. Looks so nice.
6:35:43And then we just need the online ecosystem and I recorded a video, but that's gonna be for, um, later. I'm gonna just pause the video here and continue later on.
6:35:52Okay?
6:35:56Okay, guys. So let's go ahead and start working on the last two segments of the video, um, which are pretty much these ones.
6:36:06Okay? So the Loom video, the online ecosystem, and then the call to action.
6:36:11Okay? Perfect. So now what I'm gonna do is I'm gonna unshy everything just as usual.
6:36:18Okay? And then I'm gonna go to where was it?
6:36:23So black background and this one right here.
6:36:30Okay. And I'm gonna shy them all. And now I'm going to so what is this for?
6:36:38Oh, okay. I forgot to okay.
6:36:41So this is from the previous. So I'm gonna drag and drop these ones here because apparently I forgot to do it. Alright.
6:36:50Perfect. So they've been hidden. And now I'm just gonna unshy this and this.
6:37:01Alright. Perfect. Perfect.
6:37:02Perfect. So now I'm gonna click that again, go to the very end, and now we're gonna work on these two segments.
6:37:11Okay? The last two segments. Pretty easy, pretty simple.
6:37:15We're just gonna do some stuff here. So the first thing I'm noticing is that the video, okay, when it comes to the keyframes, we forgot to act so we did the zoom in here, but now we wanna do, like, um, we have the animation and then the video is still there.
6:37:34So let's see what we can do. Okay?
6:37:37I call it the online ecosystem, and I just recorded a video explaining how it works.
6:37:42Okay. So I say I call it an online ecosystem.
6:37:48I call it the online ecosystem, and I just Okay. So I
6:37:52I want I want a I want, like, a zoom in first.
6:37:58So when I say all in ecosystem, I want a zoom in, and then I recorded a a a video. I want a zoom out. Okay?
6:38:07So the way we're gonna do that is by going here and creating a keyframes. Okay?
6:38:13So it's creating keyframes here. Also, I need to bring this one, create keyframes as well. Alright?
6:38:20And now we create a key preference there, and I wanna select this, and I wanna reset it here above.
6:38:31And then I wanna do the same for this one. Reset it. K.
6:38:36So now it's been reset it, and then, uh, it you know, it's normal again as you can see.
6:38:43Okay? Here, I wanna do a zoom in.
6:38:47So let's see where we can do that. I call it the online ecosystem.
6:38:51Okay. I call it
6:38:53I call it the Okay. So somewhere here, we wanna do the zoom in, and let me see which one I want.
6:39:01So if I type zoom in, I have two types of zoom in, the intro one and the small one. Okay?
6:39:13I think I'm gonna do the small one because I think the intro one is just too much. Should we do that one?
6:39:22Let me see. Let me see how that looks. Okay.
6:39:24I call it the online ecosystem, and I just recorded a video explaining
6:39:29Okay. I call it the online ecosystem, and I Or maybe
6:39:37no. I'm gonna implement or I'm just gonna drag and drop. So I'm gonna delete this.
6:39:42Let me let me test the small zoom in. Wait. I call it the online ecosystem.
6:39:48Maybe here. Oh, okay.
6:39:50Let me move them again. I call it the online ecosystem, and I just recorded a video explaining how it works. Okay.
6:39:59So I call it the online ecosystem.
6:40:04Yeah. Let's actually use that one. They are pretty similar, to be honest.
6:40:07They are pretty similar. So I'm gonna drag and drop that to the the rotoscope version as well.
6:40:15And, uh, now we can go ahead and work on the text. So I say I call it the only ecosystem.
6:40:22Okay. So for the only ecosystem, look what I'm gonna do. I'm just gonna call this the, but it's gonna be, I think, like this.
6:40:30Okay. Let's see let's see what we can do because I wanna show, like, another type of font for this one or maybe maybe we're gonna use Europa grow text, but I'm going to toggle switches and modes, and I'm gonna go to mode, and I'm gonna type or just select like, you can play around with this, but you we can select exclusion.
6:40:54Okay. So once I select exclusion, um, I can, like, move it around and you guys can see the effect it gives.
6:41:04Right? This is the exclusion effect that you see in some videos, so I'm gonna use it for this one.
6:41:12Okay? So and it's gonna be a little bit bigger.
6:41:18Alright. So okay. It's gonna be the and then I can just duplicate that one.
6:41:27I'm gonna take it and then type online.
6:41:33Right? And then this is okay.
6:41:38The like, it could be like this, by the way. So the online and then I can just duplicate it again.
6:41:47And I can take it down here and just call it ecosystem.
6:41:55Alright. Perfect. So we're just typing normal words, and I'm gonna make it smaller because okay.
6:42:01What is that? Oh, I forgot to deactivate the the caps.
6:42:07So the online ecosystem, we kinda want to keep the frame of like, for example, if I'm using so the word the is gonna be a little bit bigger than online, and then ecosystem is gonna be smaller.
6:42:24But I wanna keep, like, the frame here and the same, like, this the line the line. I wanna keep the lines right there.
6:42:33So it needs to be a little bit smaller.
6:42:38Okay. I don't know what about like, what do you guys think right now, but I like it. The only in ecosystem.
6:42:46I like it. I like it. I'm gonna I'm gonna I'm gonna stick with that.
6:42:50And now I want to make them appear in a harsh way. Like, I'm gonna I'm not going to animate them.
6:42:56They are just going to appear, or I can even so look what we can do. We can select all of them and we can go to position.
6:43:10Alright. So position. And then I can create a keyframe for all of them.
6:43:18That's where they are gonna end up. So maybe here.
6:43:24And then I'm going to just put them below a little bit. And then I can also go and select all of them again.
6:43:36So I'm gonna select them here here. And instead of p, I'm gonna click t. Okay?
6:43:41T as in as in tutorial. Okay. So t.
6:43:45And that's gonna bring opacity. And for opacity, I'm going to create a keyframe that's gonna be the last keyframe, so I'm gonna put them here and then scroll that one.
6:43:58Alright. And then I'm gonna f nine those. F nine.
6:44:03And I'm going to go here and do this here like this.
6:44:12K. I know I'm saying a lot of here do this, this here, but, anyways, it is what it is. So I'm gonna click b, bring back the position, ease those with f nine, go to the graph, go here, and put it here.
6:44:31And then and then then then then then we can be, like, one by one.
6:44:38So we're gonna make like, we're we're gonna do it one by one where I just like, I'm gonna click u so it shows up all the keyframes.
6:44:50Alright? And now I can take, for example, with shift, I'm I'm holding shift to select just a couple of them.
6:45:00Let me see what I wanna do here. Ah, okay. So no.
6:45:04Actually, I'm just just trying to think because position for not position, but okay.
6:45:14So both of them. So I'm gonna grab both here, and I'm gonna grab these two here, and it's gonna look like this.
6:45:24That's that's the movement I want. Boom. Boom.
6:45:27Boom. Boom. Boom.
6:45:29Okay. So let me see how that looks.
6:45:32I call it the only ecosystem, and I
6:45:37Let's go. Let's go.
6:45:39Now we're talking. Now we're talking. K.
6:45:42So I call it the online ecosystem, and I just recorded a video explaining how it works.
6:45:48Alright. Awesome. Awesome.
6:45:50Awesome. Awesome. Awesome.
6:45:51Now now take a look at this. Okay. Take a look at this.
6:45:55I wanna select all of them, and I want to parent them to the original video. So it's gonna look even better, bro.
6:46:06Boom. Boom. I love it.
6:46:09I love it. I just love it. And then stem, and I just re and I just recorded a quick video.
6:46:14So here is where the quick video comes into place. So I'm not gonna select anything, click you. Okay.
6:46:20Bring back everything back to normal. And remember the Loom video that we couldn't add to to the project here, to the folder?
6:46:29So, um, I actually fixed it. And now if we go here don't worry. You you're gonna have this on the on the Google Drive with the assets for this tutorial.
6:46:40So basic content and Pablo clip is that one. I'm going to open, and I'm gonna drag and drop it here.
6:46:50And where is it? Okay. So it's about sixteen seconds.
6:46:54That's why it's built in, like it's here. And then I'm going to scale that down.
6:47:07Just gonna move it up. Just gonna move it up a bit, you know, and then make it smaller.
6:47:16Alright. Alright. And now let me see what we can do here.
6:47:21So what can we do here? So we're gonna we are going to sorry, guys.
6:47:32I'm just trying to think. So I think I'm gonna create a mask. So I'm gonna select the clip because I don't want the whole clip.
6:47:38It kinda looks like a mess. Right? So I don't want the entire clip just just just like the the middle part here.
6:47:45So I'm gonna create a mask by selecting the clip and selecting here and then okay.
6:47:56No. Again.
6:47:59Alright. I like that one. So we can we can see.
6:48:06So somewhere here and somewhere here. K. We don't need to show all the video.
6:48:11Like, it's just a reference. Right? It it's just gonna be a reference.
6:48:14So I'm gonna select here. Gonna select the video. Um, I wanna center the anchor point and then center that one again.
6:48:23Okay? And now we have it. Okay.
6:48:26We have it, and the corners are a little bit rounder rounded, which I like, and I like how the video looks. Now what I'm gonna do what I'm gonna do is I'm going to duplicate the video, and look what I'm gonna do to the original video.
6:48:41I'm going to search for glow.
6:48:46So I search for a glow, and I on on stylized, I I'm just gonna drag and drop it to the original video. And on radius, I'm going to increase it.
6:48:58And I can increase the opacity even. So we make it, like I don't know. We could even use the the glow shadow, but I kinda like how this looks.
6:49:09Alright? Seems like it has, like, some, you know, some shadow. And now now what I'm gonna do is I'm going to well, first, select both of them, trim those.
6:49:25And what I'm gonna do now is I'm gonna parent the this thing to the to the original one, and then I'm gonna move the original one.
