54:43Philipp Humm · Tutorial
7 Years of Storytelling Advice in 54 Mins
Twenty lessons from seven years of coaching — from the CART structure to committing to a big goal before you feel ready.
September 28th 2024The argument in one line.
The hero journey is the wrong template for everyday stories. A four-part framework called CART plus three enhancement techniques covers 99 percent of what makes casual stories land.
Read if. Skip if.
READ IF YOU ARE…
- You freeze up when someone asks about yourself and default to weather or traffic.
- You have stories you know are interesting but they never land the way you imagine them.
- You want to be more engaging in professional settings without a communication course.
- You are building an audience and know personal stories would help but do not know how to structure them.
SKIP IF…
- You are preparing a keynote or TED talk. This is optimized for one-to-two minute casual stories, not stage presentations.
- You are already a trained storyteller or improv performer. The frameworks here are fundamentals you already practice.
The full version, fast.
Most storytelling advice teaches the hero journey, a 17-step structure designed for Hollywood films that collapses in a two-minute conversation. The CART framework replaces it with four moves that work at conversational speed: Context, Adversity, Resolution, Takeaway. Three enhancement techniques turn a structurally sound story into one that holds attention: raising questions, sharing inner thoughts, using dialogue. Two exercises from the book Storyworthy fill a personal story library over time. Practice happens by rehearsing to room objects rather than a mirror, then using cheap language tutors as feedback partners. The deployment habit is simple: answer how are you with a tiny story instead of a weather update.
Free for members
Chat with this breakdown — free.
Sign in and you get 23 free chat messages on us — ask for the hook, quote a framework, find the exact transcript moment, generate a markdown action plan. Bring your own key when you want unlimited.
Create a free account →Where the time goes.
00:00 – 00:46
01 · Hook and promise
Three problems stated, research credentials established, five-step system teased.
00:46 – 05:02
02 · Step 1: Structure Stories
Hero journey dismissed as wrong tool. CART framework introduced and demonstrated with a complete Central Park phone-loss story.
05:02 – 09:53
03 · Step 2: Enhance Stories
Three techniques: raise questions, share thoughts, share dialogue. All demonstrated with the same running Central Park story.
09:53 – 15:54
04 · Step 3: Find Stories
Two exercises from Storyworthy: First Last Best Worst recovers forgotten memories; Homework for Life captures daily moments. Story Bank stores finished stories with five fields.
15:54 – 18:08
05 · Step 4: Practice Stories
Mirror rehearsal identified as counterproductive. Better: rehearse out loud to room objects with deliberate eye contact. Hack: use three-dollar language tutors as storytelling feedback partners.
18:08 – 21:59
06 · Step 5: Tell Stories
Stop waiting for the perfect moment. Start with micro-stories in response to how are you. Replace weather-talk with a tiny personal story.
21:59 – 22:06
07 · CTA
Book plug: The Story Selling Method. Link to next storytelling techniques video.
Lines worth screenshotting.
- The hero journey is designed for Hollywood films, not the one-to-two minute casual stories that shape how people actually see you.
- Structure alone only gets you past 30 percent of storytellers. Enhancement techniques are what separate memorable from forgettable.
- Raising a question your listener cannot answer yet is a more reliable attention hook than any clever opening line.
- Raw, unfiltered inner thoughts make a story more emotional than polished observations. The awkward thought beats the eloquent one.
- Dialogue between characters creates more listener engagement than narrating what people did or said in summary.
- Rehearsing in front of a mirror increases self-consciousness without improving the story. It optimizes for the wrong variable.
- A language tutor at three dollars per hour is a better storytelling coach than a two-hundred-dollar storytelling coach for most people at most stages.
- 52 stories per year is available to anyone who identifies one interesting moment per week and writes it down at day end.
- The story bank makes a story a permanent asset. Five minutes of capture turns a one-time moment into a lifelong tool.
- Answering how are you with a tiny personal story is the lowest-friction daily practice for becoming a better storyteller.
- Most people wait for the perfect moment to tell a story and never find it. Injecting small stories into ordinary exchanges builds the habit faster.
- A story without a takeaway leaves the listener wondering why you told it. The takeaway converts an anecdote into a point.
Five steps that make any story land.
WHAT TO LEARN
Telling better stories is a system problem, not a talent problem, and the system is learnable in five distinct steps.
- The hero journey is designed for feature films, not conversations. Trying to use it for a two-minute story at work is why so many people trail off without a point.