6:49:40Well, not. I need to grab both of them. So I'm gonna grab both of them, and I'm going to position them in the middle.
6:49:46Okay? In the middle of of the two clips. And now I'm gonna bring back, uh, the rotoscope version, and there you go.
6:49:55Now it yeah. We are using the rotoscope version only on this scene, but it it, um, you know, I just wanted to show you guys, like, how to use it.
6:50:07Okay? So I'm gonna parent, um, so this is parented here. I'm gonna parent this to this one.
6:50:14And now whenever the video shows up,
6:50:19let me see. The only ecosystem, and I just
6:50:22okay. So somewhere here, the video is going to so it's gonna I wanna do this.
6:50:32I wanna grab it. Like, I wanna do this. Right?
6:50:40Oh, okay. I had both of them selected when I parented them to this background, so I shouldn't I should have not done that because I want this parented to this one. And now if we actually go and go to position and then we create a keyframe because that's where we want the video to end.
6:51:06And then I'm just gonna drag and drop it here, and then I'm gonna click on both of them.
6:51:14I'm gonna click t to bring up opacity, and I'm gonna create a opacity keyframe, put it there, and then bring it back down.
6:51:26I'm gonna ease those in, and then I'm gonna bring back, uh, position only on this one, remember, because the other one is parented.
6:51:35So remember that opacity doesn't apply to the the the child if it is parented to to another element.
6:51:44The only thing that applies is the position and scale. Alright. That's why we're doing only position here, but if I click t, I'm doing opacity for both of them, but for position only for the parent.
6:52:01And now for position, I want to play around with this because just to make it look a little bit better here.
6:52:11Boom. And boom. And I guess I should I should do the same for opacity.
6:52:18So click d, both of them, and the same for opacity.
6:52:24Okay. Yeah. U opacity.
6:52:25We we're gonna do the same with the opacity. Don't worry.
6:52:31Okay. So I think we got it. Let me bring position.
6:52:37Okay. So let me bring opacity back and make the opacity just a little bit here, and then boom.
6:52:44It's gonna show up. Alright. Awesome.
6:52:46And then let me see. Ecosystem, and I just recorded a v It's a little bit fast.
6:52:51It's a little bit fast. So I'm gonna click p, and I'm gonna bring it, like, here.
6:52:56I don't know. System, and I just record Why do I see the video?
6:53:01I didn't bring the opacity, like, all the way down to yeah.
6:53:06I didn't. So click t. Oh, 3%.
6:53:08Like, come on. So on both of these, it's not 3%. It's 0%.
6:53:13Okay? I'm gonna save that and then system, and I just recorded a video explaining how it worked.
6:53:21This opacity. And I just recorded a video explaining how it works. If you alright.
6:53:27Perfect. So I call it the online ecosystem, and I just recorded a video explaining how it works. If you want the video okay.
6:53:34And then we are gonna have an overlay here, so there's no need to have an out
6:53:39animation. Okay? But remember, remember, if we don't have an overlay here, if you just want to make these things disappear like the the Pablo clip, you know, this little video here and the the letters, remember to do an out animation.
6:53:56What is an out animation? Just before the the thing ends, the segment ends, you go to whatever it is that you wanna do. So for example, on t, and you you create another key frame here, and then you will lower the key frame.
6:54:11Alright? And there you go. Okay?
6:54:13So it disappears. It disappears smoothly. It doesn't disappear because if we don't do that, it disappears in a harsh way.
6:54:21Right? It it just a hard a hard cut. It doesn't it doesn't look good.
6:54:25Okay? So we're gonna use an overlay, so the overlay you guys are gonna see how is it just takes care of of of of that, but you guys get the point.
6:54:36I I think I explained it this before. So, anyways, click you, click you, and then we're gonna work on the last segment, which is the call to action.
6:54:46It's pretty simple. So let me see what this is. Works.
6:54:49If you want the video, just comment the word system, and I
6:54:53Okay. If you want the video, just comment the word
6:54:56Okay. So I say comment. So on comment
6:55:00If you want the video, just comment the It's recorded a video explaining how it works. Okay.
6:55:06Perfect. So even though we have an overlay here, I'm I wanna take both of them like this
6:55:13like, the the original video and the rotoscope version. Alright? And I'm gonna apply a zoom out.
6:55:22I already taught you guys how to do this. So a small zoom out, I'm gonna put it here. I'm gonna do the same for the rotoscope version, and we're gonna have this little movement right here.
6:55:34Okay? Boom. Boom.
6:55:39K. I'm actually thinking about doing an out animation for those.
6:55:44I call it the online ecosystem, and I just recorded a video explaining how it works. If you want the video, just come
6:55:51Alright. So look what I'm gonna do. Instead of using an overlay, just to show you guys how how important it is to do an out animation so you don't run into the same common problem.
6:56:01And another thing, we don't wanna use a lot of overlays. Uh, I think I'm gonna use the overlay right here in this change. Okay?
6:56:09So, uh, since I'm imagining that I'm gonna use the overlay here, I don't wanna use another overlay here because I don't wanna use a lot of overlays. You don't wanna use a lot of overlays. So I'm gonna do the out animation.
6:56:20So how do we do that? Okay. Simply, we just grab the clip and Pablo clip.
6:56:27Okay. We grab it, and, um, now I'm gonna do an out animation.
6:56:32So I can either make it a slide up or slide down. Um, I think I already made and let me see if this one works, if this preset works because, again, sometimes after effects is weird. So slide out down.
6:56:48Okay? Or we can do I also have, a fade fade out down.
6:56:58So I'm gonna do that for the video, but it's not gonna count for the no. I'm sorry.
6:57:04Sorry, guys.
6:57:07Slide out because I I remember it's parented and and and opacity doesn't doesn't, um, you know, doesn't follow the parents. So it's just it's just way better to do it with a slide down. Um, just slide down.
6:57:21Slide out down, and it's gonna go from there. Boom.
6:57:26Oh, awesome. That's what I wanted to do. So explaining how it works.
6:57:30If you want the Okay. It looks a little bit weird. Ordered a video explaining how Oh, it's because it's it's like, we gotta click command and click those key frames again in how it works.
6:57:42If Because if not, it's gonna it's, like, it's gonna combine this key frame, this ease with the other ease, so that's why it looks weird. Like, if I leave it like this how it works.
6:57:55You see, make a little pause right there, and then it continues. So oh, no.
6:58:02Actually, I'm gonna delete this keyframe. No.
6:58:07Not both of them, but just this one. Delete it, and then I'm going to copy. So copy this one.
6:58:13Copy. And then I'm gonna paste it here.
6:58:17Alright?
6:58:18Explaining how it works. If you want the video Alright. Perfect.
6:58:22So and then it's gonna go down from there, and it's just gonna go down.
6:58:29So let me check these two. You see how weird this figure is? So, um, it's because it's combining all the keyframes.
6:58:37So I'm gonna just click command and ease those in again, and then go to the graph and just grab them and do it's gonna be slow at first.
6:58:49I think in the slide out, we wanna do a slow at first and then it it just disappears fast. Let me see how that looks. I mean, how it works.
6:58:56If you want the video Oh, okay. And, obviously, I need to make it like, I I need to make this bigger so it it doesn't disappear all of the sudden.
6:59:05How it works? If you want the video, just come in the Oh, there you go. Nice.
6:59:10That's what I wanted to do. That's what I wanted to do. Even even farther.
6:59:14Farther like here. Boom. Boom.
6:59:17How
6:59:18it works. If you want the video, just comment the word system.
6:59:21Okay. Maybe a little bit faster. It's fine.
6:59:24Works. If you want the video, just comment the word, and then the the on in ecosystem is going to disappear as well.
6:59:31So for those, I think let me see if I have and it's alright.
6:59:38A fade. Let me see if this one works. So fade out down.
6:59:44Okay. And let me see if it works with the the the the word the.
6:59:50Okay. It took it it took it back down. Okay.
6:59:54Did a video explaining how it works. If okay. So it it works, but since the preset As, like, certain key frames.
7:00:04You know, like, it it has some key frames, um, default key frames in the middle, not here. That's why it's taking the word from here, from the original position all the way to there.
7:00:17Okay? Uh, what we wanna do instead is we wanna take this position.
7:00:24Okay? Not the opacity one, but the position. We wanna copy and we wanna paste it here.
7:00:32So I'm gonna delete that one and I'm gonna go here. I'm gonna paste this one here.
7:00:39So now and then I also wanna take this keyframe, the first one, copy, and then delete this one.
7:00:50Boom. Okay. Let me do that again.
7:00:53Let me bring the, um, plate head here. Delete that one. Command b.
7:00:59How it works. If you want the v Okay. Awesome.
7:01:06And then right here. Just make make it a little bit bigger than the than the original segment because they are gonna disappear.
7:01:14Right? They're gonna disappear. And, obviously, I need to move these as well.
7:01:21Somewhere here.
7:01:24How it works. If you want the video, just Okay. I like how that looks, bro.
7:01:29It looks so clean. It looks so clean, honestly. And now I want we wanna do the same for these ones, um, where I'm gonna just click you, and I'm going to copy these two keyframes.
7:01:43So copy, and I'm gonna paste them here. K? And I'm going to align them, and then I'm going to copy these two.
7:01:53So copy and then paste it and then bring the position one here.
7:02:01So if you want the video, just come in the Alrighty. Alrighty.
7:02:10Bring it here. Bring it a little bit more, even more, and let's do the same for this one.
7:02:16So, yeah, it takes some time. We gotta play around with it a little bit. It this this one can take some time, but you can create presets of these and these.
7:02:25But just make sure like, keep in mind that whenever you you create a preset, it's gonna take the properties of of the of the of the element, okay, where it is positioned and everything. That's why when I created the presets, I created it with elements who were in the middle of the screen so I could apply it to everything and just tweak it a little bit.
7:02:45Okay? I hope that makes sense on your mind right now. But I know we are going through a lot of stuff here, so I also understand you if you're confused.