- CART gives every casual story a spine without feeling scripted: Context sets the scene, Adversity introduces the challenge, Resolution shows how the character responds, and Takeaway delivers the lesson framed as personal learning rather than a moral.
- Raising unanswered questions early in a story is more reliable than any opening line for keeping a listener engaged, because the brain cannot ignore open loops.
- Sharing raw, unfiltered inner thoughts creates more emotional connection than polished narration. The embarrassing or confused thought beats the eloquent observation.
- Stories run dry not because life is boring but because most people do not notice or record the story-worthy moments happening every day. A brief daily reflection generates 52 story seeds per year.
- A personal story bank with five fields per entry turns a one-time experience into a permanent asset that can be reused for the rest of your life.
- Rehearsing in front of a mirror optimizes for appearance, not delivery. Rehearsing to room objects with deliberate eye contact builds the actual skill of holding attention.
- A three-dollar-per-hour language tutor is an underrated storytelling coach. They can report where they got bored and how the story made them feel, which is the feedback that actually improves a story.
- The habit that compounds fastest is replacing a one-word answer to how are you with a small personal story. The awkwardness fades after a few dozen repetitions and the conversations that follow are meaningfully different.
Terms worth knowing.
- CART framework
- A four-part story structure: Context, Adversity, Resolution, Takeaway. Designed for one-to-two minute casual stories at work or with friends rather than stage presentations.
- Homework for Life
- A daily journaling exercise from the book Storyworthy: at the end of each day, identify the one moment that would make the best story and write a sentence about it. Practiced consistently, it trains the habit of noticing story-worthy moments in ordinary life.
- First Last Best Worst
- A memory-retrieval table where you pick life-category prompts such as gift, travel, or job and ask which was your first, last, best, and worst. The goal is surfacing forgotten personal stories rather than inventing new ones.
- Story Bank
- A personal database of polished stories tracking five fields per entry: title, point, summary, use case, and rating. Designed to make stories retrievable on demand rather than lost after first use.
- Raise questions
- A storytelling technique where the narrator withholds information to create suspense, for example saying I realized something terrible before naming what it was. Forces the listener to keep listening to resolve the open question.
Things they pointed at.
10:22bookStoryworthy by Matthew Dicks
Lines you could clip.
01:10
“The hero journey is useful in big stages, but completely useless for the stories we tell in front of our friends or at work.”
06:55
“Your job as a storyteller is to make your audience want to know more. They should be on the edges of their seat dying to find out how the story continues.”
08:34
“Give us the raw, unfiltered thought. That will make it much more interesting.”
14:14
“If just one out of seven moments per week is a bit more interesting, that is 52 stories per year.”
Word for word.
Read-along
Don't just watch it. Burn it in.
See every word as it's spoken — crank it to 2× and still catch all of it. The same dual-channel trick behind Amazon's Kindle + Audible.
metaphoranalogystory
00:00The most successful speakers, creators, and leaders know how to tell insanely good stories, and I wanted to do the same.
00:08But when I started on this journey, I quickly ran into three problems. First, I didn't know what stories to tell. Second, I didn't know how to tell a story in such an interesting way.
00:17And third, I just didn't feel confident to share stories. And to solve these problems, I interviewed 104 professional speakers, read 41 books on storytelling, and tried lots of crazy stuff on the way. As part of that, developed a five step system on how to tell better stories than 99% of the people.
00:35That system will help you have this abundance of story, help you turn any average moment to the most captivating story, and to feel finally confident to share stories in any situation. Let's go. Step one, structure stories.
00:50When I started on my storytelling journey, I had this moment that made me question how storytelling is taught. 2020, I took this very expensive storytelling course here in The Netherlands.
01:01And in that course, they taught the hero's journey. The hero's journey is that beautiful story structure consists of 17 steps and is pretty much used in any Hollywood movie like Lord of the Rings or Star Wars. The structure that they teach in all these courses out there is useful in big stages, but it's completely useless for the stories we tell in front of our friends or at work.
01:23Those casual stories should be between one and two minutes. That's it. In one to two minutes, you don't have time to cover the 17 steps of the hero's journey.
01:33Once I realized that, I studied all the structures out there, and I tried to pull out the parts that worked really well. After doing that for a few weeks, I developed a structure that changed my life. It consists of four steps.
01:46C A R T. Context, adverse resolution, takeaway.
01:51Now you can think of your story structure like this card in the supermarket. Holds together all the awesome ingredients or elements of your story, or I guess, if you're a little bit similar like me, then just remember it rhymes on fart.
02:04Step one, context. In the first step, you wanna give some rough context. Where and when does it take place?
02:10Who's the main character? And what does that character want? Example, it was October 2023 when I went for this big walk through Central Park in New York.
02:19On that day, I wanted to take some pictures for my mom whose birthday was coming up in just a few days. Now that could be the context. Who, when, where, what.
02:29Boom. Try to set the scene in just a few sentences so that you move to the most important part of the story as quickly as possible. Step two, adversity.
02:39Soon into the story, it's time to introduce the adversity or the challenge that that main character faces. And that can be any challenge, difficult decision, physical challenge, an emotional challenge, another person, anything as long as it's substantial to that main character.
02:55Example, as I was walking home, I reached into my pockets, but then I realized, my phone was missing.
03:04I double checked every single pocket on my pants, but still wasn't there. Emilia started to panic. Fuck.
03:11That phone has hundreds of photos for my mom, and I don't have any backups for that. Weeks of work just gone. The challenge is the longest and also the most crucial part of any story.
03:22Describe the struggle, show what is at stake, and let the listeners know how the character feels. Step three, resolution. Next, let your listeners know how the character responds to that challenge.
03:35What are the actions, reactions, decisions taken to overcome that challenge? How does it turn out at the end? Example, right at that moment, someone tapped me on my shoulder, turn around, and I see it was this jogger.
03:48He asked, um,
03:50excuse me. You seem like you're looking for something. Is there anything missing?
03:54I said, yeah, I lost my phone with all the photos on it. Right in that moment, I noticed this
04:00smile emerging from his lips. He reached into his pockets and pulled out my phone and handed it to me.
04:08I couldn't help but jump around his neck and just give him this big hug. Up to this point, well, that story is an interesting story, but your listeners don't really know why you're sharing the story with them. That's when you move into the last step of the story.
04:23Step four, take away. And the last step, let your listeners know what you learned from that experience. What did you realize?
04:30What's the point of the story? Example, What I learned from that experience is that there are honest people in this world who will do the right thing.
04:39But I guess also to start backing up my phone. When you share that takeaway, watch out not to say, you should take away or the moral of the story is, why not? Well, you'll just come across as this preacher.
04:51No one likes a preacher. So the better way is to frame it as what I learned from that experience is x y and z. It's a much more subtle, much more inviting way to tell the takeaway.
05:02That structure has given my stories this super solid foundation. I use it in all of my stories, and it has really helped me tell much better stories than, I'd say, 30% of the people. But after sharing more and more of these stories, I noticed that some of my stories still didn't land too well.
05:20And at that point, I didn't get it. Like, hey. I have this incredible story structure.
05:25Why do I still keep losing people? At first, I didn't know, but soon I found the answer. Step two, enhance stories.
05:33One day, I joined this free storytelling master class. And even though I didn't expect too much of that class, it changed the way I thought about storytelling forever.
05:42Now right in the first few minutes, the speaker shared a story about spilling coffee over his white shirt. I know. Sounds super boring.
05:49Right? Nothing special. But the way he shared the story was beyond anything I've ever seen.
05:56From the first second, he hooked me into the story. I was on the edge of my seat through the entire story, dying to find out what would happen next. But it was obviously not because of the story because, hey, coffee over a shirt, not special.
06:08But it was because of the techniques that he used. After hearing that story, I sat at my best thinking, wow. This was so freaking powerful.
06:16I gotta find out what techniques that guy was using. For four years, I studied tons of videos, books, and courses to find out what makes a story great. 100 pages of notes later, I've boiled it down to 20 techniques that the best storytellers use.
06:33I'll actually include a link to document that shows you all the 20 techniques in the description below. But hey, as we don't have the time to cover all the techniques in this video, I'm gonna share with you my three favorite techniques that I use the most. If you only use those three techniques, you'll tell better stories than 60% of the people out there.
06:53First technique, raise questions. Your job as a storyteller is to make your audience want to know more. They should be how the story continues.
07:03The one simple technique is to raise questions. Example, right when I was leaving the park, I realized something terrible. Even though my heart started pounding against my chest, in full panic mode, I emptied every single pocket trying to find it, only to realize it was gone.
07:21Each one of these makes you wonder, wait, what is that terrible thing that you realized? What are you looking for? What was gone?
07:28The best stories raise questions in your listener's mind. So for your story, think, how can you anticipate interesting stuff that is about to come?