7:02:58This is the longest tutorial I've ever done, bro.
7:03:01If you want the video, just comment the word
7:03:04Okay. Okay. Awesome.
7:03:05I like it. So we're gonna cut, like, just do it that and then video. Just comment the Gonna click here.
7:03:10Gonna click you. And if you want the video, just comment the Okay. So I say comment here.
7:03:16So I'm gonna go to comment comment, and it's not gonna have that one. It's gonna have relation, and it's gonna be this one.
7:03:23And then, um, it's gonna be bigger. Uh, it's gonna be bigger. By the way, here, I want to apply some turbulent, so basic turbulent displace.
7:03:37Basic turbulent displace, um, we should use basic turbulent, uh, effect, which is the one we have been using in the tutorial.
7:03:46I wanna apply it to this one, and then I want to apply it to should we apply it to the online ecosystem?
7:03:58Not necessary. So we're just gonna leave the words online because it's something like that. And then comment.
7:04:03Let me see. You want the video? Just okay.
7:04:05Comment, it starts from here. So guess what? Typewriter effect.
7:04:09We already have it. This is this is so important to create some, um, you know, to create some presets for for the things.
7:04:19Oh, I actually applied to the wrong one. So comment. Okay.
7:04:23It's this one. So if you want the video, just comment the word. Okay.
7:04:27It's a little bit slow, so I'm gonna make it just faster.
7:04:35If you want the video, just comment the word. I I'm going to hide blueprint just for now. If you want the video, just comment the word Even faster.
7:04:45Right? Like, we we gotta do it faster. Faster.
7:04:49Somewhere here, maybe. If you want the video, just comment the word system.
7:04:56Okay. If you want the video, just comment the word system.
7:05:00Maybe that's too fast. Sorry. Like, guys, I take too like, sometimes I just if you want the video, just comment the word sis.
7:05:09Alright. And then the word system or well, in this case, it says blueprint, but we need to change it to we need to change it to system.
7:05:23Okay. And that one is gonna be a owners.
7:05:32Which one were we using? So x light, x narrow.
7:05:37I don't remember. Owners, but it's it's owners narrow, and then it's it's this one.
7:05:49No. It's not narrow. It's actually text Owner's text.
7:05:57Black.
7:06:01Is it a robot? Should we do it a robot robot text? So owners, owners, owners, owners.
7:06:08Well, guys, honestly, it doesn't really matter. Like, don't overthink this too much.
7:06:14Just let's go with let's go with the one we've been using. So owners narrowed and then, um, x black.
7:06:22Okay. Just like that. Now we want to, uh, do some glow, so basic glow shadow.
7:06:29Remember that one? To both of them. So basic glow shadow to this one as well.
7:06:37Oh, did we just change the bro, what did I do? We just changed the comment.
7:06:44Right? There you go.
7:06:47Okay. That this is what I mean when when I say that after after effects is sometimes so tricky.
7:06:54It's so tricky. You gotta keep an eye on because all of a sudden, you're scrolling. You change something you didn't notice, and then it's completely different to what the thing that you created.
7:07:06Uh, we center both of them because we need to center those. Center and center. Okay.
7:07:13And the word system is gonna be a slide up. Oh, boy.
7:07:19I my back is guys, I'm I'm getting tired. I'm not gonna lie.
7:07:24But we finished here. That's a good thing. So slide up.
7:07:28Sliding up. Sliding.
7:07:32Sliding up. Uh, just gonna put it in system. And, okay, it's it's going all the way here, up here.
7:07:41So we are just gonna tweak those a little like this one a little bit where it's not gonna be there. I'm gonna hold shift and bring it back here and I might I might do it bigger so people can actually see what's the word they need to comment.
7:08:03If you want the video, just comment the word system and I will send it okay. Video, just comment the word system and I will send it over to you. Basic content is dying, but let me actually tell you why that is good news.
7:08:17Based on the LinkedIn expert Justin Welch, posting generic content like quick tips, how to's, or even chat dbt generated content doesn't work anymore. What's working right now is essence.
7:08:29Now let me actually tell you what that means. When you overcome a challenge or system, and I will say okay. It lagged a little bit, but, guys, it's looking pretty solid, man.
7:08:38I was just I was like, okay. Let's watch it.
7:08:43Bro, it's looking pretty solid. So now, guys, we finished the animations. Okay?
7:08:48We finished the animations. Now just to so here, this I call it the only ecosystem.
7:08:56I wanna do something here with the shadows, so I'm going to unshy everything.
7:09:03Just click here, click you, and then I'm gonna select everything.
7:09:10I need to toggle switches and modes, so all the way down here. I'm gonna bring everything back to life. Oh, what did I do?
7:09:20Okay. Not this one. This one here.
7:09:24Bring everything back to life. Welcome back to life, guys. And then I wanna I wanna take the shadow that we used at the very beginning.
7:09:32I I am going to duplicate it, and I'm gonna bring it okay. I'm gonna bring it up from here, not from the timeline because if that happens.
7:09:43So, uh, where it says the only Nikon system, I'm gonna take it. I'm going to put it here, and I'm going to do, like Just gonna make the size of the segments, and I wanna play around with the opacity of it.
7:10:04So the it's gonna be it's like we're not gonna have shadow. The shadow is gonna come within the zoom in.
7:10:16You see? Okay. Just a couple tweaks that we can do, couple details, um, at the end, and, um, it is it is below it is below the words only in ecosystem.
7:10:31So we can either put it there or put it here or put it about above everything.
7:10:38So it's gonna look like this, and then it's gonna take system, and it's gonna make that, you know, as well.
7:10:47So the word system. I like this a lot.
7:10:51I like this a lot. I like this a lot. So now what we wanna do is we wanna just check everything as slow, like, very, very carefully check grammar, check, um, effects, and let's actually let's let me bring this to third.
7:11:09Okay? So the quality is gonna be awful but I just wanna check everything. Okay?
7:11:14Basic content is dying but let me actually tell you why that is good news. Based on the LinkedIn expert Justin Welch, posting generic content like quick tips, how to's, or even chat GPT generated content doesn't work anymore. What's working right now is essence.
7:11:29Now let me actually tell you what that means. When you overcome a challenge or you solve a problem in your life, you gain genuine expertise and insights. But it is only when people see that you overcome a challenge that they wanna solve when they truly connect with you.
7:11:45There is a system to share your insights and expertise in an original and honest way. I call it the online ecosystem, and I just recorded a video explaining how it works. If you want the video, just comment the word system, and I will send it over to you.
7:11:57Basic content is
7:12:01let's go. Okay. Let's go.
7:12:02Let's go. Let's go. Let's go.
7:12:04Perfect. Perfect. Perfect.
7:12:05So let's actually just check normal normal effects.
7:12:11So I'm gonna go to half, and then I'm going to start going through everything. So okay.
7:12:20Activating here. The highlight, it's activated.
7:12:24These ones, we activate them. Shadow. Okay.
7:12:29And then let's continue here. So Vineet, this one is activated. Activated.
7:12:36Okay. This one seems to be activated as well. Justin Wells.
7:12:39Okay. Okay. These ones were activated.
7:12:50K. It seems like I didn't deactivate too many things.
7:12:54Okay. So this one's activate.
7:12:58This could be a little bit boring, but it's necessary. Okay. This ones were activated.
7:13:05Activated. Activated.
7:13:09To be honest with you, like, when you are editing, like, you can leave them activated and then just bring the quality back to third because as you could as as you could see, I was able to play everything and the computer didn't lag. So after effects didn't lag. So just keep that in mind.
7:13:26You can just leave everything activated and just bring the quality down.
7:13:32If it lags, then, yeah, deactivate the the effects is gonna help a lot. Otherwise, it's not necessary. By the way, I'm I'm using a MacBook m three Pro, and this one is, like, 18 gigabytes of RAM if I'm not mistaken.
7:13:51So it's a really solid, um, MacBook m three pro chip, but it's not like the most powerful MacBook, but I really recommend it.
7:14:02I got it I got it for around $2,000, and, bro, it's pretty solid, to be honest.
7:14:09I love these these MacBooks, bro. I they're just amazing. Now and when it comes to computers and stuff like that, I don't really know too much about computers, but, um, what I know is that you just gotta for for these programs, it's good to have good RAM.
7:14:26And if you're not using a MacBook, then try to get a gaming laptop or gaming PC where it has, a good graphic card.
7:14:36Okay? Now that's gonna be a little bit expensive. Alright?
7:14:41I'm not gonna lie. So it's it's just way better to get a MacBook. Okay?
7:14:45So with that being said, guys, now we can go ahead and render this thing. Okay?
7:14:53So I'm gonna pause the video right now because someone is outside my house again.
7:15:05Okay. So now we are gonna render the video.
7:15:09And, uh, in order to do that, we checked everything. We checked the grammar.
7:15:14We checked, um, yeah, just pretty much everything. I I guess there are no no mistakes. For me, everything looked pretty pretty good.
7:15:23Um, you can even go through the timeline here. Make this, uh, like this, and then just go through everything.
7:15:31Try to see where you can, like, just, you know, identify mistakes, identify errors when they truly connect with you.
7:15:43Okay. See, I I I want to, like, apply another maybe I could've applied another shadow right there, but I'm just gonna leave it like that.
7:15:57And then maybe I can apply maybe I can use that shadow again. So let me duplicate it.
7:16:04Bring it here back to like this one. So here.
7:16:21And then bring it back here. So it's gonna be, like, when they truly connect with you, but with you is we cannot see it, so we're just gonna leave it here.
7:16:36When they truly connect with you. Okay. Perfect.
7:16:39So I'm gonna save this. And, guys, in order to render this masterpiece, you're gonna go here to main.
7:16:47Okay? So r three main, and we're gonna go to file, and then we're going to export and add to render queue.
7:16:59On render queue, we can see it. Now, um, here on where it says best settings, we're just gonna leave like that.