07:37You can say for example, last year, I had an experience that completely changed my outlook on life.
07:44Or yesterday, I had the worst meeting of my entire life. Or right in that moment when I thought it cannot get any worse, that's when I got an email from my manager. Anticipate what is about to come.
07:56Second technique, share the thoughts. The best stories take us on this emotional rollercoaster. The simplest way to make any story more emotional is to share the character's thoughts.
08:07What was that character thinking in that crucial moment of the story? What were the hopes, the goals, the plans, the fears in that specific moment? Example, I thought, shoot, weeks of works, memories, and hundreds of photos gone.
08:24My mom will be so disappointed. Why do I keep losing things? I know when we speak, we often try to sound super intelligent, super sophisticated, but don't do that when sharing the thoughts.
08:37Give us the raw, unfiltered thought. That will make it much more interesting. Third technique, share the dialogue.
08:44Often our stories will have more than one character. Maybe there's this one person that helped you, maybe there's this one person that really pissed you off, or maybe there's this customer that you helped, whoever it is. Now, you can bring your story to life by sharing some of the dialogue of that crucial moment.
09:01What were the exact words that one of the characters said in that crucial moment of the story? Example, right in that moment, I feel a tap on my shoulder.
09:11I turn around, it's this jogger. He says, oh, excuse me, are you looking for something? I say, yes, I lost my phone.
09:18It has all its photos on it and it's gone. Well, is it an iPhone? I say, yes, it's an iPhone.
09:24With a cheeky smile, he reaches into his pocket and he pulls out my phone. You can share a full blown conversation going back and forth, or you can just have one exclamation by one of the characters.
09:37That's up to you. The key is to use this very concise and catchy language. When I started using those three techniques, a whole new world opened up for me.
09:47I started sharing stories really anywhere I could. Some in front of my some in front of my coworkers, and even sometimes on stage.
09:55But after a few weeks, I started running into a problem. I realized that I don't have any more interesting stories that I could share. I already recycled my three stories a few times.
10:06Now, how can I have more interesting stories? At first, I didn't have the answer. I just thought that, hey, I need to have a crazier, more adventurous life.
10:16I only found the answer once I discovered one book. Step three, find stories. The book that has helped me have this abundance of stories is called Storyworthy by Mathildyx.
10:28It's this wonderful book with lots of good nuggets, There were two exercises that have helped me build this story library of hundreds of stories. First exercise, first best last worst.
10:40That first exercise helped me to remember these stories that I had long forgotten about. Now for that, I take out a piece of paper and I draw five columns. In the first column, I put prompt, in the second column, put first, then last, then best, and then worst.
10:55After that, I fill in the prompts. Prompts can be anything that triggers a memory. Gift, travel, job, a book, car, hobby, injury, anything that triggers a memory.
11:08Let's say that my prompt was gift. I then ask myself, what was my first gift?
11:15I it was that chainsaw that I got when I was, like, three years old. I then put chainsaw below that. Now then I go to the next question.
11:23What was my last gift? That was probably that weighted blanket I got for my birthday to sleep better. And I put weighted blanket.
11:31Then I go to the next question. What was my best gift? Oh, yes.
11:36That was definitely that train ticket to Spain. And then I go into the last one. What was my worst gift?
11:43Oh, yes. That was that pepper mill I got from my best friends for my thirtieth birthday. Fuck you guys for that.
11:51Now, at this point, I don't flesh out any story yet. I just note down one or two words that help me remember that story. I then do the same thing for the next prompt.
12:02Once I've then done that exercise for a few prompts, I then review my entries and ask myself, do any of these memories stand out? Is there maybe anything that is a little bit more entertaining, a little bit more emotional, or maybe more interesting?
12:17If yes, well, that's my story. Actually, to save you time creating that table, I'll include a template with my favorite prompts in the description below. First, last, best, worst is this super fun way to uncover these stories that you've long forgotten from the past.
12:33But hey, there's another exercise to spot stories in the present moment, right in the moment when they emerge. The exercise I'm about to share is actually the only exercise I've done consistently every single day for three years now.
12:49Second exercise, homework for life. Homework for life is an exercise to help you spot your story worthy moments every single day. Now how does it work?
12:58At the end of each day, I take a moment and I ask myself, if I had to tell a story from today, what would it be? What would be that one moment that stood out?
13:08The one moment that touched my heart? Maybe it was that funny conversation, maybe some small thing that annoyed me, or maybe some realization.