7:17:08You know, honestly, we don't we don't really need to change anything here. It's full resolution. It's ten eighty p.
7:17:16Click okay. Then the format is gonna be, you know, h 264.
7:17:22That's the one we mainly use. You could either like, you could you could try to render this in QuickTime on QuickTime.
7:17:30Okay? That's another option. Um, I guess some people say that the quality is better with quick time, but I don't know.
7:17:39Like, I tried rendering this with quick time, and it was taking more time than I expected. Not only that, but whenever I drag and drop it into Premiere, it was lagging.
7:17:49It was lagging a lot. Premiere Pro was lagging. I don't know why.
7:17:53So I just rather to do it in this way. Click okay. And then if, uh, let me see.
7:18:03So okay. So I'm here is where we choose the location. So I'm gonna choose Pablo Pablo Reels basic content renders, and I'm gonna call it, okay, r three animations.
7:18:16Okay? And then I'm gonna save it. Boom.
7:18:20And now we just want to go ahead and render this. Okay?
7:18:27And now it's gonna take some time to render everything. And so, yeah, it's just gonna take some time to there you go, guys.
7:18:39So, um, we render this, and now we wanna check that everything was fine. Now I just wanna check something really quick because as I was rendering, I noticed that this part of Justin Welch, it rendered pretty quick.
7:18:56So I just wanna double check that I activated the effects for those things. So text box.
7:19:04Okay. Turbulent displays. Justin Wells.
7:19:07Okay. Yeah. It's it's activated.
7:19:09Perfect. So now I just wanna go here. I wanna go on Pablo Reels, Pablo videos.
7:19:16Where is it? So Pablo Reels, basic content renders, and I wanna check that out.
7:19:21So it says animations that let me click here.
7:19:25Basic content is dying, but let me actually tell you why that is good news. Based on the LinkedIn expert Justin Welch, posting generic content like quick tips, how to's, or even chat GPT generated content doesn't work anymore. What's working right now is essence.
7:19:40Now let me actually tell you what that means. When you overcome a challenge or you solve a problem in your life, you gain genuine expertise and insights. But it is only when people see that you overcome a challenge that they wanna solve when they truly connect with you.
7:19:55There is a system to share your insights and expertise in an original and honest way. I call it the online ecosystem, and I just recorded a video explaining how it works. If you want the video, just comment the word system, and I will send it over to you.
7:20:09Awesome. I love it, bro. I love it, to be honest with you guys.
7:20:13I love it. I love it. And now before we actually finish and, uh, finish this segment and and move on to Premiere Pro, I want to show you other timelines.
7:20:25Okay? So I'm gonna go here to, um, one, and I want to show you that I'm just doing the same thing here on real one.
7:20:33So for example, I'm using I'm using, um, words and and text here with glow, with, uh, some turbulent displace. I'm using a shadow. And then look what I'm doing here.
7:20:44I'm bringing two icons with boxes. Okay? That's that's all I'm doing.
7:20:49I'm creating a box, and I'm I'm I'm using these icons. Now you see that little noise? That little noise is the noise alpha we used for the backgrounds as well.
7:21:00So you can apply noise alpha to icons as well. Right? So if I go here let me click here.
7:21:07Okay. So if I go here and, uh, audience PNG, I'm just applying some noise alpha at 44.
7:21:16Okay? Then what I'm doing is I'm doing a zoom in and then look what I'm doing here.
7:21:22These icons, uh, inside the box, they are changing. Boom.
7:21:27Okay? Boom. How am I doing that?
7:21:31So one, two. Okay.
7:21:33How am I doing that? So, for example, I'm using a null object and I'm parenting the dollar icon and the bills.
7:21:41Okay? I'm parenting everything to this to to to this icon box.
7:21:51Okay? So I'm parenting everything to the icon box and as a mate.
7:21:56So as you can see, these things here, like the dollars and the audience, they are parented to the icon box as a as a mate.
7:22:06So that's why they are they are only gonna be in the frame here of the box. Okay? Remember how I explained that, uh, with Justin Wells?
7:22:16Well, it's the same thing here. Okay? You just wanna so I took the box.
7:22:20I know this is confusing, but I took the box. I duplicated the box. And then for the builds, I just track made it or, yeah, track made to the second I the the second box.
7:22:32And then I I'm using a null, and I'm parenting all these guys to the null because for the null, if we click p, I'm doing, um, like, some keyframes where the null object, okay, as you can see, is going up.
7:22:48Alright? So the null object goes up, so everything goes up, and then again and again. Now I'm doing another thing here where I'm I'm using a three d camera.
7:22:58So for this one by the way, this is a precomposition. So, basically, we can take a lot of elements.
7:23:06Okay? So I could I could take a whole segment, for example, from here or from here.
7:23:12I could take a whole segment, and I can right click and precompose it. So what that will do is just take all the elements and put it in in one separate composition so my timeline timeline doesn't look very crowded.
7:23:28It's something you can do. I did it here. So as you can see, if I double click this one, it's gonna open this segment.
7:23:36Okay? And this segment has a background. It has some three d cameras as you can see, two three d cameras where I'm doing this first scene here.
7:23:46I'm just using a line. I'm just using numbers, and I'm I'm using the text boxes.
7:23:52And then I'm with another three d camera, I just make a zoom out. And then another line, okay, or this is actually a a an ellipse.
7:24:02Okay? So for ellipse, I can even create okay.
7:24:07Let me just undo that. So for for the ellipse, if you guys take a look at that, which is this circle here, I can also do trim path.
7:24:16So I can add a on contents, I can add a three trim path, and by using keyframes on end, I can I can do that animation where I'm where where the circle is doing this?
7:24:29It's it's it's similar to align, but just in a circle. So that's how I was able to just go ahead and make the circle that way.
7:24:42K? And then what else? I can I can close this?
7:24:45I can go back to r one. And what else did we do? Well, I just used normal pictures from people, shadow with key frames.
7:24:56We are bringing them from the side to the center. And then another scene animation here where I'm I'm using a couple three d cameras with more elements, text boxes, text.
7:25:11I'm using a line right here, and I'm just playing around with the key frames of everything. Okay? So everything moves smoothly and, um, I actually do the what I want to do.
7:25:24Okay? And then at the end, it's just normally.
7:25:28So if you want, we can take a look at this one. I'm I'm not I I don't know if it's gonna lag or not, but let's try. Line.
7:25:35The goal of having a personal brand means to help an audience and if you want, you can make money at the same time. The problem is that most the goal of having a Yeah. It lagged.
7:25:44So anyways, I really like this animation right here. Uh, for me, this is one of the best ones that I've done.
7:25:51So for example, I I I wanna see if I can show it to you. The third.
7:25:57Let's see. And I quickly realized that these people are leveraging person quickly realized
7:26:02that these people are leveraging per Okay. Yeah. It's laggy, but I I love this animation here where I'm I'm just playing around with three d cameras with key frames, and we we can we are able to do that look right there.
7:26:15Okay. So with that being said, guys, let's continue with this tutorial.
7:26:20We are almost finishing, and we are now gonna go back to Premiere Pro where we do the overlays, the sound effects, the music. We finally export the video, and we see our masterpiece.
7:26:34Okay, guys. Welcome to this segment, and I'm pretty excited for this one because we are about to finish our reel. Okay?
7:26:41We just need to add some overlays, some sound effects, some music, and it's going to be finally ready.
7:26:47Again, I know how long this tutorial, um, is, but I think we made a really good progress here when it comes to learning and, um, like, creating high quality wheels.
7:26:59Alright? So we're gonna go to open we're gonna open Premiere Pro, and we're gonna go to the project that we've been working on, which is, you know, the the reels project that we've been just working on and building.
7:27:14So remember, we have the template. So if I move it around here, we have the template with that we previously created, and we have we should have a folder with the reel that we've been working on as well as the ten eighty p timeline with all the cuts, the trims, the color corrections, and it is here where we go ahead and add the animation.
7:27:37So I'm gonna go to the folder. I'm gonna right click, and I'm going to import the so I'm I'm I'm I'm at the right folder here where it says our three basic content on renders, and here are the animations.
7:27:51I'm just gonna go ahead and import those, and then just drag and drop it. As you can see, I'm gonna just drag and drop it here.
7:27:58It's the same length. I'm going to detach the audio.
7:28:03So, basically, I just unlink these two right there. I delete this one because I only need the actual animation as you can see.
7:28:12Alright? I can I could even delete this adjustment layer if I wanted to? You can just leave it there.
7:28:19It is no problem. Okay? Now I can play, uh, the video just to see that everything is is right.
7:28:25Basic content is dying, but let me actually tell you why the I can put this That is good news. Based on the LinkedIn expert Justin Welch, posting generic content like quick tips, how tos, or even chat GPT generated content doesn't work anymore.
7:28:40What's working right now is essence. Now let me actually tell you what that means. When you overcome a challenge or you solve a problem in your life, you gain genuine expertise and insights.
7:28:50But it is only when people see that you overcome a challenge that they wanna solve when they truly connect with you. There is a system to share your insights and expertise in an original and honest way.
7:29:01I call it the online ecosystem, and I just recorded a video explaining how it works. If you want the video, just comment the word system, and I will send it over to you.
7:29:10Okay. Awesome. Everything is fine.
7:29:12Everything is really good. We already watched this video, but I I love it so much that I I I wanted to watch it again.
7:29:19I'm gonna mute my voice right here just to be able to scroll and everything. And now we're gonna start working on pretty much everything.
7:29:31So I'm gonna add a new track here because I wanna add some overlays and stuff like that. So I'm gonna do that. And then with holding option, I'm gonna scroll here just to make the timeline bigger, and I can start working on the first segments, like the hook and other stuff like that.
7:29:49So let's start working on those. Um, first, I'm gonna just go and add start adding overlays. Okay?
7:29:56That's the first thing I I want to work on. So for example, let me see these overlays.