13:16And then once I have that moment, I note down the date and that story worthy moment. Example. Today is August 6 and my story worthy moment was feeling grateful after my nine kilometer run through the park without knee pain.
13:31Now just as context, this was huge for me because I've had stopped running for like seven years after an injury on my knees. So big moment. Now that was my story worthy moment.
13:42Um, actually, I love to hear from you. What was your story worthy moment from today? Let me know in the comments.
13:49So what happened once I started doing that exercise more and more? At first, my entries were quite boring and rather unspecific. Actually, one of them was, oh, today I enjoyed my peanut butter sandwich.
14:04But after a few weeks, I started to notice more and more meaningful moments. I now have minimum one super interesting moment every week that could be turned to this incredible story.
14:17Now, you can do the math. Right? If just one out of seven moments per week is a bit more interesting, that's 52 stories per year.
14:26That's 156 stories in three years. Isn't that cool?
14:31But to turn those moments into a story, I do some extra work. I take that moment, craft a story around that moment with the structure and the elements you learned, and then put it into my story bank. A story bank is this central place where I capture, classify, classify, and remember my stories.
14:48Now what do I capture in there? I try to keep it pretty simple. So track five things.
14:53I capture the title, the point of the story, a summary, use case, and a rating. That's it. I try to keep it as simple as possible.
15:01I personally like to save my stories in Notion so that I can access them anytime when I'm also traveling. But, hey, you can use really any tool that works for you. If it's Google Docs, Notion, or even a journal, doesn't matter.
15:14Pick the tool that is the easiest for you, that causes the least friction. But actually, let me link a template of my story bank in the description below so that you don't have to waste hours and hours creating one yourself. I started my story bank around four years ago, and every time I encounter a new story, I keep adding it to that story bank.
15:34Sure. Hey. It takes me a few minutes to put that in my story bank, but I'm happy to spend that time because I know that I'll be able to use that story for really the rest of my life.
15:45If you use that structure we talked about, and you sprinkle in some of the techniques you just learned, and then actually save it in your story bag, you'll be a better storyteller than 80% of the people out there. But hey, to unlock this last 20% and to become and to be part of this top 1% of storytellers, there are two more steps that you need to master.
16:07Step four, practice stories. When I started practicing my stories, I rehearsed in front of a mirror because that's pretty much what everyone told me. But soon, I realized that that was terrible advice.
16:20Now why? Because it's completely unnatural to see yourself while speaking.
16:26The only thing that happened was that I got more self conscious about how I looked. I was like, wait a second.
16:33Do do I always look that tired? Really? I didn't know that I had wrinkles.
16:38I'm here. Shoot. Rehearsing in front of a mirror is not helpful.
16:43I found it much more helpful to rehearse my stories while speaking out loud in my room. Often, I pick random objects in my room as my imaginary audience. For example, my water bottle is one person, then a photo frame is another person, and then maybe my dog is another person as my imaginary audience.
17:02So what I do then, I share my story and I try to hold deliberate eye contact with each one of the objects for a few seconds. I usually try to rehearse my stories two to three times before I share it with an actual audience. Now two to three times is enough to get comfortable with the story, but not really enough to rehearse every single word of the story.
17:24But once I've rehearsed them a few times, I then try to share the story with someone I know to get feedback. At first, I asked my friends and family if I could share my stories. They obviously agreed because they like me.
17:37But after some time, I started to feel more and more awkward about it. I was like, oh, man, I don't know whether I can ask my best friend.
17:45I've already asked him seven times to listen to his stories. Pretty boring and to death. I thought of getting a storytelling coach, but I quickly realized that those coaches were way too expensive.
17:56Good ones cost $200 an hour. Excellent ones can cost up to thousand dollars an hour.
18:02But that's when I discovered something something that has helped me make the biggest jump as a storyteller. I get an English language tutor. Now hold on.
18:12I didn't use that tutor for English. Instead, I used that tutor to work on my storytelling skills. There are platforms like Preply or Italki where you can have a private English tutor for as little as $3 an hour.
18:28In these one hour sessions, I share two to three stories and I ask the tutor to give me feedback. It doesn't matter that those tutors are not storytelling coaches. They can still tell me how they like the stories, where they got bored, and how the story made them feel.
18:43After After sharing two or three stories, I then usually try to use the rest of the time to improvise a few stories on the spot. Now that is a crazy hack. Meeting with a tutor once a week for a few weeks has been an absolute game changer for me.