7:30:07Okay. So I like this one, but let me see this one.
7:30:15Okay. Alright. So I'm gonna work on I'm gonna use this one.
7:30:23I like it. Okay? But I'm going to, uh, play around on Lumetri color just to make it black and white because I wanna, uh, just keep the the style of the, you know, black and white colors that we've been using.
7:30:40I'm gonna copy this. Okay? And then I'm gonna I'm gonna go ahead and paste it.
7:30:46And look what I'm gonna do here. I'm gonna select this track, not this one.
7:30:50Okay? I'm gonna select that one and then gonna select, um, a two, so v four a two. Alright?
7:30:57And then I'm gonna command v, so I'm gonna paste it. Alright? Perfect.
7:31:03The if if if that doesn't work for you, just make sure you go on Premiere Pro and you check the keyboard shortcuts. Okay? And then you just go to where it says, like, copy and you just check, like, that out.
7:31:22I don't really remember, like, how to actually go about it, but I'm gonna see if I leave a link on the description of of how to actually set up the copy and pasting because copy and pasting here on Premiere, it's kinda too tricky.
7:31:36Okay? So, um, right now, I don't really remember how I was able to set this up, but just make sure you, you know, you select the track and then you copy the overlay where you want as well as the audio for the overlay.
7:31:51Because if we don't do that, look what's gonna happen. Uh, if I select v three, for example, of of or I have it selected and I paste the overlay, the overlay is gonna be paste on the actual animation, so it's gonna be weird. Right?
7:32:04It's it's that's that's not what we want. We want to paste it on the on the correct track. So right here.
7:32:11Okay? Awesome. Let me see how that looks.
7:32:15Alright. Awesome. And remember, we don't have the the my voice, so that's why we cannot hear it.
7:32:22Okay. So I wanna select here, and then maybe I can move it around just a bit.
7:32:27I can deactivate this little magnet, so it's just way better. Uh, and then okay.
7:32:39So right here is where I want the thing to be. So when when everything like, right on the cut, I want everything to be wide.
7:32:47So and then I I'm not gonna use an overlay right there. It's not necessary.
7:33:01Okay. Maybe I want an overlay right here. I thought okay.
7:33:06Yeah. So an overlay right here. So I'm gonna go back to the template.
7:33:10Maybe I can use a different one. Maybe one that is not very long. Maybe just a short one like the ones here.
7:33:16So let me see this one. Okay. So I like this one.
7:33:21This is one that I used a lot. I'm gonna decrease the saturation because I wanna keep the I wanna keep it wide. Command z.
7:33:29Go here. Command v. Okay.
7:33:35Okay. Awesome. And then let me continue to see.
7:33:39Alright. So there's no need for an overlay right here. Uh, we just have the normal animation and then another animation here.
7:33:49And I don't think we need an overlay right there because the transition was pretty pretty cool. Truly connect with you.
7:33:58Then we have this one. And as long as I know okay.
7:34:04We need an overlay right here. Alright. Perfect.
7:34:07So I'm just gonna copy this or maybe just go to another one just to use a different one. And oh, okay.
7:34:18Maybe this one. I like this one, so I'm gonna, uh, play around with the saturation again, um, copy, and then gonna go here, and I'm gonna paste it here.
7:34:31Okay. If you feel like the overlay is pretty slow, you can change its speed by going here.
7:34:40You can change the speed of any clip by going here. Uh, right now, it's at a 150 because I have previously, you know, uh, speed it up, but we can even do it faster to, I don't know, a 160, for example.
7:34:55Just click okay and then, okay, awesome. And then we have that.
7:35:02Um, there's no need for an overlay here, and then we have the end of the video. Awesome. I like pretty much.
7:35:08And as you can see, if I scroll this here, we're not we're just using three overlays. So it's not like we're using a lot of overlays and we are oversaturating the video with overlays.
7:35:17We're keeping it simple with keeping it high quality, not over edited. And then once we have the the overlays, okay, we can we can work on two things, either the sound effects or the captions.
7:35:30I'm gonna work on the sound effects right now so you guys can see how cool that is. So first thing I notice when I'm working on sound effects are the whooshes.
7:35:40Okay? I wanna focus on the whooshes. So take a look at this.
7:35:44I am zooming out. Okay? And then there is a line right here.
7:35:49Okay? And like a typewriter effect. So we have a couple things.
7:35:53We have a zoom out and then the text is also sliding up. Okay? So that can be one sound effect, and then we have a typewriter with a with a highlight.
7:36:04Okay? So in order to work on that, I'm gonna go back to the template and look how important everything is here. Okay?
7:36:12So I'm gonna go to the whooshes, and now I can start to hear this.
7:36:20Okay.
7:36:31I need, like, a longer wish where for the intro.
7:36:40Okay. So either this one, this one, or I like this one. Let me see.
7:36:49Okay. Maybe I'm gonna use this one, so I'm gonna copy, and then I'm going to paste it here on a two.
7:36:56Let me see. Alright. There we go.
7:37:00And I'm gonna make this here. Okay? Because I wanted to start with the okay.
7:37:06Even more. Okay. We can cut that.
7:37:09We can put it here, and then there you go. And we wanna mute the voice so we only hear the sound effects.
7:37:16Right? Alright. Perfect.
7:37:19And then I don't know, like, how how loud you guys are hearing everything. Uh, let me see if I can modify that a little bit. Okay.
7:37:30So I think you you guys are hearing it pretty good. So we do that, and then we're gonna work on the typewriter.
7:37:38So for the typewriter, let me see, like, what type of maybe digital?
7:37:49Okay. We have the typewriter here. Okay.
7:37:52The keyboard. So command z, and then, uh, we can go where it starts.
7:37:58So it starts right here. I can select a three and then paste it.
7:38:08Okay. Obviously, we are not gonna do it, like, very, very long because it's pretty fast. Right?
7:38:14It's really, really fast, in fact. Uh, well, let me undo that because it starts somewhere here and then it ends somewhere here, and I can just move it a little bit more. Okay.
7:38:26Awesome. So and then for the highlight for the highlight, it could be cash, bells, negative UI.
7:38:41Okay. Let me see UI.
7:38:49Okay. So either or. This one this one is, like, more negative, so I think I'm gonna use that one.
7:38:58And I'm gonna use it also here, but not on a three, so I'm gonna add a new track and do it on a four, command v.
7:39:12Maybe I can delete this one and, honestly, just skip this one.
7:39:18Okay. Sounds good. Can I make it bigger?
7:39:21Okay. I can make it bigger.
7:39:28Even more.
7:39:32There you go. Okay. So alright.
7:39:38Awesome.
7:39:42What else? Okay. We have Justin Wells.
7:39:45So we want another wish. Okay.
7:39:49So another wish for Justin Wells.
7:39:54Okay. This one.
7:40:04Those those are a little bit loud. Sorry if you guys are hearing that very loud.
7:40:18These are pretty fast. I like this one. Maybe it it kinda like it kinda like works for the animation we're doing here for Justin Wells.
7:40:29So let me see. Mhmm.
7:40:36Okay. I like it.
7:40:47Yeah. I like it. Let's leave that one.
7:40:49Alright. And here is where we can use a typewriter, okay, for the for the generic thing.
7:40:57Okay. So UI or digital, it was this one, if I'm not mistaken.
7:41:02So copy. Um, we go ahead and paste that. And by the way, guys, like, if you didn't get the the either the the full pack of assets or the premium editing assets like here, um, remember that this is where I'm getting all the stuff from the template that I created.
7:41:22Um, so you can either get it here or something that I recommend also for for sound effects is in vital elements.
7:41:30Alright? It's another place where you can find, like, more elements. Uh, it just takes time to go and find the right elements, but it's something you can do.
7:41:38And, also, for music, you can find on Artlist. Um, but, again, you know, that's why I put some here because these stores these tools are good, but they sometimes they take a lot of time to actually go and find the stuff when you can just go ahead and create a template and drag and drop, like, stuff onto your videos.
7:41:57So let me see here. Okay. Perfect.
7:42:01So it sounds pretty pretty cool, so I'm just gonna move it more just so it starts more about here, and you can increase the volume of this so it sounds a little bit more.
7:42:15There you go. And then we have a fast whoosh right there. So here, um, we're gonna use a fast whoosh.
7:42:22Let me see.
7:42:35Maybe I wanna use this one, and I'm thinking about changing the so I'm gonna use this one for the box. Okay. Let me see.
7:42:45Oh, yeah. It sounds way better. So for for Justin Welch, I might use the one that I used on the hook.
7:42:54So paste it here.
7:42:57Yeah. It sounds way better. So maybe here and increase it somewhere here.
7:43:05Okay. It sounds way better. Way way better.
7:43:08And look here. Like, I can either use this one.
7:43:20I don't know. I'm not convinced with this one. I'm not, like, completely convinced.
7:43:30Maybe and I know I'm taking a lot of time, but this is what it takes to do the the this is what it takes to do the the actual sound design of a video.
7:43:43Okay? I'm just showing you guys how to do the sound design.
7:43:51I think I have, like, negative warning, so let me see.
7:44:05Yeah. None of those.
7:44:09None of those. None of those.
7:44:12Cash. Not we don't need cash. It's unfortunate, but I'm just trying to find the one that's best.
7:44:22We're just gonna leave it like that just to just so we don't overthink it. Okay. So we'll leave it like that, then we have Justin Wells.
7:44:33And then we need something for the line. And for that one, I am going to go to UI.
7:44:40Okay?
7:44:44Uh, actually, digital is the one.
7:44:51Okay. This one. So I'm gonna copy, and I'm gonna paste it on a four.
7:45:01So it's like alright. You see?
7:45:07Okay. So it's gonna end somewhere here. Uh-huh.
7:45:13And then and then another, like, again. So and then it it goes from here.
7:45:22There you go. And then another whoosh right there for the chattypete. So here.
7:45:32Okay.
7:45:36Alright. Perfect. Looks pretty good.