18:59But hey, paying someone to listen to you obviously has some limitations. That's why the last step is absolutely crucial.
19:08Step five, tell stories. Even though I knew how to tell stories, it still took me quite some time to start telling these stories in these normal day to day situations. I just didn't know in which situations I could tell these stories.
19:20You know, oftentimes, I only realized that hours later, I'm like, oh, Philip, You're stupid. You could have used that story in that one moment.
19:29That only changed once I started one habit. Now instead of waiting for that perfect opportunity to tell a big story, I started telling these small stories in these very specific situations.
19:40Situations. Anytime that someone asked me, how are you? Now, before I used to respond like that.
19:46I used to say, good. How are you? Or, oh, yes.
19:49Finally, the sun is out. The sun is shining. That's how I respond.
19:52After, I started sharing a tiny story that shows something interesting about myself. Example, if someone were to ask me today, how are you?
20:02I'd respond like this. I'd say, I'm good.
20:06Actually, I had this beautiful moment this morning. After two weeks on the road, I walked into my apartment, hopped on my couch, and just let out this big I was just so relieved to be back in my own four walls to finally be able to chill a little bit.
20:23Anyway, what about you? When was the last time you got back from, let's say, a longer trip? And how was that for you?
20:29That's it. A tiny story that tells a little bit more about me as a human. Now, what are the things that I usually say when someone asks me, how are you?
20:38Well, usually I try to respond with anything that is more interesting than the weather or traffic. Maybe has there been anything interesting that has happened lately to me? Maybe have I picked up a new skill?
20:48Or is there this small thing that is a little bit annoying but still funny to share? Well, that's the story that I share. Remember, story worthy moment, homework for life?
20:57Well, those are the moments that you can share in that specific moment. In case you're wondering, isn't that super awkward like to share a story without the other person asking? Absolutely.
21:08At the beginning, I found it super super awkward as well. But what I can tell you now after sharing these stories hundreds and hundreds of times, it's so worth it. You'll not only improve as a storyteller, but you'll also have much more meaningful conversations with coworkers, friends, but also strangers.
21:26Once you've shared these tiny stories a few times over a few weeks, you'll start to feel more and more comfortable to share stories in really any situation. Doesn't matter whether in front of friends, coworkers, or on a big stage.
21:39That's it. If you follow the five steps you just learned, you'll tell better stories than 99% of the people.
21:46But hey, today we touched upon a few storytelling techniques, but there are a few ones that we haven't discussed. For that, you may wanna check out my book, The Story Selling Method, or that next video in which I share my favorite storytelling techniques. Enjoy.
The Hook
The bait, then the rug-pull.
When Philipp Humm set out to become a better storyteller, he ran into three walls most people never name out loud: not knowing which stories to tell, not knowing how to make them interesting, and not feeling confident enough to share them. What followed was four years of research distilled into a five-step system built for the stories you tell at work and with friends, not on a Hollywood set.
Named ideas worth stealing.
01:40acronym
CART Framework
- Context
- Adversity
- Resolution
- Takeaway
Four-part story structure for one-to-two minute casual stories. Context sets the scene. Adversity introduces the challenge. Resolution shows how the character responds. Takeaway delivers the point framed as personal learning.
Steal forAny personal story in a pitch, interview, or social setting that needs to land in under two minutes
10:38model
First Last Best Worst
- Prompt
- First
- Last
- Best
- Worst
A five-column table where rows are life-category prompts and columns ask for first, last, best, and worst memory per category. Purpose is retrieval of forgotten stories, not invention.
Steal forAnytime you feel like you have no interesting stories
12:42concept
Homework for Life
From Matthew Dicks book Storyworthy. Each evening ask: if I had to tell a story from today, what would it be? Write down the date and one sentence. Generates 50-plus story seeds per year.
Steal forDaily journaling habit for anyone building a personal story library
14:34model
Story Bank
- Title
- Point
- Summary
- Use Case
- Rating
A searchable database of polished personal stories in Notion or any tool. Makes stories a permanent retrievable asset rather than one-use memories.
Steal forContent creators, speakers, coaches, salespeople who need the right story at the right moment
How they asked for the click.
VERBAL ASK
21:59product
“you may wanna check out my book, The Story Selling Method”
Brief and non-aggressive. Book shown on screen as 3D render. Also offers a next-video link as a softer CTA. Placed after the full system is delivered so viewer already received the value.
MENTIONED ON CAMERA
FROM THE DESCRIPTION
Visual structure at a glance.