7:45:38And then another typewriter. So somewhere here.
7:45:44Uh, but not only the typewriter. I also wanna do the whoosh, k, that we used here to make the transition from the to the typewriter's effect.
7:45:54And I'm gonna paste it on a four.
7:46:00Okay. Awesome. Look how the video is looking just with the sound.
7:46:18Okay. This should start like a little bit here. Remember?
7:46:24Okay. Awesome. Okay.
7:46:26Essence. So we have essence and a quick zoom in. Alright?
7:46:32So for that, we can use we can use a whoosh, small whoosh.
7:46:41Okay. Like this one. Alright.
7:46:44And then so could be somewhere here. Oh, okay.
7:46:53Maybe less.
7:46:56Alright. Yeah. So somewhere here.
7:46:58There's a little sound right there, so I'm gonna just keep it here. Alright. Awesome.
7:47:04So I'm gonna, um, we can keep it we could add the typewriter, but I don't wanna use a typewriter, like, a lot. So look what we can do.
7:47:13There is one sound effect where I have on hits.
7:47:20Okay. So here. Okay.
7:47:23This one, look how I can use it. I can go here and on a three and then just put it here several times.
7:47:35So copy and then paste it and then paste it.
7:47:43Okay. So this one no. Is it that one?
7:47:50I thought it was another one.
7:47:56Oh, I think it's this.
7:48:09Maybe it's this one. So I'm gonna copy and then just paste it here.
7:48:14Alright? So paste it, and then I'm gonna just let me see.
7:48:23I wanna do, like, a fat like, I'm I'm gonna I'm gonna, like, trim it a little bit and then just copy and paste it several times so we have, like, a, like, a fast effect right there for the thing. So okay, so we got it right there.
7:48:43I think we're just gonna leave two.
7:48:46We're just gonna leave it like that. And let's see what else do we have. Okay.
7:48:50So here, this one is important. Okay? Um, we have a number that is counting, so, like, a counting number.
7:48:57I think we have it here. So digital.
7:49:04Okay. We're gonna use the same. So here, this one, and we're gonna use it here.
7:49:10Alright. So it's gonna be the number counting, but it's gonna go longer.
7:49:18Okay. That that has another sound effect in it, so I'm just gonna copy and then paste it here.
7:49:27Okay. So there's a little weird pause right there, so we can trim it a little bit more.
7:49:38Why? Like, where is that paws coming from?
7:49:47Okay. And we even need it a little bit more, so I'm gonna copy and then I'm gonna paste it again. Okay.
7:49:54And it ends right here. And just to not add a lot of sound effects, we can just leave it like that.
7:50:01Okay? We can just leave it on the number. And then here as I reach this number I can do like a reward.
7:50:10Right? So let me see if I have rewards, cash.
7:50:14Okay. Cash. So cash.
7:50:20Okay.
7:50:24Okay. This one. I like this one.
7:50:25I like that one. Let me see the other one.
7:50:30Okay. Let me see.
7:50:37Okay. This one. Copy.
7:50:39And then I'm gonna go ahead and paste it here.
7:50:45And I'm gonna just move it somewhere here.
7:50:50Oof. A little bit later. So here.
7:50:55Okay. And then we have the XP and the other one. We need, like, some solid, like, positive whooshes or belts.
7:51:06Let me see.
7:51:19I like these two. Okay? So let's use two different ones for two different, you know, things.
7:51:25So for example, here, I'm just gonna paste them and then use one for the XP and then the other one for the insights.
7:51:39Okay? So let me see. Okay.
7:51:43A lot here. Alright. Perfect.
7:51:45So this alright. Awesome.
7:51:48And then this one, we can use the same zoom out again. So zoom out.
7:51:56Let me just make the timeline smaller so I can just go. Um, and then I'm gonna paste this one here.
7:52:05Okay. Perfect. So, um, just gonna make that a little bit bigger here, so it sounds good.
7:52:14Okay.
7:52:16Maybe not too much.
7:52:22Alright. What else do we have? Oh, when they truly connect with you.
7:52:25So when they truly connect with you. And, guys, you guys get the point with these sound effects.
7:52:34I think I'm gonna just pause the video, trim it really quick here. Okay? So I don't like, we don't take too too much time.
7:52:41The tutorial is already long, so I don't wanna take a lot of time on the sound effects. I'm just gonna finish the sound effects really quick, and then we can, like, we can obviously continue with the music, and then I'm gonna show you, like, you know, how how everything is gonna be completed at the end.
7:52:58Alright? So I'm gonna pause real quick. Okay, guys.
7:53:02So let's continue here. I just finished adding all the sound effects. And as you can see, I'm gonna just zoom, um, out the timeline a little bit, and we can see all the sound effects.
7:53:14Right? Now let's take a look at the video and the sound effects to see how everything plays out.
7:54:04Okay. Awesome. So I found a variable to the typewriter where is this camera so if we go here to camera, there is this little sound effect right here.
7:54:16You see? And I found that to be a really, really good, like, variable for the typewriter.
7:54:24So look at this. You see? Look at the word comment.
7:54:29It it's just pretty good. Okay, guys.
7:54:33So now we can go ahead and work on the music and the reel is gonna be ready. So in order to do that, um, we have several options.
7:54:40When it comes to reels, uh, I included some music for, uh, or on the full pack and the premium assets, cinematic evergreen music that you can use.
7:54:49You won't have any problems using that music. When it comes to YouTube, if you're editing a YouTube video for yourself or a client, I suggest using tools like Envato Elements or Artlist. Okay?
7:55:02I highly suggest using those. Alright? Because you don't if you want to monetize a video on YouTube, YouTube is a more complicated platform, so I highly suggest having the license of the music you use on those platforms.
7:55:15And then another one is going on Spotify or YouTube. And then if you want a music and or a sound or whatever, a song, and you wanna download it, I'm gonna leave the link in the description to this tool, okay, where you can extract and download audio from YouTube. Be careful here.
7:55:32Okay? Be careful here because as I click here.
7:55:37Okay? I need to click close again because there are some pages that we don't wanna open and then I'm gonna go back here and choose m three m p three.
7:55:48Okay. Don't worry. It's it's this tool is good, but it's just that it opens some crazy sites.
7:55:55Okay. So just go ahead and close that. And then, um, you're gonna be able to download it.
7:56:00I'm gonna save it to the download not the downloads, but Pablo editing assets, premium assets, background music. Save it here.
7:56:09And there you go. We have it. So now I can go ahead and import it.
7:56:14And take a load to Pablo, edit assets, premium assets, background music, and we have several options. There are some good options here, but I thought I put it here.
7:56:24Where did I save it, bro? Is it here? Okay.
7:56:29Background music.
7:56:33Where is it? I just saved it, and I don't remember where I saved it. So let me open the folder for that one.
7:56:41Yeah. Here it is. Okay.
7:56:43Maybe I I don't know what's going on. I'm I'm going crazy. I'm just gonna drag and drop it here.
7:56:49Okay? Drag and drop it. Alright.
7:56:53So what is going on here? Why can't I drag and drop it? I don't know.
7:56:56I don't understand. So import Pablo.
7:57:03So I saved it here. Bro, what is going on? Sorry, guys.
7:57:09Premium assets, background music. Okay. It's this one.
7:57:13So import it. There you go. I don't know why it wasn't working, bro.
7:57:17So I'm gonna drag and drop it here. Alright. So we drag and drop it, and we need to lower the volume of that.
7:57:24So you can lower the volume here. I'm gonna undo that, or you can lower the volume here where it says essential sounds. Um, you can just choose and lower the volume.
7:57:36It's pretty loud right now, so I'm gonna lower it a little bit more.
7:57:47Okay. So I wanted to start somewhere here. Okay.
7:57:52And I'm gonna just select this. I wanted to start somewhere here. Lower the volume a little bit more, and let's see.
7:58:06Okay. Maybe less. So let me scroll here, and you wanna find the right position for the music.
7:58:12This is something important so it the music flows with the video. Right?
7:58:24Okay. I want this to like, the the the drama part of the song. I need to mute this because whenever we're moving this, it sounds, like, very loud.
7:58:33Uh, so I wanna, like, the drama part of the song to be here where it says generic content and all that stuff. So let me see how that okay.
7:58:47There you go. Awesome. So now let me bring this here.
7:58:50Okay. And now take a look at that.
7:59:37Okay. I love it, bro. Can you guys see the flow of the music now?
7:59:41Let me activate my voice
7:59:43so we can take a look at that. At least just beginning. Basic content is dying, but let me actually tell you why that is good news.
7:59:51Based on the LinkedIn expert Justin Welch, posting generic content like quick tips, how tos, or even chattypty generated content doesn't work anymore.
8:00:00What's working right now is essence. Now let me actually tell you what that means. When you overcome a challenge or you solve a problem in your life, you get Okay.
8:00:09It's just it was just perfect that this part right here matches exactly with with this other part. So look what I'm gonna do. I'm gonna cut the song here.
8:00:18And for this part of the song, I'm going to lower the volume even more because I noticed it was, you know, like loud and then I'm gonna lift the other one just as it is right now. Okay?
8:00:30Or you solve a problem in your life, you gain genuine expertise and insights. But it is only when people see that you overcome a challenge that they wanna solve when they truly connect with you. There is a system to share your insights and expertise in an original and I'm gonna delete this sound effect because it doesn't really match.
8:00:50To share your insights and expertise in an original and honest way. I call it the online ecosystem, and I just recorded a video explaining how it works. If you want the video, just comment the word system, and I will send it over to you.
8:01:02Okay. Awesome. I love it, guys.
8:01:04I love it. I'm taking some time here, but okay, guys.
8:01:11So now we are gonna lastly talk about captions. Okay? Caption is something I almost forgot about to tell you guys, but no no worries.
8:01:21We're gonna see how to do captions. The final thing that I do after I choose the music and pretty much everything is the captions.
8:01:29So let's go ahead and do that. Now for the video, okay, as you can see, we have the video here. We're gonna go to text, and I already created a transcribed version for the video.
8:01:41What you're gonna do is you're gonna you're not gonna have this. You're gonna see a little blue button that says transcribe.
8:01:47Okay? You just click on that, And then After Effects is gonna do all this transcribe for you.
8:01:53Alright? And then what you're gonna do here is you're you're gonna try to see try to find for grammar mistakes and stuff like that.
8:02:03So I'm just gonna go here based on the LinkedIn expert, Justin Welch, for example, Justin. Um, and then I can I can change the name of this? So Justin Welch.
8:02:15Okay? Justin Welch. Posting your own content like quick tips, and I'm gonna just delete, um, well, no.
8:02:21I'm gonna just leave the comments and points, and I'm gonna show you how to delete them, uh, later on. So based on the LinkedIn Expert, uh, okay. How?
8:02:30What's working right now is assessing. Now let me actually tell you okay.
8:02:35So for me, we can we can also change any grammar mistakes later. So I'm just gonna click the three dots here, and I'm gonna create captions. Okay?
8:02:45And look what I'm gonna do here. I'm gonna open this, and what we wanna do is maximum length in character, we wanna do around 12, so 10 to 15.
8:02:55So I'm gonna do 12, and then I'm gonna move this here and select single lines.
8:03:02Okay? And then I'm gonna create the captions, and the captions are created, you know, above.
8:03:10Okay? So we can see the captions right here. All of those are captions.
8:03:15Okay? And now take a look here where we can see them. Right?
8:03:19Right here. But they look awful. They don't look as we want.
8:03:24Right? So look what I'm gonna do. I'm gonna scroll in the timeline.
8:03:29Okay. I'll leave it be here. And by the way, I I was undoing some stuff, so I undid this thing here.
8:03:38So I'm just gonna cut cut. Just do that.
8:03:42And then, yeah, that's it. So I can see the captions here as you guys can see.
8:03:50Alright? I'm gonna mute myself as well. So mute this.
8:03:54Alright. So what we're gonna do, we see the word basic here. What we wanna do is we wanna double click on it.
8:04:02Okay? Double click, and then it's gonna open the property the properties tab.
8:04:08Alright? And here is where I can start, like, editing the captions.
8:04:14Okay? The captions that we wanna do. So for example, I can change the type the font the type of a font.
8:04:22So I'm gonna use owners for this one. What type of owners? I'm gonna use I'm gonna use owners black maybe.
8:04:31Alright. Yeah. I'm gonna use owners black.
8:04:33And then I can go here to the zone where I want to align the captions to. I'm gonna choose that, and then I can even, uh, just put it a little bit below. So let me just bring the video here.
8:04:48And so for example, let's let's actually work on this one. So this one is gonna be should we work on that one?
8:05:01Should we work on that one?
8:05:06Yeah. Because here like, this is the frame of the video. Right?
8:05:09This is the frame of the video. So we wanna like, we wanna position the caption.
8:05:14So we're gonna go to owners. Later on, I'm gonna I'm gonna explain how to do like, how we can use we don't have to do it one by one, obviously. Okay?
8:05:23That's what I'm trying to say. We don't have to do it one by one. We can do it, uh, we can just edit one and then apply it to the other ones.
8:05:31So I'm gonna choose this one because I was going to edit basic, but since there is a zoom in here, I cannot really see the position. This is the right position because the the video is normal now where I can drag and drop those captions to where I want them to be.
8:05:47So it it's gonna be somewhere here. Okay? And then we can go to appearance, uh, so it's gonna have a fill color, and it's gonna have a shadow.
8:05:57Okay? I'm not gonna use a stroke, but take a look to what I'm going to do to the size of the phone.
8:06:03I'm just gonna make it bigger, alright, so it looks better. People can read it a lot more. And I am going to go to shadow, and I'm gonna do something similar to what we did on after effects where I select the white color, and then it looks weird.
8:06:21Right? So if we go here, it looks weird.
8:06:25So look what I'm gonna do. I'm gonna go to this is the opacity if I'm not mistaken.
8:06:32Okay. This is the opacity. This is the angle.
8:06:35So the angle, I'm just gonna keep it somewhere like there. And then okay.
8:06:41This one, I'm gonna just keep it there. And this one, I can keep it here.
8:06:48And then I'm gonna increase this. This is the softness. Okay?
8:06:52So I'm gonna keep I'm gonna just increase it a lot. And then if I bring this one down and the opacity down, then I'm just doing a small glow effect on the actual caption.
8:07:07Now on the fill color, okay, on the fill color, I can change it. Well, not here, but I can, like, click here.
8:07:17And on on on these options here, we can choose the linear gradient. Okay?
8:07:24So on the first color, I'm gonna have white, and on the second one, I'm going to have, like, a darker color.
8:07:33Okay? And what I can do there is I can take this and move it a little bit here, and we can even change the angle, but we are mainly just going to play with the with this little thing right here.
8:07:50K? So either here or as you guys want, um, we're just trying to do some, and we can even bring this a little bit more here.
8:08:00So it's not as harsh. It's just a little bit right there. Okay.
8:08:05I like that one. So I'm going to click okay. And now that only applied to that text right there.
8:08:16Okay? Now if I go here, I don't know if this is the type of owners that I wanna use or if I should use the regular one.
8:08:27Not the rego. Okay. The regular one.
8:08:29No. The medium. The bold.
8:08:34Okay. I think it's the bold one, the one that I wanna use for the captions. Okay.
8:08:40Let me see the black again. It's black. Yeah.
8:08:44Let's use bold. Okay? So bold and no.
8:08:48Let's use black. I I know I am indecisive sometimes. But, yeah, there you go.
8:08:54Okay? So bold the black one, and now we wanna apply that.
8:08:59We wanna apply the glow. We wanna apply the shadow, the the the gradient. We wanna apply it to everything.
8:09:06So what I'm gonna do, look at this. We are gonna have a track style where I I already created one before.
8:09:14Okay? But in order to create one that we the one that just we just edited is by clicking this little thing right here, and we're gonna create a style.
8:09:24And you can call it whatever name. Like, you can call it name tutorial, for example.
8:09:29So name, uh, and then the name of your client, Reels, for example. The name of yourself, Reels.
8:09:36K? So I'm gonna just call it name Reels. And then you save it, uh, there, and you click okay.
8:09:44And now as you can see, all the captions have the same style.
8:09:51Okay? Which is amazing, which I really like. And so for yourself, it could be another font.
8:09:58I highly suggest just getting creative with this. I just showed you how to create the style so you can use it later on on other reels and other videos and other things because it's now saved. You can see it here.
8:10:10I already created one before, and I created this one. So if I select this one, it's gonna be, uh, it's gonna apply that one, but that one is centered here as you can see.
8:10:22But if I select the one that we created, it's gonna be here. Alright? Awesome.
8:10:27So with that being said, guys, now we see some points. So for example for example, is dying in a, like, a point here, so I don't want that. The way we get rid of that is by going on text, on captions, and then I can search for the all the words that's had or just the the points.
8:10:45Okay? And I can replace them with nothing. Okay?
8:10:49I I don't want nothing. So I just want basically to get rid of the points, so I replace them all. And there you go.
8:10:56There are no points. There there should shouldn't be more points anymore.
8:11:05So okay. Let me let me do that again because, apparently, it didn't work. It didn't I don't know what's going on here.
8:11:12So it updated everything, but it didn't update it here. I don't know why.
8:11:17So, anyways, um, I just think it's it's a matter of closing and opening after effects again if that doesn't work. Let me do the same for comas.
8:11:25So I look for comas, and I'm gonna replace them with, like, nothing. Alright?
8:11:30So I'm gonna replace them all. And, basically, that just deletes the comas.
8:11:35Okay?
8:11:38And let me see. Basic content is dying. Why didn't this work for the point?
8:11:43I don't understand. Replace. Yeah.
8:11:47There are no points, but, apparently, there there are here. So, anyways, let's just leave it like that. And I just wanna see if I I might have to close and reopen after effects.
8:12:02This has happened before where the points, uh, don't go away. But, anyways, just gonna leave it like that, guys, uh, because I don't again, don't wanna make the this ending too too long.
8:12:13We worked on the captions, and now look what I'm gonna do. Look what I'm gonna do because I'm I'm not gonna have the captions in on the whole video.
8:12:22Okay? We will need to deactivate the captions here and there. But I'm not going to deactivate them right there, so I'm going to do this here and then select all the captions, and this step is important.
8:12:35Okay? I'm gonna go to where it says graphics and titles. I'm gonna click there, and I'm gonna upgrade the captions to graphic.
8:12:46And then the captions is are gonna be up updated or, yeah, updated to graphic. Clip option, scroll, and then go here.
8:12:58Alright. And then start watching the video. And, obviously, I don't want basic content because we already have text for that.
8:13:03So I'm just gonna shift e to, uh, disable all of them, but I'm gonna just take like, I'm gonna have text from here, so I'm gonna disable these two.
8:13:14So shift holding shift e. Okay. And then now I just take a look at that.
8:13:27Okay. So, uh, I don't know if I should have these captions right here. No.
8:13:31I I don't want, actually, so I'm just gonna disable them as well. Let me tell you why that is good news. Based on LinkedIn expert, Justin Welch, Posting okay.
8:13:42So here where it says posting generic content. Quick tips how to doesn't work.
8:13:49Basically, to the next segment. Okay? So all the way to here, shift e so we don't have those captions.
8:13:56Okay? Because why? We have an animation.
8:13:58We don't need captions for on the animations because we want people to focus on the animation, and then doesn't work anymore. And then what's working now?
8:14:07What's working now? It's essence And now let me actually tell you what that means. When you overcome and so the next, we are going to deactivate for this for this thing right here.
8:14:20So right where the you wanna adjust the captions so they end at the beginning of the so mean the word means ends right there, and then it says when you overcome a challenge all the way to you gain gaining expertise.
8:14:43Okay. So all the way here. We want to deactivate those cap those captions, so I'm gonna deactivate them.
8:14:51Alright. So we just have the animation. And then I say, but, uh, it's only when people overcome or you wanna solve a challenge.
8:15:00I wanna I wanna keep the captions right there when they so it says okay. So on solve, look. What are we gonna do?
8:15:06We're gonna go to effects control. Okay? Because we don't want the caption, uh, to to disappear very on a harsh way.
8:15:15So I'm gonna go to opacity, and I can create a keyframe right here. And then I'm gonna create another key frame and just bring the opacity down.
8:15:29Alright? So the the word solve disappears slowly, and then the word when they appear.
8:15:36Okay? When they truly connect with you, And then original on this way.
8:15:45So way. Okay.
8:15:49So until here. Perfect. So I'm gonna take these all of them and disable them and solve disappear and then when they truly connect with you and then the animation.
8:16:00You could keep the captions if you wanted here because the animation doesn't have a lot of things, but I'm just gonna deactivate them. And then I say I call it the only ecosystem, so I'm gonna deactivate these ones as well.
8:16:15The only ecosystem. And when I say n I, so shift, and then I say n I, so we're gonna do the same here.
8:16:26I'm gonna create a keyframe on opacity, gonna bring it back to zero, and then gonna bring it back so here.
8:16:38And I just recorded a video explaining how it works if you want the video. So where I say if you want how it works, I'm gonna create a key frame on how it works, uh, from a 100 to zero, and then I'm gonna de like, just deactivate the whole thing here.
8:17:03Alright. Deactivate it. Because we have the call to action.
8:17:06Right?
8:17:11Okay. Guys, I like, we we we are ready.
8:17:17We're ready now. The reel is ready. Let's go.
8:17:21Let's go. The reel is ready, bro. The reel is ready.
8:17:24So, um, I'm gonna unmute this. I'm going to unmute this, and now we can take a quick look at the end result. Basic content is dying, but let me actually tell you why that is good news.
8:17:37Based on the LinkedIn expert Justin Welch, posting generic content like quick tips, how to's, or even chattybt generated content doesn't work anymore. What's working right now is essence. Now, let me actually tell you what that means.
8:17:51When you overcome a challenge or you solve a problem in your life, you gain genuine expertise and insights. But it is only when people see that you overcome a challenge that they wanna solve when they truly connect with you.
8:18:04There is a system to share your insights and expertise in an original and honest way. I call it the online ecosystem, and I just recorded a video explaining how it works. If you want the video, just comment the word system, and I will send it over to you.
8:18:18Okay. Awesome. Awesome.
8:18:19Awesome. Awesome. Awesome.
8:18:20So I love it. I love the end result.
8:18:23Now we are ready to export it. Okay. Now we're ready to export it.
8:18:28And, guys, uh, I know we took a lot of time here, but I really went in-depth with the mistakes I do, with all the things that I do, with how, um, when I was recording like, I've been recording this this tutorial for the whole week.
8:18:44Today is is Saturday, and I had some mistakes. Sometimes the microphone went off.
8:18:50I couldn't hear my voice, so I had to record it again, reedit again. Uh, so that's why you're gonna see some cuts some in some part of the video. But almost for the entire tutorial tutorial, I tried to do it in a way where you guys see everything.
8:19:04Okay? So I hope you enjoyed, and we are not done yet. We are not done yet.
8:19:09I want to show you how to export it. Okay? So we're gonna go and select the timeline.
8:19:17Okay? So timeline is called basic content ten eighty b. It's actually this one, if I'm not mistaken.
8:19:23Or just select here and then don't select. How can we do this? So where do I see a name?
8:19:30Okay. This is a four k one. Okay.
8:19:33It's this one. Okay. This is the timeline.
8:19:35We we wanna make sure we select it, and then we go to export, Change the name of that again.
8:19:44Find out. And then continue here. Posting generic content like quick tape.
8:19:48Oh, you see, guys, I muted this. I muted the music, so I gotta go back.
8:19:54Export. Change the name.
8:19:56This can be annoying. But, anyways, you guys are learning the the whole thing here. Alright.
8:20:02So check it again. Posting generated content like quick tips, how tos, or even chat GPT generated content doesn't work anymore. What's working right now is essence.
8:20:12Now, let me actually tell you what that means. When you overcome a challenge or you solve a problem in your life, you gain genuine expertise and insights. But it is only when people see that you overcome a challenge that they wanna solve when they truly connect with you.
8:20:28There is a system to share your insights and expertise in an original and honest way. I call it the online ecosystem and I just recorded a video explaining how it works. If you want the video, just comment the word system, and I will send it over to you.
8:20:41Okay. Awesome. Now we're ready to export it.
8:20:43We export it. It's gonna take some time.
8:20:50Okay, guys. Congratulations. You finally finished the tutorial.
8:20:55We finally went through all the modules. You now know the knowledge and you now have the knowledge and now you can practice the knowledge that can make you a living, that can make you a brand online, that can allow you to help creators online, make money, make your first dollars, start building your online ecosystem.
8:21:16Guys, this is the opportunity for you to start creating the life that you want slowly by leveraging the Internet. Okay?
8:21:24So I'm pretty happy if you made it through here. Okay? I will set it in the modules.
8:21:29Eight hours. If you made it here, guys, you got it.
8:21:33Okay? You're an action taker. Just practice a lot.
8:21:37Okay? You'll learn pretty much everything efficient workflow fundamentals, and I want you to go through this stuff and practice and and create your own frameworks, create your own systems.
8:21:48Also, like, remember the challenge. Right? So remember the challenge, watch the tutorial, practice for one to two hours, thirty days straight, and more than thirty days.
8:21:57Like like, if you like this, if you like video editing, you can really get creative and be paid really, really well in order to make a living. And, guys, also remember, like, clients are not just gonna come your way.
8:22:10You need to build your online ecosystem, document how you improve, document your style, document your edits, let people see how you progress over time, guys. Because as you build that, uh, you will definitely attract clients or people who like your work or as a creator, if you're just a creator, you're are gonna have content that people like and that they see that you actually take care about your content so it increases your authority.
8:22:39Um, and not only do you talk about the thing that you talk about, you can also talk about your interest, your vision, your values, like you can show who you are and express that to people and peep in that way people connect with you. You are the niche.
8:22:53Okay? It's not that you talk about one thing. .
8:22:56Okay? You have all of this. You have foundation.
8:22:58You implement. Um, you have the only ecosystem, your personal hub. All these things, guys.
8:23:03Honestly, like, I can't I cannot, like, give you more. Alright? This is it.
8:23:08This is what I was willing to do. Honestly, I just took my brain, put it into one tutorial. This is literally what I did.
8:23:15So congratulations. And, um, right now, I'm just gonna leave the the video, the, like, the whole edit, alright, the before and after, and we're just gonna wrap it up right there.
8:23:28Thank you so much for watching the tutorial. Remember, um, the several options that I can help you guys with.
8:23:37Beginners, join the free community. Advance, feel free to book a call. Creators, coaches, feel free to reach out to me as well if you need some help getting a video editor and building your online ecosystem as well.
8:23:50See you guys on my YouTube channel, my newsletters. Feel free to follow me on Instagram, Twitter, and let's make it the best life that we can do.
The Hook
The bait, then the rug-pull.
Pablo Quesada opens with the promise of going from complete beginner to professional editor, then immediately shows the finished reel it builds toward, whose own hook, 'Basic content is dying, but let me tell you why that's good news,' is the exact clip you will spend the next eight hours editing.
Named ideas worth stealing.
02:13list
Three-Module Reel System
- Module 1: Efficient Workflow (organization, editing signature, template)
- Module 2: Fundamentals (footage prep, ideation, AE template, rotoscoping, elements)
- Module 3: Advanced Editing (hook, null objects, effects, 3D cameras, path, captions)
The tutorial's spine: build the system, learn the fundamentals, then layer advanced motion. Everything is meant to be built once and reused.
Steal forstructuring any 'blank page to finished asset' production pipeline
09:20list
Three-Folder Organization
- You (your own reels/YouTube/courses)
- Assets (packs, presets, overlays, SFX)
- Clients (one folder per client)
Top-level folder structure, with each reel getting its own folder containing images and renders subfolders.
Steal forany repeatable content-production file system
57:42concept
Productivity Blocks
- Prepare all videos
- Ideate all videos
- Then edit each one
Batch the same task across many videos while you're in that mindset rather than taking one video all the way through at a time; claims roughly 10x speed.
Steal forbatching any repetitive creative pipeline
2:48:40model
The Online Ecosystem
- Foundation (values, why, vision, goals, skills)
- Implementation (learn, practice, create)
- Personal hub (store all knowledge)
- Content across X / IG / YouTube / email
- Authority
- Sell courses, coaching, mentorship
Pablo's business framework, shown on a Miro board: successful creators build a clear foundation, implement with intention, store everything in a personal hub, publish content that builds authority, and sell offers off that authority. Editing is a lever inside this system.
Steal forpositioning a skill or service as part of a larger creator business, not a one-off
3:04:15concept
Eyes-on-a-Line Zoom Rule
When zooming in or out, drag a guide line to the subject's eyes and keep the eyes on that line through the entire move so the zoom looks intentional, not shaky.
Steal forany talking-head zoom or push-in
How they asked for the click.
VERBAL ASK
8:22:33product
“Beginners, join the free community. Advanced, feel free to book a call. Creators and coaches, reach out if you need an editor or help building your online ecosystem. And comment 'system' if you want the online-ecosystem video.”
Soft and layered across the whole video rather than a single hard sell: a comment-bait CTA early ('comment system'), the mentorship pitched during the mid-video Important Note, and a tiered ask at the end mapped to the viewer's level.
MENTIONED ON CAMERA
Visual structure at a glance.
